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Elliot PageA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains detailed descriptions of self-harm, disordered eating, stalking, physical and sexual assault, emotional abuse, suicidal ideation, and anti-LGBTQ bias.
Elliot Page was born in Halifax, Canada on February 21, 1987. He has been in the public eye since he was a child, as he got his first professional acting job at the age of nine. Page was assigned female at birth and was known by another name and pronouns throughout his early life and career. In 2014, he came out as gay and was widely perceived as a lesbian for the next several years. In 2020, he came out as transgender. Pageboy is a very personal memoir that explores Page’s experience of coming to terms with his identity throughout his life.
While Pageboy focuses primarily on Page’s gender, it also details other important elements of his life. Page is candid in his descriptions of his acting experience and his time in Hollywood, both good and bad; he describes Anti-LGBTQ Sentiments in Hollywood that made his journey more difficult. He delves into his Complex Interpersonal Relationships to better convey how the important people in his life have shaped him. Page is also upfront about some of the challenges he has faced, including self-harm, disordered eating, and suicidal ideation.
Page connects his career as an actor to his experience of gender. He sometimes found the makeup and costumes he had to wear for various parts stifling and profoundly uncomfortable. On the whole, however, he experienced acting as a freeing process that sometimes let him step beyond himself. Over time, he found feminine roles increasingly stifling. His path toward Self-Discovery and Self-Acceptance ultimately pushed him to value his true self more than his career.
While it is common for people to write biographies of actors by examining available information about their lives, Page makes it clear that nobody else could have conveyed his story as honestly or completely as he did in Pageboy. Drawing on early childhood memories and private moments, Page is the ultimate authority on his journey. He explains that part of his motivation for writing the book was so it “can help someone feel less alone, seen, no matter who they are or what journey they are on” (9) at a time when trans people are experiencing major legal and social threats in the US and around the world.
Martha Philpotts is Elliot Page’s mother. In Page’s memories of his childhood, his mother is a single parent and a French teacher at several Halifax public schools. When Page was a child, Martha wanted him to conform to gender expectations and be more feminine. She worried that she would face judgment if her child was a lesbian. Coming from a Christian background, she also worried that being gay was a sin. When Page first tried to tell his mother that he was gay when he was 15, she told him, “that doesn’t exist!” (124). Throughout Page’s childhood, his mother tried to persuade him to dress and behave like a typical girl, which was an impediment on his journey of Self-Discovery and Self-Acceptance.
Page expresses a great deal of sympathy for his mother while also noting her shortcomings. He reflects on the challenges she experienced, including her divorce from Page’s father and the loss of her own parents at a young age, and readily acknowledges how much effort she put into raising him, even when she was “desperate for a comfy seat, warm food, and a cold beer” (32) after a long day. Although Page’s relationship with his mother has not always been perfect, she has come to fully accept his identity as a trans man, and the two remain close.
Dennis Page is Elliot Page’s father. His wife, Linda, is Page’s stepmother. Among many Complex Interpersonal Relationships that have shaped Page’s life, none are more fraught and unresolved as his relationship with Dennis and Linda. Page describes the frequent shifts in his father’s behavior: In private, during Page’s childhood, he was generally loving and supportive, telling Page, “Linda is not the love of my life, you are the love of my life” (44). Around Linda, however, Page says that dynamic shifted: Dennis would switch to a “frigid demeanor” and do nothing to protect or stand up for his child. Page also describes Dennis as emotionally manipulative, particularly in the scene where he sobs and asks, “[D]o you not love me?” when 13-year-old Page says he would prefer to live exclusively with his mother (215).
Page’s description of Linda is even more cutting. He says he is “sure Linda didn’t want to be cruel, but [he believes] she held an impulse in her depths to habitually come for [him]” (43). Linda frequently bullied Page and encouraged the family to do the same. Even when Linda wrote Page a long apology when he was an adult, the letter was “less of an apology and more of an explanation, outlining all of the reasons that caused her hostility” (218) when Page was a young child. In one particularly chilling incident, Linda shrugged off a serious injury until Page proved that he was bleeding profusely.
While there have been many sources of pain in Page’s life, his relationship with Dennis and Linda is one of the most consistently challenging and damaging things he describes in Pageboy. Near the end of the book, Page explains that he has not been in contact with either of them in over five years. Reconciliation is not currently in the cards, as “Dennis and Linda support those with massive platforms who have attacked and ridiculed [Page] on a global scale” (219). Dennis “liked” a vitriolic tweet by Jordan Peterson about Page’s transition, signaling the deep rift in their relationship.
Page describes several important friends in his life, including his childhood friends Tim and Jack; Ian, whom he met at a permaculture course; Catherine Keens, a friend and mentor when he was a young actor; Julia, another mentor; and Mark Rendall. Mark is particularly important in Page’s life. As child actors, they met on the set of Ghost Cat and became close friends, meeting up many more times and traveling to Eastern Europe together.
Mark is a bastion of support throughout Pageboy. He takes care of Page in the days after his top surgery, for which Page expresses immense gratitude. The final chapter of the book recounts Page’s memory of a Peaches concert that he and Mark attended when they were 16 (Page) and 15 (Mark). The evening, including Mark’s ongoing friendship and love, marks a turning point in Page’s early life when, although he was not yet confident in his identity, he participated in LGBTQ culture with his friend.
Page recounts many Complex Interpersonal Relationships, including current and former partners. He talks about trying to date boys in high school, a romantic friendship with a girl named Nikki, and his first girlfriend, Paula, as well as relationships with fellow actors Olivia Thirlby and Kate Mara and his marriage to Emma Portner. He also talks about several relationships without disclosing the names of the other people involved. “Ryan” is the pseudonym given to one of Page’s girlfriends, whom he dated when they were both closeted. Although they were together for around two years, almost nobody in either of their personal lives knew about their relationship.
Although Ryan was by no means Page’s only girlfriend, their relationship had a big impact on his life and the narrative of Pageboy. The challenges of having to hide such an important relationship and the shame that being closeted brought were complicating factors for Page and Ryan. Page came out as gay shortly after the relationship ended, partly because he was no longer willing to hide such an important part of himself. His journey of Self-Discovery and Self-Acceptance involved experiencing and then rejecting a life in the closet.