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61 pages 2 hours read

Charles Dickens

Little Dorrit

Fiction | Novel | Adult | Published in 1857

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Character Analysis

Amy/Little Dorrit

Amy Dorrit is the titular character upon whom the novel is focused. Since she is small, slender, and looks young for her age, she earns the nickname “Little Dorrit,” but this leads people to infantilize her even after she becomes an adult. Unlike her siblings, Amy was born in the Marshalsea debtors’ prison and grows up within its walls; this earns her another nickname: “child of the Marshalsea.” The prison is the only home she knows until her father is released when she is in her early twenties. Many important people in her life die when she is just a child—including her mother, her nurse, and her godfather—and Amy grows up with a strong sense of duty and responsibility, taking care of herself and her family. However, her birth in the Marshalsea often separates her from the rest of her family, who all cling to their pride in their “good breeding” before William Dorrit’s imprisonment. Arthur Clennam notices “that they were lazily habituated to her, as they were to all the rest of their condition” (125); the Dorrits treat Amy as just another reality of life in the Marshalsea rather than appreciating her love for them.

Amy is selfless and has a strong sense of duty. She often sacrifices her well-being and happiness for the sake of her family, such as when she brings them the food she was given at work. She is deeply devoted to her father, forgiving his pompous behavior. She feels no embarrassment in her situation, though her family does, and she works hard outside the prison as a seamstress to help them maintain their lifestyle at the Marshalsea. Once William is freed from prison, she feels uneasy that the family’s newfound wealth prevents her from helping them as she always has. At this point in the novel, the narrator says of her feelings: “To have no work to do was strange, but not half so strange as having glided into a corner where she had no one to think for, nothing to plan and contrive, no cares of others to load herself with” (605). Amy likes having work and people to care for and feels her life is empty and meaningless without these things.

Though Amy is uneasy about the changes wealth brings to her family, she is still wholly devoted to them: “[She] submitted herself to the family want in its greatness as she had submitted herself to the family want in its littleness” (657). She puts her preferences aside to ensure her family’s happiness. Yet, this selflessness, which is a defining trait of her character, also causes her sorrow and inconvenience. For instance, while she suffers in silence over her love for Clennam, she also feels a duty to tell him everything he would want to know about the woman he is in love with. Similarly, she offers all her wealth to Clennam when he is imprisoned and even forfeits her inheritance to protect his feelings. However, Amy’s selflessness is remarkable in view of her birth and circumstances, and it is this virtue that sets her apart from her prideful and selfish family.

Arthur Clennam

Arthur Clennam is the illegitimate son of a businessman and his first wife, though he is raised by his father’s second wife, who took him away from his birth mother. He had a strict, religious upbringing and remembers long days at church and his mother punishing him by locking him in a closet as a child. When he is 20, Clennam becomes engaged to Flora Casby against the wishes of both of their families; as a result, Mrs. Clennam exiles him to China, and he spends another 20 years there, working on the family business though he has no interest in it. At the beginning of Little Dorrit, Clennam is just returning from China after the death of his father. He falls in love with a fellow passenger on his boat who is half his age, Pet Meagles, yet he has no plans or hopes for the future once he returns to London since he plans to quit the family business. After the death of his father, Clennam has suspicions that his father had wronged someone in his past and felt guilty about it when he died. Clennam investigates this suspicion throughout the novel, despite his mother’s rejection of the idea.

Clennam feels disappointed that he has not lived his life the way he would like to. Like Amy, his course in life has been guided entirely by the wishes of his family. Clennam feels obligated to respect his mother’s wishes, despite his uneasiness around her. His sense of disappointment and powerlessness leads him to feel much older than his years. He often speaks of himself as an old man with his life behind him despite being only 40 and having many new experiences ahead of him. When he becomes interested in the business of the engineer Daniel Doyce, he is drawn out of his woes and becomes Doyce’s business partner. Yet, it is largely Amy who draws Clennam out of his sorrows as she shows him how she feels fortunate despite her circumstances.

Though Clennam remains directionless with regard to his career and his financial prospects, he is always inclined to do good by others whenever he can. He takes an active interest in his mother’s seamstress, Amy, and he helps her family once he discovers that they live in the Marshalsea prison. Despite William Dorrit’s doubts about his instincts, Clennam is a good judge of character and his first impressions about others prove to be good assessments of their moral characters. He also has a strong conviction about wrong and right; in a pivotal moment in the plot, he takes on full responsibility for the debt of his and his partner’s business. This leads Clennam to financial ruin but spares his partner’s reputation. In this way, his selflessness and sense of duty mimics Amy’s. Clennam’s goodness is ultimately rewarded as he marries Amy, who is equally virtuous, and they live a happy and useful life together.

The Dorrits

The Dorrits are a well-bred family who are known for their gentility before William Dorrit’s business interests lead him to fall into debt, resulting in imprisonment at the Marshalsea. Due to his upper-class status, the authorities allow him to bring his wife and two children to live with him in comfortable lodgings at the prison, where his youngest daughter is born. Mrs. Dorrit dies eight years after Little Amy Dorrit is born, and young Amy acts as a caretaker toward her father and older siblings, Fanny and Tip. Amy gets a job outside the prison and ensures that the family has the money to send Tip and Fanny to school and also helps them find jobs outside of the prison. She arranges dance lessons for Fanny and a job dancing at a theater their uncle Frederick works at. Frederick plays the clarinet in the orchestra, and he is often so focused on his music that he cares little for the social status that his other family members are so desperate to obtain. Amy helps Tip find many jobs, yet he quickly grows bored with them and ends up imprisoned for debt himself. The Dorrit children conceal all this information from William, worried that he will feel worse about his imprisonment when he learns what his children must do to support him.

William, Fanny, and Tip are all proud of their gentility and use this status to their advantage within the prison. They often think themselves to be superior to those around them and berate Amy for spending time with people they think are beneath them. William, however, enjoys the appearance of being generous to the other inmates, who nickname him “the Father of the Marshalsea;” his calculated acts of kindness bolster his social status, which he enjoys. The Dorrits’ pride becomes even more pronounced after they are freed from the Marshalsea and regain their wealth and land. They make every attempt to erase the past 20 years of their life and appear as if they have always lived like gentry. This involves ignoring and forgetting the people who helped them get out of prison. They also act hypocritically and cruelly toward those who are poor or in debt, just like they used to be. Though Amy and Frederick do not participate in this hypocrisy, they usually do not protest it. However, when Frederick sees them berate Amy for her generous and kind nature, he takes them to task, pointing out their selfishness and false pride. Though Dickens does not portray the Dorrits as entirely bad, their pride and selfishness contrast with Amy’s virtues, developing the theme of Pride Versus Duty. William Dorrit dies believing he is still trapped within the Marshalsea though he is actually free, and his brother Frederick is so stricken by this that he dies at his bedside just after. Fanny and Tip end the novel impoverished and in unhappy circumstances, though Amy does everything she can to help them and their children.

The Clennam Household

The characters who reside in Clennam House are all starkly different yet symbolically significant. Mrs. Clennam was raised to be staunchly devoted to her faith. Her son describes how she is particularly immovable, having not changed in manner or beliefs in the 20 years he hasn’t seen her. Mrs. Clennam remains confined to her bedroom of her own volition. Despite being in a wheelchair, she has no known ailments that limit her mobility, as is seen at the end of the novel when she jumps from her chair and runs through the city. Her son’s life choices often trouble her, particularly those that surround his father. The novel later reveals that Mrs. Clennam is not Arthur Clennam’s birth mother; and she had taken Arthur away from his birth mother, who was her husband’s first wife. Though Mrs. Clennam is cruel and cold, she doesn’t forget what she suffered when she found out that her husband had another family before he married her. However, at the end of the novel, she recognizes that her selfish actions have impacted others’ lives, and she attempts to win Amy’s forgiveness. However, even as Mrs. Clennam tries to improve herself, the highly symbolic Clennam House collapses and so does Mrs. Clennam, and she is unable to see the effects of her change in character.

Jeremiah Flintwinch is the long-time clerk of the Clennam’s family business. He has been with the family ever since both the Clennam parents lived together and he always took Mrs. Clennam’s side over that of her husband. Despite his loyalty to her, he often butts heads with Mrs. Clennam, believing that she should destroy the will that would prove her son’s illegitimacy while she would prefer to keep it hidden. A selfish man, Flintwinch only does what is in his best interests and is not afraid to talk back to the lady of the house or her son. He is also cruel to his wife, Affery, whom he married at Mrs. Clennam’s insistence, and he frequently gaslights her into believing she is unwell in an attempt to hide his secrets. One of his secrets is that he has a twin brother with whom he conspires to get rid of the notorious will. At the end of the novel, he leaves London behind to start a new life in Amsterdam after stealing money from the Clennam business.

Flintwinch’s wife, Affery, has also served Mrs. Clennam since Arthur was a child. Throughout the novel, she believes she is constantly having strange dreams, yet all of these dreams appear to be true despite Arthur Clennam being the only one to believe them. Flintwinch drives her to think her perception is breaking from reality, believing the house to be haunted when she sees its strange sights and hears mysterious noises. However, all of Affery Flintwinch’s dream-visions eventually come true, which likens her to the archetype of Cassandra of Troy and her denounced prophecies. The noises Affery hears in the house turn out to be the old house’s slow crumbling, and Clennam House collapses at the end of the novel once Affery’s dreams are discovered to be real.

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