54 pages • 1 hour read
M. T. AndersonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide mentions suicide.
Several of the novel’s chapters are written as vignettes, or brief impressionistic scenes, rather than as traditionally structured chapters. Vignettes enhance the development of aspects such as the setting, characters, or mood of a text. The vignettes in Landscape with Invisible Hand serve two primary functions. First, the scenes develop elements of the text. For example, Chapter 2, “A Small Town at the Foot of the Rendering Sails,” introduces Adam and Chloe’s failed relationship and the theme of The Ups and Downs of Young Love. Their secondary function is to increase the tension within the plot. Vignettes depict individual scenes and, as such, don’t offer contextual information. The author uses the lack of context to inspire curiosity, such in the aforementioned vignette, which depicts a seemingly pleasant date and contrasts with Adam’s narration indicating that he and Chloe hate each other.
A device that hints at future events, called foreshadowing, enhances interest in a text. Anderson uses both blatant and subtle foreshadowing to connect the scenes and chapters. Direct foreshadowing includes Adam’s statement addressing the disillusionment of romance in his relationship with Chloe: “Needless to say, 1950s-dating someone you live with is a huge mistake” (36), which is the final line of Chapter 11, “My House in Early Fall (Watercolor on paper).” Likewise, the final line of Chapter 6, “My House in Winter,” uses direct foreshadowing: “A year and a half later, I still don’t know what it means to ‘be a man.’ But I do know what it means to be a coward” (18). While direct, this instance of foreshadowing is also misleading. It suggests that Mr. Costello has died by suicide, which is the assumption his family makes; however, the text later reveals that he deserted his family. Subtle foreshadowing is seen in the painting of the man shot with arrows, in which Adam paints a house on a cliff in the background. He tells Chloe, “That’s where I want to be. Away from where things happen” (33). The house foretells the ending of the book, when Adam and his family move to the mountains, away from the busy areas of Earth. This instance of subtle foreshadowing enhances the literary value of the text rather than creating tension to drive interest.
As references to familiar external events, ideas, people, places, or things, allusions represent an important device that helps establish Landscape with Invisible Hand as a work of satire. Many of the elements of the text relate to real-world circumstances. Adam’s struggle to get treatment for an easily curable disease alludes to the dysfunctional medical and insurance systems in the US. The vuvv invasion and several of its aftereffects, such as the devaluation of houses in favor of the new floating houses, reflect the concept of gentrification. Adam and Chloe’s televised relationship series portrays the ill effects of social media.
In addition, Anderson includes an allusion to Aldous Huxley’s Brave New World. Mr. Costello was a Ford salesperson who was fired because of a combination of technology taking over and people being unable to afford new vehicles. In Brave New World, the dystopian society idolizes Henry Ford for his contributions to industrialization. The use of this allusion demonstrates the similar themes in the two novels, both of which portray the potential consequences of unchecked industrialization and capitalism.
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