50 pages • 1 hour read
Toni MorrisonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Vida and Sandler have realized that Romen is having sex with Junior, and Vida thinks that Sandler needs to have a talk with him about pregnancy and safe sex. Sandler is reluctant to do so and tries to pacify her by telling her that Junior wouldn’t be working for the Cosey household if she was a bad person. Vida disagrees, insisting that both Christine and Heed are immoral women. Sandler then thinks about how everyone blames Heed for her marriage to Cosey, but she was in a powerless position and did not have any other options. He remembers Cosey talking about her on their fishing trips. Cosey told Sandler that he chose her because he wanted to raise her himself and that he loved watching her grow up. Sandler does not remind Vida of any of this because he doesn’t want to tarnish her golden image of Cosey.
Vida conspires to have Romen accompany Sandler on a trip to deliver meals to shut-ins. As she watches them leave, she thinks about how raising Romen is harder than raising his mother, Dolly. She remembers an incident at the hotel, toward the end of its career, when local teenagers threw fish guts and other offal at Cosey. He reacted by ignoring it and instead greeted each child and adult present by name, asking about their families and reminding them of his status in the community.
In the car, Sandler is reluctant to talk to Romen about sex but finally decides to do so, reasoning that “[t]he day Romen came to stay he knew he had to protect him” (147). He decides to get straight to the point and asks him if Junior is pregnant, if they are having safe sex, and if he feels comfortable in the relationship. Romen is uncomfortable and feels awkward, but he finally admits that they are having sex and that he sometimes feels uneasy because Junior likes to have rough sex and wants him to hurt her during intercourse.
Sandler advises Romen to follow his gut and listen to his instincts about people. He tells him, “[s]ometimes it takes more guts to quit than to keep on” (153). He also advises him that a good woman is the most important relationship that he can have in life, whether she be a partner, a mother, or a friend. While Sandler believes that the conversation went well, Romen does not take his advice and is just thinking about seeing Junior again.
In the Monarch Street house, Junior wanders around and imagines redecorating, adding more modern touches and a television. She speaks to Cosey’s portrait, believing that he would have been able to save her when she ran away from home at 11. She imagines herself in Heed’s place, protected by a powerful man, and romanticizes the relationship.
Christine reminisces over her past romances, beginning with a memory of living in Germany with her husband, Ernie. She returned early from hiking with another military wife to find him cheating on her with another woman. She remembers that she was more bewildered than offended and wondered “who Ernie Holder thought he was, other than a raggedy Pfc. who had offered devotion, a uniform, and escape to another country in exchange for her own gorgeous well-bred self” (161). After leaving Ernie, she felt unable to go home because of the situation with Heed, Cosey, and May. When she spoke to May on the phone, it was clear that she wasn’t welcome back. Instead, she got a job at a diner as a waitress and cook and spent several aimless years there. While working there she met Fruit and became his lover and partner for the next nine years. He was involved in the radical movement and Christine joined him, playing the part of the obedient, helpful wife who supported his politics. Over time, she became dissatisfied with her life. She had seven abortions and felt nothing each time. Ultimately, she was disillusioned when a young female member of their group was raped, and Fruit and the other men did nothing about it and allowed the rapist to come to meetings.
Christine also remembers her graduation and birthday party, when she and May humiliated Heed and Cosey publicly spanked her. In her memory, Heed ruined the evening with her behavior at dinner and by appearing at the hotel later, dancing provocatively with a man in a green zoot suit. Cosey was furious and left all three women alone at the hotel, going out to find other company. Reflecting on Heed’s vengeful nature, she realizes that Heed and Junior are plotting something. She goes to the hotel to find out what they are up to. When she arrives at the porch, she remembers standing in the same spot as a child, watching Heed drive away in the car for her honeymoon with Cosey.
At the hotel, Heed remembers her affair with Knox Sinclair, a guest whose brother drowned. He is the only man she has had a sexual or romantic relationship with besides Cosey, and during their brief affair he promised to come back for her in six weeks. However, he never returned and she did not see him again. She found out she was pregnant with his child and was overjoyed but eventually had a miscarriage. In the present, she and Junior wade through the disarray of the abandoned hotel. Heed is dismayed by the state of the place and the disorder of the attic. The floor is faulty in places and the menu box is nowhere to be seen. Eventually, Junior finds the menu and Heed dictates a new will leaving everything to herself and then, after her death, to her sister, Solitude Johnson.
Though Junior expected to feel Cosey’s presence at the hotel, she instead smells the odor of cinnamon bread. Heed tells her that it smells like L. While writing out the will, Junior secretly makes changes, including leaving out Solitude. Christine arrives to catch them in the act of faking the will, and during the confrontation between Heed and Christine, Junior moves the carpet covering a hole in the floor. Heed falls through with a crash and Christine rushes downstairs to help her. Junior steals the car and leaves. She is disappointed that she didn’t feel Cosey in the house but is pleased when Romen arrives. She persuades him to have sex with her in Heed’s room, telling him that the old women are visiting a relative.
Romen is uneasy about being in Heed’s room but still stays with Junior. He caresses her injured foot, signifying his acceptance of her as a whole person, even the less beautiful parts. He expects her to be pleased but is uneasy when he sees her lifeless and flat expression. She confesses that she has left the old women at the hotel and that one or both might be dead. Romen thinks about his grandfather’s advice and rushes away from Junior to the hotel to help the Cosey women.
In the hotel, Heed is badly hurt from her fall. Christine covers her with a blanket and finds some food and other supplies that May had squirreled away. Christine promises Heed that she will get her out of the hotel. Alone together, they talk over their shared past and finally reconcile. Heed tells Christine about how L. died at Marceo’s. Of Cosey, Heed says, “[h]e took all my childhood away from me, girl” (193). They realize that they both were vulnerable children and that the trauma they suffered was not their fault. Both express regret that they spent so long fighting over Cosey when they could have maintained their closeness.
During this interlude, they also share some secrets. Heed tells Christine that she was able to keep the hotel open during its decline because she had blackmail photos of the new sheriff from the parties on Cosey’s boat. They also remember their shared childhood language, Idagay, and a code phrase, “Hey Celestial,” which they used to express daring and truth telling. They heard the phrase for the first time when a man spotted Celestial walking on the beach in a red dress and called out to her. The girls were struck by her beauty and daring, and this was cemented when May called her a “sporting woman” and told them to stay away from her. Instead, they named their playhouse after her (Celestial Palace) and used her name in their code.
They also remember the initial moment of fracture in their relationship and the loss of childhood innocence. They were playing in the playhouse and Heed went into the hotel to run an errand. She saw Cosey there and he asked her what her name was and to whom she belonged. He also reached out and touched her breast through her swimsuit. She was aroused and deeply ashamed by this encounter. When she ran back to the playhouse, she saw that Christine had vomited on her swimsuit. She believed that Christine saw her with Cosey and that Christine knew that Heed was somehow dirty or at fault. Meanwhile, in Christine’s memory, she was sick because she saw Cosey masturbating through the window. Both girls blamed themselves for the feeling of shame and assumed that the other knew. This fracture was the “birth of sin” (191).
In the present, Romen finds them at the hotel. Heed is dead, and he helps Christine put her body in the car. Back at the house, Christine has Romen lock Junior in a room and drive Heed to the mortuary. Alone in her kitchen, Christine speaks to Heed’s ghost and asks her what they should do with Junior. They do not reach a consensus, but Heed suggests that Christine let Junior stay at the house and keep her company.
The ghost of L. closes the book by reflecting on the nature of love and the strength of childhood friendship. She blames Cosey, May, and the other adults for fracturing the love between the girls. She also confesses that she is the one who poisoned Cosey. She saw him write a real will that would have left everything to Celestial, putting Heed, May, and Christine on the street. She killed him and made the fake will to save the women and give them a reason to be together. However, she refuses to pass judgment on Cosey, reflecting that, like most people, he is good and bad. She remembers sitting in the graveyard by Cosey’s headstone, watching Celestial sing to Cosey’s grave.
The conflict between Heed and Christine reaches its climax when Heed falls from the attic and is mortally wounded. On her deathbed, she and Christine reconcile, finally understanding their roles in the fracture as well as their blamelessness. Chapter 9 fully explores The Corruption of Innocence by recounting how both Christine and Heed were traumatized by Cosey’s sexuality—Christine because she glimpsed him masturbating and Heed from being groped by him. The novel suggests that the “birth of sin” in the girls’ lives is not from sexuality itself but from the sense of shame each of them internalizes (191), believing that they are to blame for adults’ actions.
Junior is also fully corrupted by the end of the narrative. She tricks Heed into falling and abandons both older women to seek out Cosey’s ghost at the house. She is yet another formerly traumatized child who is unable to deal with what has happened to her, and she retreats into her fantasy with Cosey, emphasizing the obstacles to Junior finding true love. The only thing that jars her back to reality is her realization that she loves Romen. However, this comes too late. When she confesses to him what she has done, he leaves her to rescue Christine and Heed, rendering Junior an antagonistic force.
Romen’s character arc ends with him reaching maturity and making another difficult decision. He has been resistant to his grandfather’s advice, but when Junior tells him what she did, he is able to walk away just as Sandler counseled him to: “He ran—fast, down the stairs, out the door, chased by the whisper of an old man: ‘You not helpless, Romen. Don’t ever think that.’” (194). Romen finally comes to understand that having power over others or enacting violence should not be glorified. Instead, his masculinity should be defined by what his grandfather tells him: that he has the ability make his own choices and can do so even when those choices are difficult. In coming to understand this, Romen reaches a more mature understanding of himself and his role in the world, and through this, Morrison conveys that masculinity need not be synonymous with violence.
The titles of each chapter refer to the different ways that Cosey is viewed by other characters and the role he played in each life. The final chapter is called “Phantom” and refers to the elusiveness of Cosey’s character: Christine and Heed change their ideas of Cosey throughout the novel and other characters disagree on their opinions about him, he is still difficult to sum up. L. refuses to pass judgment on him, insisting that “[y]ou could call him a good bad man, or a bad good man. Depends on what you hold dear” (199). She is one of the few characters in the novel who can balance both the good and the bad in her evaluation of him, refusing to either deify or vilify him. The title also refers to his legacy. The resort is closed, and he is forgotten by the younger members of the community, so his legacy is slowly dying out. The only mourner who still visits his grave is Celestial, the woman he loved but never married.
Finally, the novel focuses on The Greater Pleasure of Platonic Love than Romantic Love. In the final section, L. reveals that her name is “Love” and that she has become a student of the virtue. The kind of love that she recognizes in the characters is the childhood love between Christine and Heed which occurred “before they know their own sex, or which one of them is starving, which well fed; before they know color from no color, kin from stranger” (198). The purity of this love is perverted into hate by the adults around them. L. says, “I blame May for the hate she put in them, but I have to fault Mr. Cosey for the theft” (199). The novel hence suggests that romantic or sexual relationships can ruin platonic relationships and that these are a greater force for good due to their purity.
By Toni Morrison