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44 pages 1 hour read

Marina Budhos

Ask Me No Questions

Fiction | Novel | YA | Published in 2006

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Themes

The Impact of Immigration Policies on Families

Content Warning: This section references family separation in the context of the US immigration system. 

Ask Me No Questions explores the post-9/11 landscape, a period characterized by strict immigration enforcement. The novel critiques the era’s immigration policies, highlighting their effects on families. The post-9/11 social climate, stamped by heightened scrutiny, xenophobia, and bureaucratic complexities, intensifies the challenges the Hossains face, causing physical and emotional separations between family members and ultimately the erosion of family bonds.

The most notable consequence of immigration policies in the novel is the physical breakup of families and the dehumanization associated with this process. The first instance of separation occurs with Abba’s detainment. The family fragments further when immigration officers take Uncle into custody: “Aisha argues with the policeman […] But he just explains it’s out of his jurisdiction, the FBI has taken over these cases, so that’s why they’re taking Uncle to a federal center” (86). The policeman’s response, indicating that the case is now under federal jurisdiction, reflects the impersonal nature of American immigration law. The Hossains are caught in a system that reduces them to mere case numbers, thereby overshadowing their individual human stories, struggles, and dignity—e.g., their right to remain together as a family.

The dehumanizing bureaucratic system and enforced separation from loved ones psychologically impacts the novel’s characters. Following Uncle’s detainment, Nadira reflects, “I can feel Uncle and Abba, like shapes behind walls” (89). This imagery of feeling her uncle and father as “shapes behind walls” symbolizes the invisible barriers immigration policies create. The walls represent the legal obstacles that physically and emotionally separate them. The sense of proximity (“I can feel”) juxtaposed with the barrier (“behind walls”) captures the pain of being close to loved ones yet unable to reach them. The description of her family members as “shapes” rather than as individuals underscores the dehumanizing aspect of detention and deportation processes, which Nadira has to some extent internalized.

Both the physical separation from family members and the psychological toll of immigration policy weaken the characters’ relationships with one another. When Uncle returns from detention, his relationship with his daughter is severely damaged. Nadira reflects on this transformation, stating:

Taslima and Uncle, they’re barely taking these days. And Ma’s been gone so long, I can barely imagine her face and smell and hands. Maybe that’s what America does to you; It spreads you into far distances until you’re just bits rolling apart (126).

The observation of Taslima and Uncle’s strained relationship, along with Nadira’s fading memory of her mother, illustrates the gradual erosion of their familial bonds and the resulting sense of pervasive alienation. Nadira’s difficulty in remembering her mother’s face, smell, and hands connotes the loss of intimate, personal connections, while Taslima and Uncle’s estrangement suggests the lasting impact of such separation; Uncle’s release from detainment does not mend what has been broken. Taslima’s decision to live with and marry her boyfriend can likewise be seen as a response to the deep emotional distances that have developed within the family due to immigration policies. The fracturing of the family culminates in Uncle and Auntie’s decision to return to Bangladesh even as their daughter and Nadira’s family remains.

Ask Me No Questions seeks to expose what it frames is the overlooked human impact of political policies. The gradual disintegration of familial bonds and the emotional toll of enforced separations serve as a microcosm of the wider immigrant experience in America and a reflection of US immigration policies’ effects on people’s lives.

The Struggle for Identity and Belonging in a New Country

The novel opens by situating the Hossains as outsiders in a foreign land. Nadira narrates, “We keep driving even as snowflakes clump on the wipers, and poor Abba can barely see. Coconut flakes, Ma jokes. We’ll go outside and scoop them up, and I’ll make you some polao” (1). Snow, a common occurrence in much of the US, is not typical in tropical climates like Bangladesh and thus represents the strangeness of their new environment. Ma compares the snowflakes to coconut flakes, creating a contrast between what is familiar and what is foreign; she also mentions making polao, a traditional South Asian dish, introducing aspects of their Bangladeshi roots to their shifted identity in America. This sets the tone for the novel’s exploration of the family’s reconciliation of their cultural roots with their present situation in America.

Nadira, who immigrated to America at seven, grapples with the alienation of being an immigrant. She compares her experiences to landing on a different planet, a metaphor depicting her disorientation, isolation, and loss of identity. The analogy mirrors her perception of America as an unwelcoming place, evoking barriers such as language differences, cultural misunderstandings, and systemic discrimination, all of which seem to preclude the possibility of true belonging. She further explains that “here [In America] we live[] with no map. We [become] invisible, the people who [swim] between other people’s lives, bussing dishes, delivering groceries” (57-58). The concept of living “with no map” suggests a lack of direction and a sense of being lost. The phrase “we became invisible” speaks to society’s marginalization of immigrants, particularly those who are undocumented and/or doing menial jobs; this invisibility is not just literal but also metaphorical, as their contributions often go unrecognized. The idea of “swimming between other people’s lives” suggests a transient, liminal existence, reinforcing the theme of the constant search for identity and a sense of belonging.

In contrast to Nadira, whose strong connection to her heritage exacerbates her feelings of isolation, Aisha strongly desires assimilation. This is evident when Aisha selects a group of friends she wishes to join: “She studied what they wore, their flare-leg pants, their macrame bracelets, and she begged Ma to take her shopping to buy exactly the same things” (24). Aisha mimics the style of her peers, using clothing and accessories to symbolize belonging and acceptance in the new culture. That Aisha “begs” her mother to go shopping indicates the tension between her family’s cultural background and the dominant culture she encounters at school. It also hints at financial constraints and differences in priorities, touching on the economic struggles of immigrant families. Aisha’s need to secure acceptance supersedes these considerations but may come at the cost of losing touch with her roots. Taslima serves as an example of a fully assimilated character, having attended American university and married a white law student. However, Taslima’s arc underlines the costs of this assimilation: disconnection from her parents, who move back to Bangladesh.

This decision to return to Bangladesh highlights that questions of identity and belonging are not unique to the novel’s younger generation, although the younger characters may face particular pressure to assimilate. Uncle explains the choice to return to Bangladesh with the words, “Better I am poor in a country where I can feel at home. Where I am wanted, then to live like this” (140). He implies that the sense of being “wanted” is more crucial than material wealth; without cultural connection, community ties, or a sense of acceptance whatever opportunities America affords are meaningless.

Through the varied experiences of the Hossain family, Budhos explores the struggle for identity and belonging in a new country, exploring the realities of assimilation, displacement, and cultural preservation. The characters represent a spectrum of experiences: some successfully integrate into their new environment, others struggle or reject their new circumstances, and yet others find a way to reconcile their heritage to their new world.

The Resilience and Adaptability of Young Immigrants

Budhos explores the resilience and adaptability of young immigrants through the intertwined stories of Nadira and Aisha. Nadira, closely linked to her Bangladeshi heritage, reflects of her cultural ethos, “They say no matter what happened to Bangladeshis—floods, storms, droughts, riots, strikes—we keep going” (55). Nadira’s statement sets a foundational tone for the novel, foreshadowing the characters’ perseverance. Their actions extend beyond immediate responses to adversity, commenting on widespread aspects of the immigrant experience—the need to persist, adapt, and find strength in adversity—while also paying homage to the unique cultural heritage of the Bangladeshi community.

The separation of Nadira and Aisha from their parents establishes their adaptability. Rising to the occasion, they handle complex responsibilities, including visiting a lawyer, seeking advice from Ali-Uncle at the mosque, contacting the detention center, and writing letters to congressmen. In doing so, they transition from dependent children to proactive individuals. The sisters’ solidarity, captured in the sentiment, “It’s been a long while since I felt so good about Aisha. We’re together, a sister-sister team” (78), spotlights their personal growth and enhanced mutual reliance. In the novel’s framing, the sisters’ ability to overcome their differences to seek solutions to their shared problems speaks to the resilience and adaptability of many young immigrants.

Nadira’s individual character arc further develops this idea. Initially overshadowed by her sister Aisha’s assertiveness, Nadira emerges as a pillar of strength as Aisha begins to struggle under the pressure of their family’s situation. This shift becomes particularly evident during Aisha’s college interview at Barnard, where Nadira’s support becomes crucial. When Aisha is overwhelmed to the point of physical sickness, Nadira’s comforting embrace marks a turning point: “This is the first time I’ve ever done this, but I put my arms around my sister” (113). This action exemplifies Nadira’s growth from a follower to someone capable of offering support and guidance. Nadira’s role in securing her father’s release from detention further solidifies her journey toward empowerment. This act leads to a personal change, best captured in her reflection: “But sometimes there’s something else, especially when the sky goes dark: the person guiding from behind. That’s who I’ve become in my family” (137). This introspection reveals her newfound role as a guiding force for her family, particularly in times of crisis. Nadira’s character arc demonstrates how adversity can catalyze empowerment, mirroring the experiences of many young immigrants who unexpectedly find themselves assuming new responsibilities, adapting to unfamiliar roles, and uncovering their own strengths in the process.

The climax of the story takes place when Aisha chooses to reveal her immigration status to the whole school during her valedictorian speech: “And then she says them: the words that have gathered like thunder in our throats. The words that make me afraid to move in my own skin” (150). Aisha’s journey from confidence to withdrawal to reclamation of her voice illustrates the complex challenges young immigrants face. This turning point, where vulnerability and courage intertwine, signifies not just a return to her assertive self but an evolved resilience bolstered by familial support. Aisha’s story is a testament to the multifaceted resilience required to thrive amidst the complexities of immigrant life.

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