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Lena is the 17-year-old protagonist and narrator of the novel. She describes herself as plain, average, and “in-between” (15). She often compares herself to her best friend, Hana, whom Lena sees as beautiful and normal. Lena is initially excited to be “cured” of the natural, human ability to love because she sees this coming-of-age procedure as an escape from being average and awkward. Her insecurities thus fuel her initial desire to embrace this artificial “cure” as though it will somehow cure her of all the awkwardness that childhood represents. She initially accepts what her society has dictated to be correct and appropriate without examining it too closely; from the segregation of the “uncured” sexes and the safety of a predestined marriage and career to the abolition of all emotion from the adults in society, Lena accepts it all in the beginning, before circumstances force her to confront her own illusions and preconceptions.
Even before her climactic realizations, however, she describes her identity as sometimes split in two, between the obedient girl and the girl who feels too much. She is often ashamed to be held captive by her own heightened emotions, which make her insecurities more pronounced. When Lena’s friend Hana begins showing signs of rebellion by listening to underground music and going to illegal parties, Lena feels left behind because her indoctrination into her society’s oppressive ideology is so engrained. Part of this is also because of her mother’s apparent fate. Lena’s mother was subject to dramatic mood swings and bouts of depression; thus, what Lena describes as the “Coldness” inside her is perhaps how she articulates her own experience of periodic depressive episodes. Her mother fell deeply in love with her father, and when he died of cancer, her mother was heartbroken. Lena has believed all her life that this, coupled with her mother’s unsuccessful cures, caused her mother’s death by suicide. Lena views her mother’s suicide as an abandonment, a choice to leave Lena and her sister behind because of love. Thus, Lena initially harbors disgust for love because of its deadly power.
Gradually, Lena experiences an emotional and ideological awakening, succumbing to the other side of her personality. Even before she meets Alex, her instinctual answers at her first evaluation reveal her subconscious revolutionary thoughts. For example, she states that she finds Romeo and Juliet to be beautiful even though the government considers it a negative cautionary tale about love, and her favorite color is the gray in-between sunset rather than the predictable sky blue that would be more appropriate. After she meets Alex, her world is expanded even further. She discovers that there are hidden sympathizers and rebels among her neighbors and that resistance is more common than she once believed. The violence she witnesses on the night of the raids proves that the government is not so benevolent, but it is her choice to venture out on that night in the first place that demonstrates her growing insurgency. She proves to be loyal, protective, clever, and eventually proud of the passionate tendencies that she inherited from her mother. In the end, she understands that love is a revolution in and of itself: worth the risk of pain, heartbreak, and even death.
Alex is Lena’s 19-year-old romantic interest. He was born in the area outside of civilization known as the “Wilds,” making him what society calls an “Invalid.” Raised by the community of outsiders, he did not grow up believing the American government’s lies about love being a disease. His parents were Portland citizens who fell in love and planned to run away. However, his father was captured before they could escape and eventually died in the government prison known as the Crypts. This knowledge radicalized Alex even more as he matured. At age 10, Alex snuck into Portland to help with the resistance, falsifying his cure scars and living situation so that he could exist under the radar. He works as a guard at a medical facility, a position that gives him special access to areas not open to regular citizens. He is secretive about his work with the sympathizers, leaving room for exploration of his character in the other books in the series.
Finding Portland’s rules and walls suffocating, he gravitates toward Lena immediately, perceiving her as “awake” whereas everyone else is “asleep” (230). He sees a kindred spirit of resistance in Lena, and he helps to expand her worldview further by revealing to her the various deceptions of the government—namely the truth about her mother. He is kind, charming, curious, and understanding. He is open with Lena about his life in the Wilds, the place he considers his home, even risking their safety to sneak into the Wilds for a brief visit. He wants to share his life and knowledge with Lena despite the danger. Whereas Lena is primarily afraid of love as a disease, Alex fears the tyranny of the government. He knows firsthand that the government has the power to separate him from Lena, just like his parents were separated from each other, and this knowledge drives him to sacrifice his own well-being at the end of the novel, allowing himself to be captured so Lena can escape into the Wilds. This mimics his parents’ love story, bringing the idea of true love full circle across generations.
Hana is Lena’s 17-year-old best friend who is scheduled to have the cure around the same time as Lena. They have been best friends since second grade and have shared everything together. Hana functions as a reminder of the nostalgia of youth, as Lena often has flashes of wistfulness after her interactions with Hana. After the cure, they will no longer be best friends, for their closeness will be replaced with cold, dispassionate acquaintanceship. This knowledge inspires Lena to make the most of their favorite hobby: jogging. She enjoys the closeness of running alongside Hana and racing around town together.
However, the girls’ differences outweigh their similarities so much that Lena feels inferior to Hana both physically and emotionally. Lena considers Hana to be more beautiful and worthy of boys’ attention. She also envies Hana’s boldness, fearlessness, and freethinking nature. In this way, Lena transforms Hana into her own foil. Moreover, Hana’s initial disobedience rivals Lena’s initial closed-mindedness, yet by the end of the novel, they trade roles. Lena becomes an awakened revolutionary who fights for her freedom, while Hana chooses to remain complacent in her predestined life even when Lena invites her to join in her escape. Ultimately, Hana highlights the consequences of rebellion that remains superficial and passive; without meaningful action against oppression, true revolution cannot be achieved.
Carol Tiddle is Lena’s aunt, her mother’s sister, who takes Lena and her sister, Rachel, into her household after their mother ostensibly dies. Carol has been cured and together with her husband, William, she has one daughter, Marcia. When Marcia’s scientist husband was accused of being a sympathizer and disappeared, Marcia was indicted in his place and died of a heart attack shortly afterward. Marcia’s two daughters, Jenny and Grace, also live with the Tiddles. Jenny is an obnoxious nine-year-old with whom Lena does not get along. Grace is a curious six-year-old whom the family thinks is mute because they have never heard her speak aloud; she only speaks to Lena secretly. Grace also keeps quiet about Lena’s midnight escapes and helps to free Lena from the physical restraints imposed on her by the rest of the family. The Tiddles (except Grace) are pro-government conformers; they believe in keeping the order of things. They enforce the rules and believe wholeheartedly in the cure, which is why they hold Lena captive in the end after they believe she has been “infected.” Still, Lena often notes that Carol sometimes becomes angry and frustrated. She seems like she wants to say more than she physically can, as if she has forgotten how to communicate clearly because of the inhibitions imposed by the cure.
Like Carol, Lena’s sister Rachel has been cured and married; she has two children. She visits Lena at the Tiddles’ house semi-regularly, although Lena laments that her sister is more emotionally restrained because of the cure. This has changed their relationship, as Lena misses their rambunctious childhood together. Rachel was “infected” by love before she the cure was forced upon her. Like Lena, she met a boy and fell in love, but after the cure, her feelings disappeared. Rachel tries to persuade Lena to accept the cure, but, ironically, she stands as a reminder of why Lena must resist by giving Lena a glimpse into what her cured future could be like: bleak, restrained, and predictable. Rachel has brief flashes of annoyance and anger, but ultimately, she is a perfect example of what the cure is meant to do: eradicate heightened emotion to create a compliant, content citizen.