57 pages • 1 hour read
Yoshiko UchidaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel moves forward in time several more years. Mary studies medicine at a nearby university. Taro is proud of Mary’s ambition; however, Hana suspects that Mary will not have the persistence to finish medical school. Because Taro is more fluent in English, Mary speaks with him more than she does Hana. Taro’s closer relationship with Mary, Hana thinks, gives him an idealistic idea of his daughter.
Mary begins going on dates with Nisei boys from her college. One night, she is taken out by a white American boy named Joseph Cantelli. Joseph is a teacher’s assistant for one of Mary’s professors. Hana is stunned by the idea of her daughter dating someone outside of her race. Both Kenji, now the church’s reverend, and Taro approve of the partnership, but Hana remains worried that Mary’s decision-making will lead her down the wrong path.
One winter morning, Hana and Taro awake to find that Mary has run away to Reno, Nevada, with Joseph to get married. Joseph has a teaching job in Reno, and Mary plans to live as a housewife. Hana and Taro are distraught. They seek guidance from Kenji and Dr. Kaneda. Hana resents Taro and Kenji for tolerating Mary’s independence. The church urges them to forgive Mary and Taro does, but Hana cannot.
The narration shifts to Mary, who is riding with Joseph along a dark highway toward Reno. She expresses regret for hurting her parents but feels completely at peace with Joe. She remembers meeting Joe for the first time and going on their first few dates. Joe, himself the child of immigrants, sympathizes with Mary’s complicated relationship with her racial and cultural identity. He reassures Mary that their marriage is the best decision for them both.
Mary becomes pregnant shortly after they settle in Reno. She enjoys her life as a housewife, noting that she does not miss California. She writes to her parents to update them on her new life. When Hana learns that Mary is pregnant, she begins to sympathize with her. Hana writes back to Mary to offer her help with the pregnancy and birth. Mary declines her offer, having already hired a retired nurse for help. Hana feels rejected by her daughter.
The year is 1941. From a radio news update, Hana and Taro learn that Japanese planes have bombed Pearl Harbor. The event triggers the United States’s involvement in World War II; specifically, it puts the US at war with Japan.
The Japanese immigrant community is worried in the wake of the incident. Dr. Kaneda and other leaders of the Japanese American community are taken from their homes by the FBI to live in prisoner-of-war camps. In the weeks after Pearl Harbor, rumors surface of an “evacuation” of Japanese immigrants to government camps. Taro grows anxious about the fate of his shop. The rumors turn out to be true: Japanese Americans in California are to be evacuated to camps by the American military.
Hana and Taro decide to reach out to Mary for assistance. Since Nevada is outside of the “Exclusion Zone,” Nevada residents will not be evacuated. When Mary writes back, she offers her parents refuge in Nevada. However, the tone of the letter suggests that she does not actually want her parents to arrive. Hana and Taro feel spurned and decide to accept their evacuation to the camps.
Hana receives a phone call from Kiku, who wanted to connect one more time before the evacuation. She wishes she could travel to see Kiku, but Japanese civilians now have a curfew and travel restrictions. Hana and Taro pack up their belongings; they are meant to have only a few bags when they arrive at the camp.
Hana grows emotionally devastated and seeks counsel from Kenji. He voices his support and helps her organize her packing. Hana feels strengthened by his assistance. After developing his shop for 30 years, Taro sells it for $200. The Takedas spend their last night in their home, thinking of the long journey ahead.
At the Todas’ farm, Henry faces a similar dilemma. He wonders if he should sell his farm before evacuation. If he keeps the farm, it could still be overtaken in his absence. If he sells the farm, he could at least make a small sum of money. After much debate in the Toda household, Henry decides to sell the farm.
Still, he lies awake late one night, troubled by his thoughts. He remembers coming to America with Dr. Kaneda. Thinking of his imprisoned friend, he makes a small care package to send to Dr. Kaneda. Henry contemplates his love for Kiku, who worked hard with him on the farm, and his sons, who now attend university. He hears footsteps outside the house. Henry looks outside to find a white man holding a gun. The man hurls a racist epithet at Henry and then shoots him in the chest.
Mrs. Davis and her son, Victor, arrive to drive Hana and Taro to Tanforan, a California concentration camp. Upon arrival, they are crowded into the building with other Japanese Americans. They are escorted to the barracks where they will live. They are unsettled to learn that they will be housed in former horse stalls. Shortly after arriving, they receive news of Henry’s murder. Hana wishes she could comfort Kiku.
Meanwhile, in the Montana concentration camp, Dr. Kaneda receives the news as well. He opens the package that Henry sent him, shares it with other prisoners, and provides words of remembrance in Henry’s honor.
Hana tries to acclimate to life in the concentration camp. Cooking, washing, privacy, and outside communication are all made difficult by the camp’s restrictions and limited resources. Luckily, Hana is still able to keep in contact with Mary through letters. Mary informs her that she plans to move to Salt Lake City, Utah, where Joseph will work as a professor.
Hana notes the difference between herself and her neighbor, a woman she finds to be nosy and ill-kept. However, she does find acquaintances in her other neighbors, Mrs. Mitosa and her daughter, Sumiko.
Taro is worn down after enduring Henry’s death, Dr. Kaneda’s evacuation, and their imprisonment. Hana asks Kenji to help Taro, and he teaches him carpentry. Taro makes furniture for his and Hana’s living quarters and benefits from the discipline and satisfaction. Hana fixates on finding a wife for Kenji and considers introducing him to Sumiko.
The proliferation of Japanese “internment” camps is the primary development in this section. By drawing from her own experience with evacuation and imprisonment, Uchida details the compromises and hardships that Japanese Americans endured. These camps arose out of anti-Japanese paranoia after Japan’s attack on the American military base in Pearl Harbor. The American government was concerned that Japanese Americans would be dangerous because of their allegiance to Japan. As the novel establishes, the evacuation was an unfair assessment of Japanese Americans that resulted in the loss of property, homes, livelihoods, and lives. Dr. Kaneda’s imprisonment by the FBI mirrors Uchida’s own experience; her father was a prominent leader in his local community, so he and his family were evacuated immediately after Pearl Harbor. Anti-Japanese paranoia is further shown in Henry’s murder as his white assailant calls Henry a racial epithet before shooting him.
Additionally, Taro and Henry relinquishing their property demonstrates the debilitating effect of the evacuation, and the transition into the “internment” camp demonstrates the social oppression facing Japanese Americans. Earlier in the novel, the Takedas struggled for financial prosperity. Now, they are unfairly targeted by their own government. As mentioned in Chapter 25, even the children of Japanese immigrants were imprisoned as suspected insurgents. Picture Bride narrativizes the numerous obstacles to prosperity for an Asian American family. Even a family as hard-working and honest as the Takedas are doomed to be targeted by discriminatory government decisions. These chapters make earlier assertions about the inaccessibility of the American Dream clear. No amount of hard work or assimilation can protect the Takedas or the Todas, and even the independence of the countryside cannot guarantee safety.
Mary’s assimilation into American identity comes to fruition in her marriage to Joseph Cantelli. She pursues a life independent of her parents and the Japanese community by leaving for Nevada. In the eyes of her parents, Mary’s decision seems both selfish and regressive; she leaves her family and school in favor of a life as a housewife. At the same time, Mary’s marriage is an exercise in independence. She wants to have her own life, separate from the traditions and norms of the Japanese community. Mary’s desire for independence can be traced back to her formative vacation to the Todas’ farm, where she learned the joy of discovery and travel. While Mary’s desertion might seem rash, Uchida presents her perspective as well, emphasizing the value of controlling one’s own life. At the same time, Mary’s separation from her parents is not merely physical, and in distancing herself from her Japanese identity, she cuts off her parents’ chance to escape the camp by living with her. With this, the implicit cultural severing that comes with The Burden of Assimilation becomes literal.
During the evacuation, Kenji—now the leader of the local church—arises as a constructive leader within his community. He comforts Hana and gives her advice when she is overwhelmed by the evacuation, reversing their roles from his earlier crisis. Despite his tenuous relationship with Taro, Kenji sparks Taro’s interest in carpentry. The new hobby gives Taro purpose after being debilitated by the loss of his friends, shop, and home. The long-term effects of the Takedas’ kindness, generosity, and trust manifest in Kenji. His prosperity as a community leader suggests that Hana’s salvation has been realized. By caring for Kenji during a difficult time, Hana helped produce a selfless and reliable leader. The scenes in the concentration camp also emphasize the value of community; life is made bearable thanks to others’ help and companionship.
By Yoshiko Uchida