111 pages • 3 hours read
Matt de la PeñaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Uno’s biological father is introduced. Once a month, Senior leaves his “whole new family” (30) in Oxnard to drive to San Diego to visit Uno. During their time together, Senior imparts fatherly wisdom to his son. Since Senior’s last visit, Uno has gotten into trouble twice, both times through his use of violence. The first time he beat up Danny, and the other, he “gave some frat dude a beat-down outside Horton Plaza Mall” (30). Uno lands in jail, and his mother doesn’t pick him up until the following day, at which time Uno overhears her asking the officer, “what happens if I refuse to take my son back?” (31).
Senior tells Uno to look him in the eye and that “the answers [are] in the pupils of men who seek the path to wisdom” (31). He digresses into a one-man conversation about doctors prescribing Ritalin to control patients and that a wise man “don’t just consider the shit he sees…he considers what’s behind the shit he sees” (31). Senior may speak some truth, but his credibility has been called into question by Uno’s mom. She disparages Senior to Uno and has also told Uno about his grandfather’s robust criminal record. Uno looks at the scar on his father’s neck, the one given to him by his father, and recalls the recurring nightmare he’d had as a child of a hooded man chasing him through a dark cemetery and eventually tackling him.
Senior tells Uno about the “Aristocrats” (33), the wealthy white people living in places like La Jolla, who don’t care for people of color. He then tells Uno about his bookshelves and the extensive number of biographies he’s read. Through reading, Senior has transformed his life from a young person who didn’t love himself—as he supposes is the case with Uno—to a man who finds meaning in working and providing. He empathizes with Uno’s situation but warns him against looking for acceptance from the wrong people. Uno knows there is value in Senior’s “mad knowledge” (34), but he doesn’t know what it is exactly, and he thinks there is something wrong with him because he doesn’t know how to incorporate this wisdom into his own life.
Uno tells Senior that his mom and Ernesto have sent Manny back to the group home. Senior takes this opportunity to reassure Uno, in a very deliberate and serious way, that he loves him. He then shares his love for Jesus and his new-found faith, which Senior credits for the dramatic change in his life. He gives Uno some hopeful, encouraging words and then asks him to come live with him in Oxnard. He wants Uno to save $500 “as a show of good faith” (36). He then asks Uno, “You wanna evolve, son? Or you wanna stay the same?” (35).
Senior takes Uno home and the two are saying their goodbyes, having a moment, when Uno’s mom sees Senior and starts ridiculing him, saying, “you ain’t a minister, Senior! You’re a plain ol’ garbage man” (36). She belittles Senior in front of Uno then threatens Uno that if he doesn’t get inside and finish cleaning the bathroom before his stepfather gets home, he’ll be in trouble. Senior tells her she’s “treatin’ the boy like a bitch. No wonder he’s actin’ out” (37). Loretta, Uno’s mom, blames his acting out—in front of Uno—on the fact he’s got a “good-for-nothing black bastard of a father” (37). Senior drives off and Uno leaves, defying his mother’s orders to stay. He has nowhere to go and is stuck in the middle of “a tug-of-war between black and Mexican, and he’s the rope” (38). He determines he’ll move to Oxnard but doesn’t know where he’ll get the money. While wandering aimlessly, Uno takes the rock he’d been carrying in his mitt and throws it at an apartment building, breaking a window and sounding the alarm. Uno “tears down the road, laughing his ass off” (38). He hides under the rusted bleachers of the local ball park and waits for the police, or anyone at all, to come looking for him. During this time, he reflects on the troubling nature of his recent behavior. No one ever comes.
As Danny recovers in Uncle Tommy’s apartment, he experiences a sort of depression that he likens to his mom’s.He thinks about how sometimes she is “stuck” and unable to do anything for him or his sister. He digs his nails into his forearm, evoking the pain that makes him feel real.
Lying on his cot, Danny’s mind wanders back to spring, to the day he was excused from Leucadia Prep’s baseball tryouts. The coach had told him to spend the year working on his pitching and to come back the following year. Danny blames the rejection on the fact he is Mexican and has no “important business-suit wearing dad cheering him on from the stands” (42). Danny had watched the star player, Kyle Sorenson—the one whom he aspired to be—closely. He studied every aspect of Kyle’s hitting, but in a way that went beyond just the swing. Danny wanted to be like Kyle, and“it wasn’t for his ego, so that everybody in school would stare at him […]No, he needed only one person to look” (44).
Danny recalls how that same night, he met Randy, his mom’s new white, three-piece-suit-wearing boyfriend. Randy had arrived at their door with champagne and flowers for Danny’s mom. Danny resented the fact his mom now only dated white men and considered this an affront to his father. Thoughts of this night prompt Danny to circle back years further in time, to a day at the beach in Del Mar, when “his dad rose up on some muscle-bound white guy for whistling at his mom” (45). His mom, having done nothing wrong, sobbed and apologized to her children. Danny’s dad, meanwhile, was taken away in handcuffs. Danny wonders to himself if she was even sorry.
When Danny awakens from his ruminations, he is happy to be at the Lopez’s. This is where he’d always spent time with his father’s large family, and where they’d shared holidays, meals and laughter. Since Danny only speaks English, he “only gets half of every joke. Not enough to laugh, but he laughs anyway” (46). At all the family gatherings, Danny’s grandmother gives him “rank” over all the others “‘cause he’s so guapo and gets such good grades and lives in such a better neighborhood these days’” (46). This special treatment makes him wish he didn’t get good grades or have any of the privileges he has. Furthermore, these things that his “Grandmother gushes over are what shame him the most” (47).
Despite his family’s show of genuine love and admiration for him, Danny thinks they secretly resent him. All he wants is to be a “real Lopez […] a chip off the old block. One of the cousins from el barrio”(47). Danny, again, flashes back to the dinner where his mom and Randy announced they’d be spending summer in San Francisco, an arrangement that, if it goes well, would lead to marriage. Randy declares they will “be a family. Plain and simple”(52). Wendy is elated and feels as though it’s too good to be true. Randy’s seemingly genuine adoration of Wendy is met with hidden tears and anger from Julia and Danny. Randy is enthusiastic about the prospect of having Danny and Julia, too, and presents them with opportunities they’d likely never otherwise have. Ultimately, Julia chooses to go to San Francisco, while Danny chooses National City.
Determined to save the $500 he needs, Uno kicks around job possibilities with his friends. Raul reminds Uno he can no longer count on Derby winnings because of Sofe’s cousin; Uno does not respond. In his mind, he idealizes Oxnard, picturing Senior’s church and the brand-new grocery store he had told him about, the one with “no bars on the windows and bright fluorescent lights inside. Neat rows of food” (56). Uno hopes there might even be a Mexican sweet-bread shop next door. He’s interrupted from his reverie when Sofia and Carmen pull up on their roller blades. Sofia tells Uno the injuries he’s caused Danny and in no uncertain terms how if he ever lays a hand on Danny again, she will kill him with a knife. Uno tries to justify his actions, but Sofia dismisses him, saying, “I swear to God, though, you mess with Danny again, I’m carvin’ you up like a pumpkin” (57). Uno doesn’t say anything.
This is the reader’s first introduction to Senior, Uno’s father. It’s clear, due to the consistency of his visits and the fact he is aware of Uno’s recent behavior, that Senior is making an effort to be involved in Uno’s life. It comes to light that Uno has been behaving violently, and not just toward Danny. The incident at the mall had landed him in jail. Uno’s mom leaving him in jail overnight could have been her way of punishing him or an attempt to scare him, but when she asks the officer what would happen if she refused to bring him home, it becomes clear she no longer wants to deal with Uno. He is disrupting her home life with her husband, Ernesto, who is now her priority. Having just moved Manny, Ernesto’s son, back into the group home, Uno is all that stands in the way of a fresh start for his mom and Ernesto.
Uno’s mother has spoken disparagingly of both Senior and his father, Uno’s grandfather, to Uno, letting him know he is from a line of violent criminals. Uno’s recurring dream where someone chases him through a graveyard and then tackles him is symbolic of his inability to escape his family’s legacy of violence and poverty. At one point, Uno’s mom’s disdain for Senior may have been merited, as he left her alone to raise Uno and ran off to Oxnard. Now, though, Senior is making an effort, yet Loretta still speaks down to Senior, emasculating him in front of Uno. As a son, Uno’s identity is tied to his father, and Uno’s mom speaking to Senior in the way she does, calling him, among other things, a “good-for-nothing black bastard [of] a father,” pains Uno (37).
When Uno throws the rock that unintentionally breaks a window and sounds an alarm, one might expect concern or feelings of contrition. Instead, Uno laughs, showing no remorse. He anticipates this drawing attention, albeit negative attention, so Uno runs and hides under some dilapidated bleachers. He is seemingly excited by the prospect of being chased, by police “slip[ping] down the ice plant […] clutching their guns” (39). In that moment, he is the star of his own show; finally, people are in pursuit of him. In reality, no one cares about a broken window in el barrio any more than they care about Uno. Uno is a neglected boy in a “forgotten slice of America’s finest city” (97).
Danny’s internal narrative reveals he’d been cut from Leucadia Prep’s baseball tryouts because, despite his obvious talent, he couldn’t control his pitching. Danny blames his dismissal on the fact that he’s Mexican and that his father isn’t in the stands, wearing a three-piece suit and lobbying the coach after practice, like Kyle Sorenson’s dad did. Kyle, whose professional-looking father was consistently present, is a white high school senior—Leucadia’s star player—who is about to be drafted by the MLB. Danny has studied Kyle closely; he wants to be like Kyle. His thinking is that if he is good enough—good like Kyle—it would get his father’s attention and his father would return.
That evening, when Danny’s mom introduces him to Randy, Danny is put off. He is dismissive of Randy’s generosity and genuine care for his mom. Danny sees Randy’s presence as an affront to his father. He is critical of his mother dating only white men, seeing it as further rejection of his father, and perhaps, himself. Even though Danny has witnessed his father’s violence, he still blames his mother for his father’s absence. He rejects Randy, his invitation to spend summer in San Francisco and his mother’s relationship, all in favor of spending summer in el barrio and trying to reunite with his father.
His grandmother’s special treatment of Danny troubles him because it highlights how different he is from the rest of the family. She is proud of Danny and how he has risen out of el barrio through his education. Danny mistakes her pride in his accomplishments as her being “almost ashamed of being Mexican” (46). This makes him wish he didn’t get good grades or have any of the privileges he has. The things his “[g]randmother gushes over are what shame him the most” (47). His whole family shows Danny nothing but genuine support, love and admiration, but he is unable to see himself in a positive light. He fantasizes about being defiant and “cuss[ing] out one of his private-school teachers in the hall during lunch” (47). He is angry and blames his pain on, among other things, his privilege.
Sofia confronts Uno for intentionally hurting Danny, for beating him up so badly he had to go to the hospital. Uno tries to justify his actions, but she calls him out, confirming what the reader knows, saying he was just “pissed about [Danny] hitting them home runs” (57). Sofia is eerily convincing when she tells Uno if he ever messes with Danny, she’s “gonna slice [his] stuff all up” (57). Sofia, a teenage girl, is the only one of Uno’s peerswho is able to speak the truth directly to his face; she commands a level of respect from Uno that won’t be questioned.
By Matt de la Peña