35 pages • 1 hour read
Michael FraynA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Act 2 begins with a recollection of Heisenberg’s first trip to Copenhagen in 1924 when, as a young man, he and Bohr went on a long hike to Elsinore. As they walked, they talked, “walking, talking, for a hundred miles” (36). But they do not remember which language they spoke together at the time. The two men reminisce about Bohr’s other assistants, most of whom became renowned scientists in their own right. Scattered across Europe, the scientists worked together to solve the cutting-edge problems that concerned physicists, sending each other their work constantly. Heisenberg describes the era as “a new Enlightenment” (39). Margrethe asks whether the two men were trying to relive this moment in 1941.
Margrethe points out that many of their greatest achievements were not made together but when the two men were apart. Both Bohr and Heisenberg are misremembering their time together. Margrethe gently teases Heisenberg, who is still annoyed that his major breakthroughs were not as well understood as those of Schrodinger. It reached a point where Bohr felt he had to intervene, inviting Schrodinger to Copenhagen to settle their professional rivalry and animosity. Heisenberg met Schrodinger at the station and, “before he’s even got his bags off the train” (41), began to argue with him about physics. But neither was willing to concede any point. Even when Schrodinger fell ill, Heisenberg sat at the foot of his sick bed and continued their argument. Heisenberg remembers that when Schrodinger finally left, Bohr took Schrodinger’s side in the argument. Bohr claims that Heisenberg was driven mad by this time, that Heisenberg was too focused on the mathematics and could no longer see sense.
In response, Heisenberg accuses Bohr of being obsessed with the paradoxes and contradictions that surrounded their work. Again, Margrethe tells the two men that they are misremembering their working relationship and that they worked best when apart. Heisenberg agrees, recollecting how he arrived at his uncertainty principle while walking alone at night. He realizes that when together, they “were too busy arguing to think at all” (43).
When they reunited, Bohr discovered that Heisenberg had already sent his paper for publication. This still rankles Bohr, who believes that “the paper contains a fundamental error” (43), though Heisenberg disagrees. Margrethe, attempting to get past this trying dispute, offers tea and cake. As they return again to plain language, Heisenberg uses an analogy of Margrethe as a nucleus and Copenhagen as an atom to discuss his theory. Bohr is an electron, and Heisenberg is a photon. When Bohr raises a point, Heisenberg relents and admits that he discussed this in the postscript. Nobody reads the postscript, Bohr points out.
Heisenberg mentions that, during a conference, Bohr’s incessant questioning reduced him to tears. Bohr had viewed these as tears of frustration and rage, like a child having a tantrum. Heisenberg recollects a time when Bohr made Margrethe retype a paper over and over, reducing her to tears. Bohr does not recall this. Margrethe does.
The two men discuss the importance of Einstein, who led the way in returning man to the center of the universe. Margrethe asks whether the man at the center of the universe is Bohr or Heisenberg. If the latter, she says, then the only part of the universe he cannot see is himself. Thus, there is no point in asking Heisenberg why he came to Copenhagen in 1941, as he cannot possibly know.
When a job at Leipzig University opened, both Heisenberg and Schrodinger were shortlisted. Having published his paper on uncertainty and having worked with Bohr, Heisenberg was awarded the position and became the youngest full professor in Germany. Margrethe believes this shows why he came to Copenhagen in 1941: “to show yourself off to us” (47). In 1924 Heisenberg was a humble assistant. In 1941 he returned as “the leading scientist in a nation that’s conquered most of Europe” (47), to show off that he was working on a vital and secret research project. Heisenberg came to Copenhagen to flaunt his important, wonderful, new moral dilemma to Bohr, a man who is obsessed with moral dilemmas and paradoxes.
Margrethe sees through the lies Heisenberg tells himself. He is “no hero of the resistance” (47), though he claims to have worked on the Nazi atomic project to delay and confound it. Rather, Heisenberg was obsessed with the science of the project and ignored the wider questions around his actions in a desperate race to solve the mathematics of the problem. Heisenberg defends himself, asking whether he should have stood up to Hitler and got himself killed, or whether Bohr should have dived into the water when his son Christian died in a boating accident and drowned alongside him. Bohr says, “perhaps. Perhaps not” (48).
Heisenberg asks—if Bohr was convinced that Heisenberg was going to develop an atomic bomb for the Nazis—why did Bohr not kill Heisenberg in Copenhagen in 1941? All he had to do was talk about what Heisenberg had said: Bohr’s house was bugged by the Gestapo, who would have killed Heisenberg for revealing state secrets. The idea never occurred to Bohr. Margrethe tells Heisenberg that he has a natural affinity for uncertainty.
When Heisenberg mentions that his return in 1947, after the war and after he was beaten to the finish line of the atomic project, must have seen him “cut a gratifyingly chastened figure” (49). Margrethe dismisses this, saying that Heisenberg wanted to demonstrate that—once again—he had come out on top. She can no longer keep her thoughts to herself; she has been driven mad by Heisenberg—who is like a son to her—constantly crossing the lines he has asked them to establish. The protection that Heisenberg had promised in 1941 did not last long, and by 1943, Bohr had to flee Denmark to keep his life. Heisenberg protests, saying that he tried to warn them. Margrethe says that for all their hopes and ambitions, the work of the 1920s physicists succeeded only in producing “a more efficient machine for killing people” (49).
By way of protest, Heisenberg says that he is not the one who made the bomb. Margrethe tells him this was only because he did not understand the physics. Heisenberg insists that he understood, but secretly, so as to keep the bomb from the Nazis. Heisenberg insists that he told one person, explaining how the bomb had worked when news reached them that America’s bombs had fallen on Nagasaki and Hiroshima. Heisenberg believes the British were recording this conversation. Bohr presses him further, revealing that his mathematics were wrong and his predictions misplaced. His tiny failures doubled over the years, branching out “until they were large enough to save […] any of the cities that we never dropped our bomb on” (52).
Bohr asks Heisenberg why he failed to make this particular calculation. Heisenberg admits that the idea never occurred to him and turns the question back on Bohr, asking him to “tell us why you didn’t calculate it and we’ll know why I didn’t” (53). Margrethe answers for her husband: It was because Bohr was not trying to build a bomb. They agree to work on one more draft of the reason why Heisenberg came to Copenhagen in 1941.
The two men meet again on Bohr’s doorstep in 1941. As Heisenberg enters and makes small talk, he sees himself from an exterior perspective, making awkward conversation. Bohr and Heisenberg walk together and, once again, Heisenberg asks Bohr whether physicists have the moral right to work on atomic projects. The question is like an atomic explosion, destroying the friendship between the two men. But this time, Bohr halts the memory. He ponders what would have happened if, instead of reacting with anger, he stopped to ask Heisenberg about the project. In doing so, he might have prompted Heisenberg to ask questions that he had not previously asked, thus solving the problem. As such, “a very different and very terrible world begins to take shape” (55). Heisenberg wonders whether he should thank Bohr for leaving him to misunderstand the issue.
Bohr recollects the night he fled Denmark. Thousands of Jews were to be rounded up the next day, but he fled into hiding after receiving a tip from a man in the German embassy. The man was Georg Duckwitz, closely tied to Heisenberg. When Bohr tries to thank Heisenberg, Heisenberg denies any involvement. After that, Bohr fled to America and helped with the building of an atomic bomb while Heisenberg protected Bohr’s laboratories in Denmark which—ironically—contained everything he needed to make material for a bomb of his own. Bohr mentions that he played a part in the death of 100,000 people. Margrethe tells him he did nothing wrong, and Heisenberg agrees.
Heisenberg remembers when he met an SS officer on the way home from Haigerloch near the end of the war. He traveled through Germany on a bicycle, surveying the destruction en route to seeing his family. He was stopped by a fanatical SS officer, who accused him of being a deserter. He bribed the man with American cigarettes and was allowed to continue on his journey. He falls silent remembering his ruined homeland; Bohr and Margrethe pity Heisenberg, seeing him like a “lost child” wandering along a road, like the child they lost themselves. The characters agree that eventually everything will die, including their own children. They wonder what will be left of the world, but Heisenberg sees the world preserved by the moment in Copenhagen, “by some event that will never quite be located or defined” (58).
Act II covers much of the same ground as the first, as the characters again question why Heisenberg visited Copenhagen in 1941. Each time they are unable to find a satisfying answer, they agree to return to the beginning and start a new draft on the matter. In this respect, the play’s structure mirrors the development of a scientific paper. Just as Margrethe typed and retyped many versions of her husband’s paper, she functions as the typist and the editor for the shared history of the meeting between her husband and her friend. She watches (and the audience watches with her) as the two scientists redraft their theories, adding new criticisms, reflections, and novel insights to each draft. With each revision, the characters approach a different version of the truth. They wonder whether Heisenberg was arrogantly trying to show off his successes, whether he was begging Bohr to stop him, whether he was searching for permission to work on a morally repulsive project, and many other potential realities. By framing the play like a scientific paper under revision, the structure mirrors the relationship between Heisenberg and Bohr, in that Bohr constantly pushed his former assistant to revise and consider every last detail until their theory was ready for publication. But given the complicated matter of the issue at hand, no amount of redrafting or revision will be enough to resolve the play’s central question. But because the characters are dead, they have all the time in the world.
Act II also features allusions to many other important figures. These characters helped shape the relationship between Bohr, Margrethe, and Heisenberg, but they do not necessarily feature in the play. One of the most important is Christian, Bohr’s son who died in a boating accident. Christian represents another important moment in Bohr’s life, a missed opportunity and a tragedy. That day on the boat, Christian fell in the water, and Bohr was powerless to help him. He could have dived in and tried to save his son (likely dying in the process), or he could have stayed on board so that his wife did not have to mourn two loved ones. He chose the latter, and the memory has never left him.
With regard to the meeting in Copenhagen, Bohr finds himself at a similar crossroads. At the time, he considered Heisenberg something of a son. He and Margrethe both adopted Heisenberg after a fashion, filling the cavity left in their lives by Christian’s death. Thus, the meeting—after which Heisenberg was practically dead to them—mirrors Christian’s death. Bohr reexamines the meeting, wondering whether he could have done anything differently. The mentions of Christian demonstrate that there are many such unresolved moments in a human life, and that people make many of the same mistakes. Bohr is flawed, hurt by the death of his son. So, when Heisenberg seems to be considering something Bohr deems morally unconscionable, Bohr feels like he is losing another son. This illustrates how the matter became an emotive issue for Bohr and a demonstration of the fallibility of even the most respected historical figures.
The play’s ending does bring a sense of closure, however fleeting. Though the characters never arrive agree about why Heisenberg visited Copenhagen in 1941, they realize that the uncertainty of the event is actually the point. Heisenberg, the creator of the uncertainty principle, relates the scientific concept of uncertainty back to the uncertainty surrounding the meeting. In constantly revising the meeting (which is to say, by exhibiting their uncertainty), the characters arrive at new emotional reconciliations. These revisions assure Bohr that he is a good man though he was involved in the deaths of hundreds of thousands of people, and they acknowledge Heisenberg’s role in helping thousands of Jews to escape from Denmark. The repeated revisions to the answer to the text’s central question provides a degree of moral absolution, and this desire to revise is built on a foundation of uncertainty. It is uncertainty that fuels the characters and, ultimately, uncertainty that helps them find something close to resolution.