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47 pages 1 hour read

J. A. White

Nightbooks

Fiction | Novel | Middle Grade | Published in 2018

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Chapters 7-11Chapter Summaries & Analyses

Chapter 7 Summary: “The Girl Who Followed a Unicorn”

Alex is confused by Yasmin’s behavior. If she hadn’t helped him that first night, he’d probably be dead, but she seems determined to dislike him. He tries to make up with Lenore, offering her some Froot Loops, but she hisses and bats them from his hand; he notices that instead of claws, she has four tiny fingers and a thumb which are covered by black fur.

Alex decides that, if he’s going to find a way to escape, he must learn all about the apartment. He begins to examine the library books. In one text, he notices handwriting in the margins. The writer was playing outside when she saw a unicorn walk into the building, and she followed it: That’s how she was trapped. The writer believes the witch is lonely. Alex concludes that the writer was another prisoner; he plans to search the books for more clues about her identity.

Chapter 8 Summary: “Beautiful Darkness”

Yasmin enters the library and compliments Alex on his writing. Hoping to keep the conversation going, Alex asks questions about her life before. She explains that her best friend lived in the building and, one day, when Yasmin came to visit, the elevator stopped on the 4th floor. She could smell Kusa mihshi, a dish she used to make with her grandma, or sito. Although Sito was dead, Yasmin believed that if she knocked on the door, her grandmother would answer.

Later that night, Natacha settles into her chair and turns on the oil diffuser. She tells Alex that this could be a “good home” for him because he can be himself. She asks what happened to make him decide to burn his stories, and his instincts encourage him to hold back the truth. Natacha is mystified by Alex’s wish to be as “boring” as other children, insisting his mind possesses a “beautiful darkness” that should be celebrated. She compares him to herself, which horrifies him.

He reads her a story called “The Shape in the Mirror,” about a girl who loves vampires. The girl’s family moves into an old house, and she finds a mirror in her bedroom. For days, she watches the reflection of a dark shape move closer to her window until, one night, it is just outside. Her brother laughs when she tells her family what she sees. That night, when Katie looks in the mirror, the figure is right behind her; it grasps her arms and flies away with her reflection. When she wakes up the next morning, she hates sunlight and grows fangs. That night, her stomach grumbles, and she sneaks into her brother’s room.

Natacha is displeased with the story because Katie became a vampire without being bitten by one. Alex explains that he reversed a common idea—that one loses one’s reflection after becoming a vampire. Though Natacha doesn’t like it, after listening at the wall again, she declares that Alex’s story “still got the job done” (92). When Alex asks what that means, she tells him that the apartment’s dark magic is old and worn. The magic, she says, thrives on nightmares, so reading it a scary story soothes it so that it can rest easily again for a while. Still, Alex can tell Natacha is keeping something from him.

Chapter 9 Summary: “What Grows with No Light”

Alex settles into a routine, though he frequently finds himself distracted by the books as he searches for more of the unicorn girl’s handwriting. He considers the way Natacha describes them as “one and the same” (96) and how Yasmin rebuffs his friendship. Alex notes the way Natacha is careful not to let either child catch a glimpse into her room when she opens that door.

He finds five more notes penned by Unicorn Girl, including one that describes a unicorn pin she was given by her parents and which she vows never to take off. She was planning her escape. Alex is too distracted to write, but he figures he has 40 more stories in his nightbooks he can read to Natacha.

Yasmin comes to get Alex because she needs his help. She leads him through the closet door, telling him to close it behind them. It’s so dark, however, that Alex leaves it open just a crack. He sees a nursery full of magical plants growing under blacklights. Yasmin cares for them and uses them to make the oils Natacha sells. She explains that she accidentally fed one of the plants the wrong food, and it has grown “danglers.”

Chapter 10 Summary: “Danglers”

Danglers are sacs that have formed on a thick vine, and they each contain a vile creature. Yasmin says she will separate each one gently without waking the creature inside, hand it to Alex, and he will drop it into the “void” beneath a trap door. Lenore settles in to watch. Though Alex feels the activity creates trust that brings them closer, Yasmin insists that they are not friends and never will be. When he presses her, she gets upset, telling him he doesn’t know what it’s like to watch the terror in his friends’ eyes when Natacha “loses it.”

Distracted, she drops a dangler and a monstrous centipede emerges. When it passes over some fallen leaves, its feet shred them, so Alex names it a shredder. Alex, Yasmin, and Lenore chase the creature, but it cuts through the electrical wires, putting out the lights. Next, Alex hears the shredder cutting other danglers loose. Lenore attacks them and gets wounded. Suddenly, all the lights go out and it gets eerily quiet.

Chapter 11 Summary: “The Kind of Shadows with Teeth”

Alex and Yasmin make their way through the darkness. When Alex’s foot connects with something soft, he reaches down to feel the cat. She is breathing but bloody, and he picks her up. Yasmin is happy that the dangler-born creatures can’t get into Natacha’s apartment, but Alex tells her he left the door open a crack. By the time they reach it, the apartment is infested. They begin killing the creatures. When the dangler-born fight back, the kids try to retreat to the library but find the path blocked by huge, metallic webs. Natacha arrives and uses magic to kill the creatures.

When they are all gone, Lenore sits by her master, covered in wounds. Natacha, however, blames the cat for allowing things to go wrong and shoots a fireball at her. Yasmin defends the cat, and Natacha tries to kill Yasmin, but it’s as though her magic has been drained from overuse. Alex steps in front of Yasmin, claiming the destruction is his fault. He says he begged her to take him to the nursery, and then he fed a plant the wrong food. The apartment begins to shake, and Natacha demands a story. Alex reads one about a playground for dead children. A boy called Todd is saved from murderous ghosts by his recently deceased best friend, Jenny. Natacha hates the story because it ends relatively happily when Todd escapes with his life. Alex privately concedes that the story is more about friendship than it is about ghosts. Nonetheless, Natacha goes to her room, too tired to make sure the kids cannot see inside. Alex spots a forest through the doorway, and he thinks all they need to do is steal Natacha’s key and they can escape outside. He hears a rustling from the closet and opens it to find that the shredder destroyed his other two nightbooks.

Chapters 7-11 Analysis

In these chapters, White begins to explore The Value of Friendship and the pain of social isolation. One of the reasons Alex planned to destroy his stories is that he feels his “weirdness” prevents him from making friends: “I just want to be like everyone else” (85), he tells Natacha. However, he doesn’t actually want to be like everyone else—he really just wants to be accepted for who he is. He loves his stories, scary movies, and macabre trivia knowledge. To him, one good thing about life in the witch’s apartment is that he “didn’t have to worry about the witch thinking he was a freak for having such a dark imagination” (96).

It saddens Alex that Yasmin continues to reject his friendship, but she rewards him with connection when he plays it safe around Lenore, acting as though he’s learned not to oppose Natacha in any way: “Yasmin gave him the slightest nod: Now you get it. A tiny surge of joy sparked inside Alex. It felt good to talk to someone without using words. That was something friends did” (109). This tiny moment of connection gives Alex such joy because it’s been a while since he has had a real friend. His story, “The Playground,” relies on the bonds of friendship, portraying them as so strong that they remain, even after one’s death. In the story, the dead Jenny saves her living best friend, Tommy, from the murderous ghosts of other children.

Only later does Alex realize that Yasmin rejects his overtures of friendship to protect her own feelings. Even after they work together, she says, “I don’t want any friends. Not anymore” (111). When he says he knows how she feels, she tells him he’s “never seen the horror in [his] friends’ eyes as the magic starts to do its work” (122). These clues help Alex to understand that Yasmin has witnessed terrible things happening to her friends and this hurt her deeply.

Even Natacha seems to want friendship, suggesting that even the most hardened person longs for acceptance and camaraderie with others. When she makes a book fly across the room into her hands, she “seemed immensely impressed with herself. Apparently, Alex wasn’t the only one who enjoyed an audience” (84). Natacha wants the children’s praise and reverence, and she even tells Alex repeatedly that they are very similar. In addition, Unicorn Girl writes of the witch, “She is mean I know but I think she is lonely too. Otherwise why does she want someone to read her a story every night?” (77). Though neither the book’s readers nor Alex and Yasmin know who Unicorn Girl is, she also identifies her captor’s loneliness and desire for the companionship that friendship provides.

This section also continues to highlight The Power of Storytelling via repeated references to Scheherazade (See: Background) and the effect of Alex’s stories on the apartment. When Natacha tries to persuade him to tell her why he wanted to destroy his stories, he knows he must “keep the real story of the nightbooks to himself. The witch wouldn’t hurt him, because if she did, she’d never find out the truth” (83). In this moment, he realizes the influence a compelling story can have on another person. If he wants to live, he must keep Natacha interested in what he has to tell, “Just like Scheherazade, he thought” (83).

In addition, when Natacha is about to kill Yasmin for the mishap with the dangler-born, the apartment begins to shake, and she orders Alex to tell a story immediately. When he does, the quaking subsides, and he is “unnerved by the power his stories held over such an evil place” (145). Not only do his stories, fictional or personal, contribute to his survival, they also apparently support the existence of the magical apartment itself. Thus, they have even more power than he realized.

The revelation that the smell of her Sito’s cooking is what lured Yasmin to Natacha’s apartment further demonstrates food’s association with comfort and even love (See: Symbols & Motifs). Yasmin says she smelled a particular dish that she used to cook with her sito, and she was “convinced that if [she] knocked on the door to apartment 4E, Sito would answer […] She didn’t, of course. How could she? [She’s] been dead for over a year” (82). Yasmin’s desire to enter the apartment had less to do with the food and more to do with the person with whom she associates that dish, highlighting the connection between food and love.

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