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46 pages 1 hour read

Don DeLillo

Falling Man

Fiction | Novel | Adult | Published in 2007

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Part 3, Chapter 13-“In the Hudson Corridor”Chapter Summaries & Analyses

Part 3

Part 3, Chapter 13 Summary

Lianne receives a summons for jury service, but she is not selected for the trial, which involves “a lawyer accused of aiding the cause of terrorism” (125). She no longer follows all terrorism stories in the news. When thinking about death, family, and legacy, Lianne reads the obituary of David Janiak, the performance artist known as Falling Man. Lianne is shocked. Using the internet, she researches his performances and his life. Janiak died of natural causes, pending an autopsy, and suffered from chronic depression brought about by a spinal condition. He never commented to the media in the wake of his many arrests, nor did he explain his repeated performances. He had planned to make one final jump without his harness. Lianne stares at the internet reports but cannot understand Janiak.

Part 3, Chapter 14 Summary

Poker tournaments provide Keith with an escape from the traumatic memories of the September 11 attacks. He spends most of this time robotically playing cards, losing himself in the game’s routines and structures. Keith no longer sees Terry Cheng, but he actively tries to avoid him, spending more time in the gym when he is not at the card table or in his hotel room. Despite the long hours Keith spends in the gym, he cannot explain why he feels the need to work out so often. He feels himself getting lost among the constant swirl of poker games and hotel rooms. He knows that he does not make enough money to justify living like this, but he does not care.

As she remembers her father, Lianne’s thoughts become increasingly religious. As well as her own thoughts about the nature of God, she realizes that many people around her are increasingly interested in the Koran and Islam. Lianne joins a Catholic church and attends every few days. Though she still considers herself someone who does not believe in God, she cannot deny that she is beginning to believe in “something, half fearing it would take her over” (133). Her newfound belief is partly influenced by her father, a devout Christian. As her hair begins to turn gray, she often thinks about the final days of her mother’s life. She thinks about running a marathon and assumes that Keith sleeps with prostitutes. Still avoiding the subway, she takes buses and cabs home from the church.

Now fully healed, Keith still performs his physical therapy routines. He repeats the phrases from the instruction manual as though they were religious doctrine. Lianne attends Mass and thinks about the unknowable nature of God. One day, while removing a sweaty t-shirt, she realizes that she is ready to be with her son “the way they were before the planes appear that day” (135)

Part 3, “In the Hudson Corridor” Summary

Hammad and his fellow religious devotees hijack several passenger aircraft on September 11, 2001. With the aircraft secure and the air still tinged with the smell of mace, Hammad sits in the cockpit with a box cutter in his hand. He thinks about the religious meaning of what he is about to do and wonders “how could any death be better” (136). The aircraft shakes, and he hears shouting, feeling the throbbing pain in his open wound. Hammad fastens his seatbelt as the plane smashes into the tower at the World Trade Center.

Keith feels the plane hit the tower when he is knocked to the ground. He feels the tower lurching all around him and understands that something is terribly wrong as dust and smoke fill the air. He sees people he knows falling around, blood staining their shirts. Keith takes his jacket from its hook and leaves his office. Going to Rumsey’s office, smelling the streaming fuel, he discovers that his friend is mortally wounded. He talks to Rumsey and tries to lift him out of his chair. At that moment, he feels the falling debris outside his window. He sees a man falling past, someone who jumped from the burning upper floors. Walls collapse, and windows shatter. As he tries to lift Rumsey, Rumsey dies. Keith makes his way out of the building, joining the thousands of other shocked people. He sees other falling bodies through the windows and finds an abandoned briefcase in the hallway, which he collects. Fire fighters pass him on the stairs in the opposite direction, and Keith convinces himself that they will save Rumsey. Eventually, he emerges out of the building into a world of dust, smoke, and chaos. When the towers collapse, the force of the blast knocks Keith to the floor. He tries to make sense of the rubble, dust, and screaming. He sees a shirt falling out of the sky, “arms waving like nothing in this life” (140).

Part 3, Chapter 13-“In the Hudson Corridor” Analysis

Keith’s life in Las Vegas is devoid of human interaction. He sits at poker tables and plays the same game repeatedly. He lives in hotel rooms with no possessions of his own in a city of bright lights surrounded by an arid desert. Slowly, he has removed every trace of human interaction from his life, as he gets no pleasure from being with people who have not shared his trauma. The last person who understood Keith was Florence, who also survived the attack on the tower. Since then, Keith has devoted himself entirely to poker. Even old friends like Terry Cheng eventually fade into the background. Keith is so numb to the world that he barely even notices a wound on his arm until he begins to bleed. Keith’s fate is to be locked away inside a casino, repeating the same game of cards repeatedly, unable to recognize his pain or make a genuine human connection with anyone. He loses his identity and never rebuilds it; instead, he becomes a hollow shell of the idea of Keith Neudecker. While he may look like the same person, nothing of the old Keith remains inside him.

Keith’s solution to his traumatic experiences is physical. He responds to his pain by relocating to a new geographic location or putting his body through repetitive physical therapy exercises. By removing himself from New York and focusing on meaningless routines, Keith does not confront his painful memories or regrets. His approach differs from that of his wife. Lianne chooses a spiritual solution. Even though she does not believe in God, she begins to attend church. She reads religious texts and studies religious theory though she can never quite bring herself to believe. By going to church, she tells herself that she is continuing her father’s legacy and contributing to the community. However, without the actual belief in God, her actions are as hollow as those of her husband. Lianne wants a spiritual solution but without any of the spirituality. Instead, she only has the outward appearance of spiritual healing. She never addresses her trauma because she does not engage with any potential spiritual solutions on anything more than an aesthetic level. Neither Keith’s physical solution nor Lianne’s spiritual solution brings them happiness. Instead, they cling to their trauma while performing empty rituals that have the appearance but not the healing substance.

The final chapter of the novel brings the narrative full circle. As September 11 approaches, Hammad has resolved his doubts about his involvement in the attack, and he sits aboard one of the hijacked planes. The novel begins and ends with the terrorist attack, suggesting that September 11 is just another entry in the long cycle of violence that has defined human history (albeit a particularly dramatic and brutal one). Keith, Lianne, and Hammad cannot escape the violence and trauma, which will always return, just as in the structure of the novel. Each beginning is an end, and each end is a beginning, all part of the same inescapable cycle. The novel’s opening lines could continue neatly from the closing lines, with Keith wandering around New York City covered in dust and blood. Keith’s repeated lost wandering is a metaphor for the cycle, where Keith represents humanity as it aimlessly searches for meaning and identity in a churning world of violence and brutality.

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