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59 pages 1 hour read

Christina Lauren

In a Holidaze

Fiction | Novel | Adult | Published in 2020

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Character Analysis

Maelyn “Mae” Jones

As the novel’s protagonist and point-of-view character, 26-year-old Mae is unhappily living with her mother and brother at the beginning of the novel. Due to her lack of career vision and her current living situation, she admits, “I feel less money smart and more failure-to-launch” (107). When the novel opens, Mae’s career-related aimlessness is matched by the stagnant state of her romantic life. She has been in love with Andrew Hollis, the son of some of her parents’ best friends, since her teens, but she has always been too afraid to pursue him. After an evening of drinking, Mae shares an ill-advised kiss with Andrew’s brother, Theo, and briefly considers that this encounter might be proof that she should abandon her crush. Mae also struggles with change and feels responsible for managing the emotions of others, especially when she knows that this may be the family’s last Christmas at the Utah cabin she loves.

When an unexplained time loop forces Mae to repeat her vacation over from the beginning in Groundhog Day fashion after demanding a sign about her path to happiness, Mae comes to realize that obsessing over tradition and the well-being of others is holding her back in life. With help from her long-time confidant, Benny, Mae decides to accept her situation and tries to pursue happiness and spontaneity. Mae eventually notes that this new version of herself “spends all of her time with cabin Andrew” (106). Though part of her still believes that the time loop is meant to help her stop the cabin’s sale, her time with Andrew makes her realize that she has been avoiding personal growth. As she declares, “If change means telling Andrew how I feel and quitting my job, it also means losing my stranglehold on tradition” (125).

This epiphany occurs when Mae and Andrew take on the shared responsibility of finding a Christmas tree. Not long afterward, she and Andrew kiss for the first time during a game of sardines—but they are playing for the sake of young children in the group, not for their own benefit. This shift underlines the close links between Improving Relationships by Embracing Authenticity and overcoming The Tension Between Childhood Nostalgia and Adult Responsibility. Eventually, Mae comes to accept that love requires being truly present rather than mindlessly adhering to rituals and habits. This realization leads to greater romantic fulfillment as Andrew begins to accept that her attraction to him could be the basis for a valid romantic relationship.

Though Mae comes to embrace change and responsibility, she continues to avoid emotional authenticity and stubbornly resists telling Andrew about the time loop. She also rejects Theo’s well-meaning attempts to spend time with her, and she only tells him that she is dating Andrew after Theo discovers them together. As her personal relationships with the brothers spiral out of control, Mae realizes that she must take responsibility for her life rather than using the time loop as a refuge or an excuse. She resolves to embrace the risks she has taken and find a solution to these new conflicts on her own.

As proof of her feelings, Mae gifts Andrew an artistic rendering of the two of them as an elderly couple, and Andrew tells her that he accepts the reality of her inexplicable time travel. Mae’s decision to trust her own instincts and desires therefore leads to the romantic fulfillment that she has always longed for. This is demonstrated in the Epilogue, when she has a new job and returns to the cabin to accept Andrew’s marriage proposal, signaling that their future together is finally secure.

Andrew Hollis

As Mae’s lifelong friend, Andrew is warm, playful, and charismatic. Mae repeatedly emphasizes that his kind personality is matched by his good looks. When she considers abandoning her romantic hopes, Mae thinks balefully, “How does one move on from a man so kind of heart and fine of ass?” (9). Andrew works in technical audio at Denver’s Red Rocks concert venue, and Mae says that “[m]usic is entwined with his DNA” (100). Andrew is also playful and loves to joke. When Mae becomes disoriented by the repeating holiday, Andrew entertains her by describing their families and histories together. Throughout the vagaries of the time loop, Mae gradually comes to realize that Andrew is frustrated with the stagnant holiday traditions of their childhood and sees them as a metaphorical return to perpetual adolescence. With his support, Mae takes on a more adult role in the celebrations, helping with chores and tasks rather than relying on their parents. In these scenes, Andrew plays a key role in developing the novel’s thematic focus on The Tension Between Childhood Nostalgia and Adult Responsibility.

Andrew clearly respects and appreciates Mae but is taken aback when she admits to having romantic feelings for him. Andrew has long believed that Mae had feelings for his brother, Theo, who is closer to her in age. As Andrew eventually confesses, “I never knew you were an option” (150). He immediately insists that however passionate he and Mae feel, they must also be honest about what they want. He is infuriated by the revelation that Mae has been repeating the holiday and that this alone spurred her decision to pursue him. He believes that he cannot trust the authenticity of her new self-assertion, especially since she originally kissed Theo without ever admitting how she felt about Andrew himself. Andrew therefore forces Mae to consider the nature of her own agency. When Mae finally tells him that he has always been the future she wants, Andrew forgives her, and the two reconcile and pursue a successful relationship together.

Theo Hollis

Andrew’s younger brother, Theo, is athletic and far less cerebral than Andrew, though he and Mae have always been close friends due to their similar ages. Theo is not typically interested in serious relationships, and his family teases him for his devotion to casual dating and his avoidance of commitment. Mae is furious with Theo when he ignores her after they kiss, and she realizes that his new coldness is “the Theo most girls see” (12). Mae eventually reflects that on her original holiday vacations, she spent more time with Theo than with anyone else, and she realizes that this dynamic may explain why the others believe she has feelings for him. She comes to resent Theo’s childish and overly sex-oriented humor.

Theo is resentful and angry when he discovers that Mae and Andrew are seeing each other, and he runs away from her rather than talking about the conflict. This behavior underlines his relative emotional immaturity and validates Mae’s instinct that he has never been the right person for her. Later, Theo apologizes, explaining that he was merely surprised by how serious Andrew’s feelings seemed to be; his admission suggests that he is not quite as shallow as Mae assumed him to be. Mae’s choice to reconcile with Theo underlines her commitment to her own maturation and to the broader well-being of her chosen family.

Benny

Benny is close friends with both Mae’s and Andrew’s parents, along with their other college friends, Aaron and Kyle. Their generation has been celebrating Christmas together at the Hollis family cabin for decades. Benny therefore occupies a key emotional role in Mae’s life, serving as a confidant and supporting her in ways that her own parents could not. He encourages Mae to consider the purpose of the time loop and is supportive when he sees that she is embracing her own desires and preferences the more often it repeats.

Benny comforts Mae as much as her own parents do when she thinks that her relationship with Andrew has ended. When she confides that she might want to save the cabin with her own funds, he reminds her that he is newly wealthy himself. Benny explains that Mae’s honesty with him about her time travel has led him to ponder what he truly wants in life. Benny therefore adds more depth to the novel’s focus on The Interplay of Fate and Personal Choice, and he admits to Mae that without her foreknowledge, he might have hesitated to take the bold step of buying the cabin. In the Epilogue, Benny is content in his new surroundings, and it is clear that Mae’s journey has benefited the entire found family.

Miles Jones

Mae’s teenage brother, Miles, is affable and carefree, and he has a particularly close friendship with Theo Hollis. Miles repeatedly urges Mae to spend more time with Theo and suggests that Theo’s feelings for her are serious. Mae gently tries to explain to him that Theo is not interested in a real relationship with her or anyone else. In this scene, Mae’s new level of honesty with her brother acts as a sign of her own growing maturity. Mae’s willingness to see Miles as an equal rather than as someone to protect is a sign that she is accepting her own adulthood. 

Miles, for all his relative inexperience, helps spur one of Mae’s most important epiphanies. When he discusses the cabin’s future with her, he says, “I wish mom or dad would buy it” (206). This statement prompts Mae’s conversation with Benny and fuels her eventual reconciliation with Andrew. As these changes take place, it is clear that Mae must develop authenticity in all her relationships in order to reach a “happily ever after” ending to her story.

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