64 pages • 2 hours read
Lisa JewellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes depictions of alcohol addiction, pedophilia, and domestic violence.
The son of Alix’s neighbor stops by to ask for the spare key to his house. He is about Roxy and Erin’s age, and she asks if he remembers them from school. He says that Roxy was scary, while Erin was quiet and strange. There were rumors of abuse in their household.
Josie goes back to the café that Alix took her to, and the narrative reveals that on the day she left Alix so suddenly, she thought she saw Roxy. She is sad that she didn’t, but she is also relieved. Now, she goes to Alix’s house, but no one is there. She looks through the windows, then takes a magazine from Alix’s recycling bin.
Later, Nathan shows Alix the footage from the recording app of their security system, and they see Josie take the magazine. Alix wants to talk to him about it, but also doesn’t want his scrutiny of her project. That night, they go to a party, and Alix resents the fact that once again, Nathan is drinking. She goes home alone and later texts Josie about seeing her on their security camera. Josie says she just stopped by, and Alix lets it go, even though she knows there is more to the story. Meanwhile, Josie looks through Alix’s magazine and makes a list of things to buy with her eventual inheritance. Walter is not in bed with her. A receipt falls out of the magazine, dated on Alix and Josie’s mutual birthday. Josie kisses the receipt before putting it back in the magazine.
In their next interview, Alix asks Josie about her preoccupation with denim. Josie talks about her lucky denim jacket, which reminds her of the beginning of her relationship with Walter. The women also look at photos from that time, and Alix comments on how attractive Walter was. She asks what Josie would say to her younger self, and Josie says that she would tell her younger self to run.
After the interview, Alix finds herself confiding in Josie about Nathan’s alcohol addiction. She hasn’t told anyone about her troubles—not even her sisters, whom she fears will judge her. When Josie asks if Nathan cheats, Alix reflexively denies the possibility but then wonders if it might be true. Josie changes the subject and asks Alix to go shopping with her, so they go to a local boutique, and Josie buys several dresses at Alix’s suggestion. When Josie gets home, she puts her purchases away and tucks the bracelet that she stole from Alix’s house into her drawer. She sends Alix an inspirational meme about women and men.
Alix is looking for her bracelet when she gets a meme from Josie that she doesn’t understand. The next day, Josie wears one of her new dresses and looks like a different person. Although they don’t have an appointment, Alix invites her into the studio. Josie asks if everything is all right with Nathan, and Alix tries to dodge the subject, but Josie is persistent. Josie also confesses that sometimes she feels like things would be better if Walter were dead. In return, Alix confesses that sometimes she feels the same about Nathan, but Josie is disappointed when Alix says that the thought of Nathan dying makes her sad.
In the Netflix documentary, Josie tells the story of her 18th birthday, when she and Walter told Pat about their intention to marry. Pat acted resigned at the news, and Walter took Josie to his apartment, where she has been ever since. Then, the narrative shifts again; in this section, which clearly takes place at a much later date than the present moment of the main storyline, Alix is interviewing a young couple who are holding Josie’s dog, Fred. They tell a story about being approached by a woman while on their honeymoon. She had given them her dog, kissing it before leaving.
The narrative shifts back to the narrative present. After her interview with Alix, Josie goes to the café. She is angry about Nathan’s behavior and Alix’s acceptance of it. She kisses the teaspoon she stole from Alix’s studio. When she gets home, Walter discovers the fact that she has been meeting Alix, and he is confused by her secrecy. She slaps him and screams that she hates him, and Walter turns back to his laptop.
Alix sees Pat on the street and asks what she thinks of the podcast, confessing what the true topic is. Pat shares her opinion that Walter and Josie are a “toxic combination” (138). When Alix pushes further, however, asking for more information about Erin and Roxy, Pat walks away.
Alix decides to invite Josie and Walter to dinner, and Nathan reluctantly agrees, knowing that he owes her a favor right now. She texts Josie, who tells Walter to get a haircut and buy new clothes for the event. Later, Alix texts Josie and asks her to bring a photo of her daughters to their interview the next day, and Josie realizes that it is time to expose the truth of her life.
Josie shows Alix pictures of Erin and Roxy and talks about their difficulties in school. The most recent picture shocks Alix—in older photos, the girls are round-cheeked and smiling, but in the last photo, just before Roxy left home, she is hard and defiant, and Erin looks thin and malnourished.
Walter gets a haircut and new clothes, and Josie makes his favorite meal, shepherd’s pie, as a reward. She tells him that she is going to tell Alix the truth about the girls, but Walter points out that if Josie does so, then Alix will call the police. The argument escalates until Josie calls Walter a pedophile, but then she retreats, clearing the dinner dishes.
Nathan is going out for drinks with a friend, Gio, but he promises to be home in time for the dinner party. When he reneges on this promise, Alix entertains Josie and Walter on her own. Walter is visibly nervous in his new clothes and bad haircut. Alix calls Nathan several times and finally elicits his drunken promise that he will come home. Josie is angry and confronts Alix about Nathan’s behavior. Alix feels threatened by this behavior, especially when she remembers Josie’s theft of the magazine. Josie suggests that Alix give Walter a tour of her studio. In a brief moment when Alix is alone with Walter in the studio, she asks Walter how he met Josie. He tells her that Josie isn’t what she appears, that she is thoughtful and cunning and must not be underestimated. He urges Alix not to believe everything that Josie says.
Nathan never comes home, and dinner is stilted and awkward. Josie attacks Nathan, and Alix feels compelled to defend him. When they leave, Josie whispers the word “men” in her ear disparagingly. Afterward, Alix watches television with her son, Leon, who tells her that when she and Walter were in the studio, Josie was eavesdropping on their conversation. Meanwhile, when Josie returns home, she is angry at how poorly the dinner went. She walks Fred, then listens at Erin’s door. Walter is on his laptop, and she yells at him, renewing their argument over telling Alix the truth about their daughters. When Walter calls her “stupid,” Josie thinks of all the things he said in Alix’s studio and knows that her moment of change has come.
In this section of the novel, Jewell intensifies the social transgressions that Josie is willing to commit in pursuit of her new obsession, and the woman’s stalking habits likewise become more overt when she takes a magazine from Alix’s recycling bin and subsequently lies about her motivations for doing so. More importantly, this is the first instance in which Alix becomes aware that Josie is the culprit behind the missing items from her house. However, despite this incontrovertible evidence that something is deeply amiss in Josie’s behavior, Alix continues to ignore her own uneasy instincts, for she is already too deeply invested in the idea of finishing the podcast. In their subsequent interviews, the women also address Josie’s preoccupation with denim, which is now explained to be a symbol of her own sense of power and The Need for Control, which first manifested when she was a teenager, at the beginning of her relationship with Walter. When Alix sees photos of Josie and Walter at that time, she realizes that, at that age, Walter would’ve appealed to her as well, and this revelation of her own inner self further complicates her understanding of Josie’s relationship.
In Chapter 17, Alix acts counter to the warnings of her own instincts and gives Josie a new level of access to her personal life, confessing her marital difficulties and Nathan’s alcohol addiction. Josie immediately uses this information as evidence that her marriage is thematically linked to Alix’s, and this unspoken conviction makes itself known when she texts Alix a commiserating meme that is designed to capitalize on the increased intimacy that Alix’s confidence created. In this moment, Josie also works to strengthen The Sisterhood of Women that she is eager to build between herself and Alix, who is actually just the chosen target of her manipulations. Josie’s ostensible desire to support Alix is therefore based in her intention to create an interdependence that will allow her to insinuate herself more deeply into Alix’s life However, because Alix already has other women in her life, like her sisters, she inherently understands that The Sisterhood of Women can be a double-edged sword. In her sisters’ case, they support and love her, but she knows that they would also judge her mercilessly for “putting up with” (123) Nathan’s alcohol addiction. Likewise, even as Alix feels herself relenting and opening up to Josie, a part of her understands that there are strings attached to their developing relationship, and it is not without a sense of misgiving that she permits their interactions to advance beyond the roles of mere interviewer and subject.
In Chapter 18, Josie again tries to reinforce the connection that she first began to forge upon Alix’s confession of Nathan’s alcohol addiction. To this end, she poses a rather dangerous hypothetical question, asking whether Alix thinks her life would be easier if Nathan were dead. Not realizing just how much weight Josie places upon her answer, Alix offhandedly admits that she has wondered about this, and the vaguely sinister exchange is designed to reflect the fact that although the marriages of the two women are very different, Josie is nonetheless determined to create a parallel where none actually exists, and Jewell also uses the scene to imply that Josie is gathering information for her as-yet-undisclosed plans to radically change her own life. Thus, Jewell highlights Josie’s obsession with The Need for Control by showing how invested Josie is becoming in Alix’s life; in fact, Josie’s intense anger with Nathan and frustration with Alix for “lov[ing] her stupid-faced, cheating husband” (135) highlights the unhealthy degree to which she has become obsessed by the details of a life that is not her own. In this way, Jewell emphasizes that Josie’s frustration with Alix is rooted in her own needs, and furthermore, the narrative reveals that she herself is physically abusive, for she takes her frustrations out on Walter, attacking him when she gets home. It is also important to note that he refuses to engage with her abuse, for this interaction stands in sharp contrast to the portrayal of herself that Josie has provided Alix; this scene is therefore designed to further highlight Josie’s inherent unreliability as a narrator.
Inserted in the midst of these various undercurrents, the evening of the dinner party stands as a narrative island beset by a storm, for in this particular scene, all the characters’ relationships intersect and pressure each other. Nathan’s absence confirms his dynamic with Alix more powerfully than his presence would, and his behavior therefore gives Josie more justification for the plans that she is beginning to formulate. However, the evening also gives Alix further insight into Josie and Walter’s relationship, and from Walter’s quickly delivered warnings, she gains the first true confirmation of her own inner suspicions about Josie’s true nature, and her instincts that Josie might actually represent a threat to her personally. Meanwhile, incensed by Nathan’s continued absence from the event, Josie’s skewed perceptions of reality become all the more apparent as her unhealthy behavior and fixation upon Alix’s life intensifies. As Jewell has long since pointed out, Josie “needs Alix to be cleverer than her” (135), and Alix’s apparent inability to deal with Nathan’s behavior threatens Josie’s burgeoning identity, which is built upon her own interpretation of Alix’s character and life. She needs Alix to reflect certain attributes so that she can emulate the person that she perceives Alix to be; by extension, if Alix shows an unacceptable level of weakness or poor judgment, then Josie’s newfound sense of self is likewise threatened. Part 1 of the novel therefore ends on an ominous note as Josie “knows that it is here, at last, the moment she has been waiting for” (168). In this moment, Josie is finally ready to execute the plan that her increasingly erratic actions have been leading her toward, and with this final thought, the author creates an untenable level of suspense as to what, exactly, Josie has in mind, once again emphasizing the difficulty of Discerning Good Versus Evil in an Ambiguous World.
By Lisa Jewell
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Horror, Thrillers, & Suspense
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Psychological Fiction
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