48 pages • 1 hour read
Sue GraftonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Millhone’s investigation intensifies as she scrutinizes the lives of those connected to the late Laurence Fife. Her quest leads her first to Montebello Pharmacy, where she learns from pharmacist Carroll Sims that HistaDril, Laurence’s medication, had been taken off the market due to potential carcinogenic side effects. This discovery raises questions about the medication as a possible murder weapon. Millhone then shifts gears to stake out Marcia Threadgill, gathering photographic evidence that contradicts Marcia’s claim of being injured, which she hopes to use against her later.
Charlie Scorsoni, Laurence Fife’s former business partner and a person of interest, unexpectedly enters the scene. Charlie reveals that he had known about Laurence’s affair with Libby Glass but chose not to share this information during the initial investigation. Millhone learns that Laurence had a series of discreet affairs, mostly with older, wealthy women, and that he was a man who held his cards close to his chest, a trait that made him successful in his professional life.
In a tense atmosphere veiled with cordiality, Millhone meets Laurence’s first wife, Gwen, and his former mistress, Charlotte Mercer. Gwen, revealing vulnerability beneath her composed exterior, offers insight into her past struggles with alcohol, divorce, and an extramarital affair. Though cooperative, she becomes reticent when certain subjects are broached, leaving Millhone pondering her reliability as a source. Gwen sees her own lawyer, Charlie Scorsoni, as above suspicion, yet curiously wonders if he might view her as a suspect.
Mercer, a jaded and sarcastic woman married to a local judge, corroborates Gwen’s statements about Laurence’s desire for control and emotional domination. She brings up Sharon Napier, Laurence’s secretary. According to Charlotte, Sharon had a personal grudge against Laurence for ruining her mother’s life and took psychological satisfaction in her role in his life, positioning her as another potential suspect.
Millhone seeks to locate Sharon Napier and learns that Sharon has moved to Nevada and possibly skipped out on her debts. Bob Dietz, a Nevada investigator, aids Millhone in this pursuit.
Millhone heads to Los Angeles, where she stays in a motel managed by Arlette, a vocal advocate against body discrimination. Next, Millhone visits the parents of Libby Glass. The family is marred by tragedy; the mother, Grace, tends to her husband, who has mobility and hearing disabilities, while wrestling with the memory of her deceased daughter.
The chapter continues Millhone’s visit with the Glass family. When Lyle arrives, the atmosphere shifts dramatically; he is affectionate toward Grace but cold and hostile toward Millhone. His evasiveness raises questions about his willingness to discuss Libby’s death, and it suggests that he might have something to hide.
Millhone eventually breaks through Lyle’s defenses, getting him to speak about his past with Libby. He reveals that Libby broke up with him to be with Laurence, only to possibly die by suicide following Fife’s death—an angle Millhone hadn’t previously considered.
Millhone heads to Haycraft and McNiece, the accounting firm where the murder victim used to work, but her encounter with Allison, the receptionist, proves fruitless. Garry Steinberg, the man to whom she needs to speak, is in New York, and the other members of the firm are either dead or unavailable.
This frustration drives Millhone to go for a jog on the beach. Though the location evokes the lingering vestiges of the 1960s’ drug culture, she finds a moment of levity and connection with a stray dog.
After the run, Millhone receives a call with Sharon Napier’s address in Las Vegas. She also has a brief yet emotionally charged conversation with Charlie Scorsoni, sparking a feeling in her of curiosity and emotional vulnerability. The chapter ends with Millhone setting out for Las Vegas.
Millhone checks into a kitschy motel and observes the casino culture, which operates under its own set of rules. She eventually locates Sharon Napier, who is now dealing cards in a casino.
Sharon is a cold, calculating beauty, but her expression changes momentarily when she learns that Millhone is investigating Laurence’s death. Millhone grapples with worsening flu symptoms, brought on by the Las Vegas’s tense, emotionally draining atmosphere. Still, after meeting with Sharon, her resolve to continue her investigation intensifies.
Millhone is jolted awake by a phone call from Sharon, who is irritated about their delayed meeting. The call is cut short by a loud noise resembling a gunshot, pushing Millhone into high alert. Her flu symptoms are forgotten as adrenaline fuels her rapid arrival at Sharon’s apartment, where she finds her dead, apparently murdered.
At the apartment, Millhone switches from casual investigator to a detective in the midst of a crime scene. She carefully navigates the dark apartment using a flashlight as a makeshift weapon and switches off any external lights. Despite her methodical preparations, Millhone finds the setting eerily quiet—a stark contrast to the bustling backdrop of Las Vegas she had previously experienced.
Upon discovering Sharon’s shot-through throat, Millhone is confronted by her own vulnerability. She realizes she could have been the victim had she arrived on time for their meeting. Sifting through Sharon’s apartment, Millhone finds overdue bills and past-due notices, which she takes for further scrutiny. Her investigative demeanor briefly falters when a squeaking noise leads her to a rodent in the bathroom, awakening a sliver of sentimentality.
Conscious that she might be implicated, Millhone calls the Las Vegas police anonymously and then hastily leaves the apartment. She manages to remove a slip of paper from Sharon’s cigarette pack that has her own name and motel address on it—evidence that could link her to the crime. As she departs, she spots a heavily armed patrolman entering the apartment, heightening her sense that she may be enmeshed in something more treacherous than she’d assumed.
Reeling from Sharon’s murder, Millhone is happy to leave Las Vegas. She takes a solitary drive to Salton Sea, where she meets Greg Fife, Laurence’s son, who resides in a humble camper due to boat repairs. Throughout their encounter, Greg is hesitant to revisit his past and reflect on his father’s personality. The conversation gradually unfurls Greg’s complexity of feelings, oscillating between resenting his father and longing for his approval. Through a geological lesson drawn in the wet sand, he shares a cherished memory from his teenage years, marking the Salton Sea as a special locale holding a deep sense of loss and longing to reconnect with his deceased father.
As the chapter progresses, Millhone and Greg forge a deeper connection, jogging through the desert and discussing their backgrounds. The conversation spans serious topics, including Millhone sharing the traumatic loss of her parents and her experiences working harrowing cases. They also indulge in lighthearted banter about age and movies, illustrating a burgeoning trust and intimacy. The inquiry touches upon specifics such as Laurence’s allergies and unsolved mysteries including the peculiar death of their family dog and limited details regarding their housekeeper, Mrs. Voss.
As Millhone prepares to depart, ensuring to keep Greg updated on her findings, she glimpses Greg through the screen door, creating an illusionary resemblance to Laurence.
In these chapters, the mystery surrounding Laurence’s life and death intensifies as new potential suspects and perspectives come into Millhone’s purview, constantly highlighting the theme of Truth and Deception.
Millhone’s investigation brings her into the complex network of Laurence’s relationships with women, each revealing different facets of his personality and painting a portrait of a man guided by a desire for control and emotional manipulation. The women in Laurence’s life, such as Gwen and Charlotte, embody the dualities of vulnerability and strength, exemplifying broader societal norms regarding Marriage and Gender Roles, which the narrative implicitly critiques. Laurence’s portrayal as a man engaging in affairs predominantly with older, wealthy women further interrogates these norms, casting him in a parasitic role that utilizes sex for material gains.
The investigation takes a deeper turn with Charlie, whose reverence for Laurence and his hidden knowledge of Laurence’s affair with Libby show him to be guided by dubious morals and self-interest, adding to the theme of Justice and Wrongful Imprisonment. Charlie is painted as a man capable of suppressing truth, raising questions about the extent of justice in a society where individuals prioritize self-preservation over moral virtue.
This period of the investigation marks a subtle shift in Millhone’s personal approach as she navigates unexpected attractions, shedding light on her vulnerability and the inherent conflicts that arise between personal impulses and professional obligations. The physical settings, ranging from a sterile home to a pharmacy and then to the vibrant energy of Los Angeles, augment the underlying themes and provide a rich backdrop against which these human dynamics unfold.
The narrative maneuvers through a maze of stories, each introducing potential motives and suspects in the murder. Millhone, depicted as a relentless seeker of truth, emerges with a nuanced depth as seen in her interactions with this diverse cast of characters. She navigates a world of deception, hidden motives, and murky relationships, each with the potential to clarify or further muddle the truth.
The inclusion of details such as the unexpected dual nature of Libby Glass—known for her meticulous nature in work yet appearing vivacious and different in photographs—alludes to the underlying complexities in her character, foreshadowing revelations in Millhone’s investigation. Lyle’s bricklaying also works as a symbol representing figurative barriers to truth, a motif that enhances the thematic depth and narrative structure of the story.
The narrative continues to broaden both in terms of geographical scope and thematic depth, exploring a wide array of intricacies and paradoxes, largely hinged on Millhone’s determined pursuit of truth. As the investigation unfolds, Millhone’s journey takes her to both the posh Haycraft and McNiece firm and the free-spirited subculture lingering in the streets of Los Angeles, painting a tableau of contrasting worlds, each harboring its truths and deceptions. The geographical journey mirrors Millhone’s internal terrain, often marked by dogged determination punctuated by brief, albeit heartfelt connections, as exemplified by her camaraderie with a stray dog, embodying spontaneous moments of genuine connection amid a lonely voyage.
The glaring difference between the glamour of the Vegas Strip and the run-down apartment complex where Sharon Napier resides epitomizes the dichotomy of appearance versus reality, a recurring idea tied to the theme of truth and deception. The city serves as an emotionally draining backdrop, heightening Millhone’s growing tension and discomfort. These sensory experiences work in tandem with her internal state, creating a rich, if disconcerting, atmosphere.
Sharon’s death juxtaposes Millhone’s professional diligence with her emotional and ethical vulnerability. The silence of the crime scene and the lack of police or neighbors mirror the solitude Millhone feels, even amid the superficial vibrance of Las Vegas. This atmosphere enhances the theme of deceptive appearances, suggesting that beneath the city’s glitz lies a labyrinth of hidden threats, just as beneath Millhone’s tough exterior are layers of guilt, vulnerability, and ethical questioning.
As a setting, Las Vegas introduces new elements into the plot. A sudden alarming phone call pulls Millhone into the eye of the storm, teetering on the edge of vulnerability and courage in the face of Sharon’s murder. Here, the setting switches between the exhilarating vibe of Las Vegas to the silent, ominous space of a crime scene, offering a stark visual and emotional contrast that amplifies the suspense and Millhone’s burgeoning realization of the danger that surrounds her. This tension is further sustained as she navigates potential implications in the crime, showcasing a depth in character development as she balances professional diligence with personal vulnerability.
Returning to California, Millhone seeks solace from the shocking events and finds herself in a place of reflection by the Salton Sea, a setting that nurtures deeper connections, and facilitating revelations from Greg Fife about his father, Laurence. This tranquility affords space for Millhone and Greg to excavate deep-seated memories and regrets, as they traverse personal tragedies and touch upon the familial complexities tied to Laurence’s history. This chapter illustrates the interplay between the past and present, with the Salton Sea symbolizing a repository of memories, and the evolving dialogue fostering an emerging trust, underscoring the theme of marriage and gender roles as it surfaces through discussions on familial dynamics.
The recurring motifs of Nikki’s diary and Millhone’s index cards reflect Millhone’s careful method in her pursuit of truth, navigating a world where justice seems elusive. They symbolize the fragmented narratives and the challenge of piecing them together to arrive at a sense of justice, a thematic thread that winds through these chapters with an incisive scrutiny of societal norms. The cards mirror the maze of connections and secrets that Millhone is determined to unravel.
The relationship between Millhone and Charlie establishes a terrain of emotional vulnerability and curiosity, highlighting a dichotomy in Millhone’s persona: a woman with a tough exterior who harbors a soft, curious interior.
By Sue Grafton