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65 pages 2 hours read

Ivan Turgenev

Fathers And Sons

Fiction | Novel | Adult | Published in 1862

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Chapters 24-26Chapter Summaries & Analyses

Chapter 24 Summary

That evening, Pavel knocks on Bazarov’s door to challenge him to a duel. Pavel declines to explain why, but declares, “I despise you. In my opinion, you’re superfluous here” (121). Bazarov mocks, “Further explanations are unnecessary. You’ve decided to test your chivalric spirit on me” (121). They dispense with most of the traditional other aspects of the ritual—such as a physical insult, a public quarrel, and seconds (friends assisting the process)—and agree to meet at dawn in two days. Bazarov suggests Nikolai’s valet Peter serve as their witness so that no one can accuse either party of murder. Pavel loans Bazarov his pistols and departs with formal politeness.

Left alone with his thoughts, Bazarov rebukes for enacting this outmoded social rite, but decides he had no other choice. He realizes the cause of the quarrel must be Fenechka, whom Pavel loves. He laments his situation: “In the first place, I’ll have to risk getting shot and I’ll have to leave […] then there’s Arkady […] and gentle old Nikolai. It’s bad, very bad” (122). Bazarov resolves that he will not die, and arranges for Peter to accompany him to the duel.

At the duel, Peter is horrified, but Bazarov and Pavel are brave. Bazarov marks the necessary distance between them, and tries to get Pavel to admit that the whole thing is silly, but Pavel demands satisfaction. To amuse himself, Bazarov suggests he will reply to any of Pavel’s French with Latin.

Pavel fires first and Bazarov hears the sound of the bullet, declaring, “I heard it, that means I’m all right” (125). Bazarov shoots second, hitting Pavel in the leg, and declines to proceed further. Pavel faints and the frightened servant decides this means the older man’s wound is mortal.

Pavel admits that Bazarov dueled with honor, and Bazarov assures him that he is leaving soon. Both men bitterly realize that the person who understands them best is their enemy. Pavel wonders what a passing peasant thinks, and Bazarov insists that “the Russian peasant […] doesn’t even understand himself (127).

They send the servant for the light carriage and insist he tell Nikolai almost nothing of what has actually happened—they agree to say they argued over politics. Bazarov looks after Pavel until another doctor can come. Bazarov hides in his room from Fenechka, who runs from him terrified whenever their paths cross. Nikolai bribes the village doctor to agree the shooting was accidental. Alone with his brother, a slightly delirious Pavel claims that Fenechka reminds him of his lost princess, murmuring, “Oh, how I love the silly creature! […] I won’t let any insolent fellow try to touch her” (128). Nikolai assumes the words are a memory, and considers Pavel’s outburst as the persistence of lifelong passion, rather than the proximate cause of the duel.

Bazarov comes to say goodbye to Nikolai, who assures the younger man he has attempted to keep the matter out of society. Bazarov cuts off more attempts at apology, assuring Nikolai he will likely see Arkady later and explain. Pavel insists on seeing Bazarov, probably because he “wanted to appear magnanimous” (129). When he sees Fenechka, Bazarov guiltily assumes he has ruined her future prospects. The other servants are overcome with emotion at his departure, which he ignores. Upon departure, as he sees the house for the last time, Bazarov exclaims, “damned aristocrats!” and drives on (129).

Fenechka waits on the recovering Pavel, experiencing “terror” in his presence (129). One day, Pavel interrogates her about her conscience and accuses her of kissing Bazarov. She swears that Bazarov forced himself on her, that she loves Nikolai, and that she does not care for anyone else. Pavel exhorts her to remain faithful, declaring, “What could be worse than loving and not being loved! Never forsake my poor brother Nikolai!” (131). When Nikolai appears with Mitya, Fenechka embraces them both, and leaves in a hurry. Pavel makes his brother promise he will marry Fenechka.

Nikolai has always seen his brother as against marriage between social unequals. Pavel admits that was pointless snobbery, and says, “we’ve spent enough time putting on airs and worrying about what other people think […] it’s time for us to put aside all vanity” (132). Nikolai agrees, embraces his brother, and decides to wait to tell Fenechka. Left alone, Pavel resolves to leave for Europe after the wedding, looking like a dead man on his pillow.

Chapter 25 Summary

Arkady and Katya sit together in the estate garden, reading, feeding birds, and playing with her dog. Their time together is peaceful, even idyllic: “they were silent, but it was precisely the way they were silent, the way they sat there side by side, that made their trusting intimacy so apparent” (133). Arkady makes a pun in Russian and when Katya laughs in agreement, he thinks, “she never reproaches me for using fine phrases” (133), a clear comparison to Bazarov. The two discuss German poet Heinrich Heine, and Katya says Arkady’s preference for the poet’s humorous side is a sign that Bazarov’s influence is waning. To Katya, Bazarov is a “predator […] while you and I are domesticated” (134). Arkady dislikes this comparison, but Katya points out that one’s nature cannot be helped. Bazarov is how he is just as Anna is how she is—needing total independence. In a brief moment of total accord, Arkady and Katya wonder whether total independence is even possible.

Arkady and Katya agree they are both cowed by Anna, though Katya assures Arkady her sister has grown to like him. When Arkady calls Katya “removed from everyone” (135), Katya says that this is from living a secluded life, rather than because of the sisters’ wealth. Arkady happily realizes that Katya is correct—she has no wealth of her own, as it all belongs to Anna.

Arkady asks if Katya would marry a rich man. She says no: “even our folks songs warn against unequal matches” (136). Arkady compares Katya to her sister, calling her “just as clever” (136). When this annoys her, he tells her, “I wouldn’t trade you for anyone else in the world” (136). As he walks away, Katya feels “confusion, and some other, unnamed feeling” (137). Anna interrupts the conversation to tell Katya about new shoes that have just arrived.

As Arkady returns to the house, Bazarov is waiting for him. Bazarov does not move when Arkady goes to embrace him, saying he has merely stopped to update his friend of the duel and that he is returning to his family home. News of the duel saddens Arkady. Bazarov admits that he also “wanted to take one more look at what I was leaving behind” (138), assuming that Arkady’s affair with Anna must be progressing. Arkady denies any such thing, which Bazarov does not believe.

Bazarov finally admits he may have come to see Anna, and Arkady insist she likely wants to see him too.

Bazarov tells Anna to forget “his indiscretions […] I’d prefer not to carry away the thought that you’ll remember me with repugnance” (138). Anna calls their past fantasy that is now water under the bridge. It’s not clear whether they truly no longer have feelings for each other. Bazarov jealously tells Anna that Arkady her, not believing Anna when she says that actually Arkady has grown close to Katya. When Arkady returns from the garden, he feels no qualms about Anna and Bazarov being together. Instead, “he seemed to be surprised at something, delighted by it, and had made up his mind about it” (141).

Chapter 26 Summary

Katya and Arkady sit alone together in a Greek style portico, at his invitation. Katya is anxious, as her sister has recently warned her “to avoid private conversations” with Arkady, claiming their elderly aunt disapproves (142). He tells her that he owes her total honesty, but before he can go on, they hear Anna and Bazarov close by. Anna tells Bazarov she has moved on from him and is now more interested in the younger Arkady. Anna also claims she feels obligated to protect Katya’s reputation, though Bazarov questions whether Anna isn’t simply keeping Katya and Arkady apart out of jealousy.

After Anna and Bazarov drop out of earshot, Arkady tells Katya, “I love you irrevocably, forever and ever” (144), and she accepts his proposal.

The next day, Anna shows Bazarov a letter from Arkady asking formal permission to marry her sister. They both laugh unhappily at their degree of miscalculation. Bazarov urges her to agree to the socially advantageous match, and then renews his plans to leave: “I’ve already spent too much time in spheres alien to my nature […] Allow me to return to my own element” (145). Anna gives him her hand, but he rejects it a sign of sympathy.

Alone with Arkady, Bazarov calls him out for concealing his plans, while Arkady calls Bazarov a hypocrite for congratulating him, knowing his friend does not support marriage. Bazarov warns that Katya will be the dominant party in the marriage, since Arkady is a “soft, liberal gentleman” (146). Bluntly, he forces Arkady to admit they are parting forever and wishes his friend a happy life.

Arkady prepares to take Katya to Marino, and Anna protects them from their bitter aunt. She basks in their happiness, which “mellowed her at long last” (147).

Chapters 24-26 Analysis

The duel brings the novel’s longstanding conflict to a head, but it is both serious and absurd. Bazarov enters the duel using stupid jokes to cover his guilt and to avoid thinking about the danger. Pavel takes the matter deadly seriously, insulted by Bazarov’s attempts to jest. The shootout is ostensibly the natural result of Bazarov and Pavel’s antipathy toward each other—readers expected the constant arguing between these characters to erupt at some point. However, by making the duel extremely anticlimactic and by having it result from a dispute over sexual and romantic access to a woman neither man can legitimately have, the novel viciously mocks both characters. Bazarov, a professed nihilist, is in reality so desperately attached to aristocratic status that he cannot refuse to participate in this upper class rite. Pavel, who poses as a tragic Romantic consumed by an ancient failed love affair, actually just wants his brother’s young servant mistress. What they’ve done is so laughable and so embarrassing that the men agree to a more respectable cover story—that they dueled over political disagreements rather than sexual impropriety.

Neither man learns much from the duel. Pavel comes off better in the eyes of the reader by rejecting his previous objections to Nikolai marrying Fenechka and instead insisting his brother finally do so. At the same time, Pavel still manages to erase some of that earned good will by reproaching Fenechka, blaming her for Bazarov’s actions. Bazarov meanwhile remains coldblooded and heartless. He assumes Fenechka—who is in real danger of taking the blame for his attack, which would mark her as a ruined woman—will be fine, while doing nothing to guarantee this. He ignores all of the turmoil he causes, dismissing the Kirsanovs as aristocrats and chillingly refusing to take any responsibility for his actions.

Arkady’s relationship to Katya shows what happens when two like minds meet without artifice or pride: They have authentic discussions and are peaceful in silence together. Katya accepts Arkady’s love and openly talk about her insecurities. Their harmonious union contrasts with Bazarov and Anna’s behavior.

Bazarov accuses Anna of lying about the new bond between Katya and Arkady, and accuses Arkady of similar duplicity, pushing Anna toward Arkady not out of any belief in their suitability, but to make her more unattainable to him. Anna, meanwhile, interferes in her sister’s romance out of jealousy and an unfounded trust in Bazarov. Interestingly, though Bazarov wields tremendous influence over people when he is with them, as soon as he leaves, his thrall disperses. Anna quickly lets go of the idea of getting together with Arkady, not holding on to the kind of bitterness Bazarov feels when he sees happiness in others.

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