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60 pages 2 hours read

Deanna Raybourn

A Curious Beginning

Fiction | Novel | Adult | Published in 2015

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Chapters 25-29Chapter Summaries & Analyses

Chapter 25 Summary

Veronica and Stoker spend a pleasant day at the Belvedere, kept inside by the rain. The next day, as they head to the bank, Veronica feels that they are “embarking upon the final leg of [their] adventure” (270-71). The city bustles on the cusp of celebrating Queen Victoria’s Jubilee. The bank manager has been instructed to release the box only if Veronica can prove her identity by producing Chester, which she does. He leaves Stoker and Veronica with the box, which contains a packet of papers. Inside is a birth certificate naming Veronica’s father Prince Albert Edward, Queen Victoria’s son and the Prince of Wales, and a marriage certificate saying that he and Lily had wed, making Veronica a legitimate child.

Stoker sends a shocked Veronica to Hyde Park; he joins her shortly, having stolen a history of the British royal family from a nearby bookseller. He determines that Prince Albert Edward married Princess Alexandra of Denmark 10 days before Veronica’s mother died. The marriage certificate shows that Lily and Albert Edward’s marriage was witnessed by Aunt Lucy and Max. Because Albert remarried before Lily died, the marriage and his resulting children with Alexandra are illegitimate. Stoker traces the potential for war if Alexandra’s father, the King of Denmark, stands against England over this issue.

Stoker takes Veronica to see Sir Rupert Templeton-Vane, his brother and a barrister. Rupert makes snide, veiled comments about Stoker’s late wife. After soliciting Rupert’s promise to never disclose the information she is about to share, she gives him the packet of papers. Rupert offers legal citations to outline the significance of the discovery: Because heirs to the throne are not permitted to marry without the permission of the monarch, under English law, Albert and Lily’s marriage was not legitimate. However, in the view of the Catholic Church, the marriage is legitimate, which would cause British Catholics to rally behind Veronica as a potential heir to the throne. This could lead to revolution in Ireland, especially given Lily’s Irish heritage.

Chapter 26 Summary

Overwhelmed, Rupert takes a large drink of whiskey, leading him to quibble with Stoker over which of their parents drank more alcohol. Stoker insists that he and Veronica will seek answers without Rupert’s help. He says Rupert’s family would be endangered by Rupert’s involvement in the intrigue, but he leaves the stolen book for his brother to pay for.

Stoker and Veronica head to the Tower of London on the assumption that their assailants will not seek them there. Veronica believes it unlikely that the royal family wishes her dead, arguing that Prince Albert Edward “thinks with his heart” and likely loved Lily (288). Stoker recalls that Prince Albert, Albert Edward’s father, died in 1861 after taking a long walk in the rain with his son. They deduce that the pair risked the bad weather to discuss Albert Edward’s marriage and its potential for scandal. They surmise that this would have led Albert Edward to feel guilty for his father’s subsequent illness and death and therefore give in to his mother’s matchmaking with Princess Alexandra.

They wonder about de Clare’s role, positing that he is an Irish separatist who intends to abduct Veronica to Ireland and potentially force her to marry another separatist. She would then give birth to a child who can be raised to support Irish Home Rule. This would mean de Clare is unlikely to wish Veronica dead in the short term, though she worries that her life would be short after she produced this potential heir. It would give him motive to kill Max, though, if Max had refused to give up the evidence of Veronica’s parentage.

Stoker offers Mornaday as another possible suspect, though Veronica finds this unlikely. Veronica recalls Max’s friendship with Prince Albert. She finds it unlikely that Albert Edward would murder Max, whom he called upon to witness his illicit marriage, but Stoker thinks it indicates greater likeliness.

Chapter 27 Summary

As they leave the Tower of London, they discuss menageries, which are exhibitions of exotic animals kept in captivity. Veronica argues that they should never have existed, framing it as different from her and Stoker’s work as naturalists. She cites her work as “scientific inquiry” rather than “the royal sense of self-importance” (294). They then return to the mystery. Veronica asserts that while the royals might not have hatched the plot themselves, one of their “handlers” could be involved. Stoker again suggests Mornaday, especially if he works for the “Special Branch.” This is a subdivision of Scotland Yard originally formed to “deal with the Irish problem” (295) but who now handle any police matters that require discretion. Veronica wonders if knowledge of such a threat is why Mornaday cautioned them to flee England.

They realize the Special Branch would frame Stoker, then likely kill him to cover their tracks. Stoker’s violent reputation would give the story credibility. He considers following Mornaday’s advice and fleeing, but Veronica balks at spending her life on the run. He offers to marry her for propriety if they leave together, but neither of them wishes this. Veronica offers to pay for Stoker to leave the country while she remains and fights. This insults Stoker’s sense of honor. He insists they will fight together.

Veronica hatches a plan to invite all the suspects together to meet them face-on. Stoker objects, but Veronica is insistent. They have Badger send Veronica’s invitations, then warn him away from the warehouse that evening. Stoker spends the day working on the elephant while Veronica assembles clues. She confirms Mornaday’s credentials as a detective, causing Stoker to recount his past with the head of the Special Branch, Sir Hugo Montgomerie, who tracked Stoker down on his father’s behest when Stoker ran away as a child. Montgomerie’s involvement is likely what led Stoker to become a suspect in Max’s murder.

In a rare moment of self-doubt, Veronica asks Stoker about times he has feared death. Even on her adventures, she has always taken her survival for granted. He comforts her and insists they will succeed. In anticipation of the suspects’ arrivals, they arrange the workshop theatrically, with a large cauldron at the center. Inside the cauldron, they build a large fire. Promptly at nine o’clock, they hear a knock at the door.

Chapter 28 Summary

De Clare enters with Little John; Veronica greets him as “Uncle.” He feigns familial love, though he quickly angers when Veronica disbelieves him. Mornaday and Sir Hugo Montgomerie enter next. Montgomerie confirms he knows de Clare as a key agitator for Home Rule. Veronica explains her parentage, and Mornaday confirms her suspicion that Lily and Albert Edward met in North America. He knows this from a Scotland Yard file on the affair, created at Prince Albert’s behest. Neither Mornaday nor Montgomerie knew of the proof of Lily and Albert Edward’s marriage. Veronica produces her papers, presenting them as the reason for Max’s death.

De Clare blames Max’s death on Silent John, offering to turn John over to the police if Veronica comes to Ireland. De Clare tries to convince Veronica that she will be safe with him in Ireland; she counters that he wishes to use her as a “puppet” for his political gains. Montgomerie claims he must arrest Veronica to protect the royal family. Veronica counters that she does not threaten the Crown; the proof of her birth does. Stoker tosses formaldehyde on the papers, causing them to be instantly destroyed when she tosses them in the fire. Furious, de Clare attacks Stoker. When Stoker fights off the attack, he inadvertently knocks de Clare into the cauldron. The formaldehyde causes de Clare’s clothes to instantly burst into flame. De Clare throws himself out the workshop windows and into the Thames. His Irish allies flee as the warehouse begins to burn.

Mornaday pulls Veronica outside while Stoker returns to the burning building to rescue his dog. When Montgomerie smugly watches the building burn, Veronica points out that de Clare, who has a boat, likely survived his fall into the water. She reveals that Mornaday knew about the boat, causing Montgomerie to shout at his subordinate. To Veronica’s relief, Stoker emerges from the warehouse with an unharmed Huxley. Montgomerie is astonished that Veronica did not seek to take the throne and promises to speak to her again soon.

Chapter 29 Summary

Stoker and Veronica meet Mornaday and Montgomerie the next morning. Montgomerie acts pleased to see them, chatting about butterfly-catching, until Veronica accuses him of plotting to kill her and frame Stoker. He inadvertently reveals that the plot existed, but he never intended to kill her. Montgomerie attempts to give Veronica bribe money, but she refuses to take it. He warns that this will not reassure the royals. As Veronica and Stoker depart, Mornaday advises keeping quiet so that the royals will cease to view Veronica as a threat. He admits that the person who gives him orders is a woman.

Stoker and Veronica return to the Belvedere. Veronica is saddened to know she will likely never meet her father and that there will be no justice for Max’s murder. Worse, she no longer has a reason to spend time with Stoker, whom she still regards as highly mysterious. They have dinner with the Beauclerks. At the end of the meal, when only Rosemorran and Veronica remain, he urges her to reveal her troubles, and she tells him of her low mood. He listens carefully, which improves Veronica’s impression of him. Veronica suggests making the Belvedere into a museum, and Rosemorran agrees.

Veronica leaves the Belvedere on the day of the Jubilee without seeing Stoker or Huxley again. She watches the royal procession, including her father, the Prince of Wales. On her way back to the Belvedere, she finds Stoker, who teases her about going to see her “granny.” They discuss the remaining mystery of Montgomerie’s employer, and Veronica pays Stoker the guinea she lost in their wager. She explains her proposal to Rosemorran, which will include salaries, lodging, and funded expeditions for Veronica and Stoker. Stoker admits being pleased that they will continue to work together. To her shock, he produces the real papers indicating Veronica’s birth, as he had given her false ones, and wishes her happy birthday; by the date in the documents, she is 25 that day. She keeps them for now, and the two being planning their museum.

Chapters 25-29 Analysis

The novel’s final chapters see the text play with different genres once again, as it turns its attention more to political history and intrigue than to the specifics of a murder mystery. This portion of the novel both pays significant attention to the role of the British monarchy and cultivates an ambivalence about that monarchy. Throughout the text, various characters make unflattering comments about Queen Victoria, insulting her looks, her intelligence, her imaginativeness, and her (in their view) excessively Germanic and middle-class values. Indeed, few of the royal characters are depicted flatteringly, though they are only referenced and not depicted directly. Prince Albert Edward is framed as a weak-willed man who abandoned his wife and child; Prince Albert, who receives the gentlest treatment, is suggested to care excessively about the potential for scandal over the happiness of his son.

Yet the novel is explicitly not anti-monarchic; when Veronica is faced with choosing between defending the British Crown and supporting the quest for Irish Home Rule, Veronica unequivocally chooses the Crown. She frames this choice as one oriented in the personal more than the political—she does not wish to be a pawn in de Clare’s scheme—but she allows that the two are inextricable. She tells Sir Hugo “that the Crown must not be permitted to be threatened or even embarrassed” and destroys the evidence that constituted such a threat (315). The novel thus demonstrates its understanding of political intrigue, with real-world political stakes, even as it seeks to minimize these stakes for the sake of its specific, entirely fictional characters. This further emphasizes The Role of Fact in Historical Fiction, as it helps create narrative tension and provides more depth to the setting and plot.

Despite this broader shift away from murder mystery conventions, the novel does not entirely disavow its place within the history of the detective fiction genre. In Chapter 27, Veronica summons de Clare, his collaborators, Mornaday, and his boss, Sir Hugo Montgomerie, to present her full understanding of the case—though what constitutes “the case” has shifted by this point in the novel, as Veronica’s revelation is about her birth, not about Max’s murder. This practice of “gathering the suspects” is commonly associated with Golden Age mystery writers like Agatha Christie, as well as earlier detectives like Sherlock Holmes and later ones like Philip Marlowe, Raymond Chandler’s hard-boiled private eye. They preferred to gather all relevant parties before revealing the solution to their mysteries. Veronica’s decision to burn the evidence is another mystery trope, one that is seen in romance-mystery hybrid Slippery Creatures by KJ Charles. It is inverted in the 2022 film Glass Onion: A Knives Out Mystery, in which the destruction of evidence leaves the villain unable to get away with his crime instead of removing the protagonist from the threat of violence.

Though the text thus offers nods to its status in the mystery canon in this section, the revelation of Max’s murder is ultimately anticlimactic. De Clare admits that Silent John accidentally killed Max as de Clare sought information that Max refused to give of Veronica’s legitimate birth. His report is offhand and is mostly disregarded by even Veronica and Stoker, who now face larger challenges, given that their enemies include the British Crown. Though Veronica notes with sadness that there will be no justice for Max, she does so with resignation rather than determination to do anything about it. An explanation of the truth is all that Max will get. This frames the entire mystery of his death as a red herring, as the true revelation is Veronica’s lineage, but it also sets up the series. With larger, more complex issues to solve and further development awaiting her relationship with Stoker, there is space left open for the Veronica Speedwell series to continue.

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