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45 pages 1 hour read

Paul Lynch

Prophet Song

Fiction | Novel | Adult | Published in 2023

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Symbols & Motifs

White

Content Warning: This section of the Study Guide discusses police brutality, torture, and violence, including the murders of children.

White is a representation of resistance in Prophet Song. Eilish associates “dark” or “darkness” with the regime throughout the novel. In contrast, the color white often symbolizes peace, harmony, and purity. White becomes the color to mark oneself as anti-regime, implying that the regime is the antithesis of peace and goodness. This display of resistance first appears after four boys are arrested, tortured, and killed; protestors advocating for justice wear white. Eilish also wears a white scarf to work, which draws suspicion from her pro-regime boss. With little recourse to find and save her husband, Eilish uses the white scarf to present herself in solidarity with Larry. The scarf is also a sign of character development, because when white first appears as a symbol of protest, Eilish refuses to let her children wear the color. Her white scarf therefore represents her shift from a passive victim of the state to active protestor, representing one of the only ways she can practice autonomy. Molly also ties white ribbons in a tree to count the weeks her father has been gone. The association between characters like Molly and Larry and the color white emphasizes their innocence and goodness in juxtaposition with the darkness of the regime.

The GNSB

The Garda National Services Bureau (GNSB) is the regime’s secret police force and symbolizes corruption and inhumanity. With a bureaucratic title that gives the agency an air of authority and legitimacy, the GNSB is the first antagonist in this novel. The GNSB represents the first manifestation of authoritarian power, setting the stage for human rights violations and police violence. Eilish senses this shift after two officers visit early in the novel: “This feeling now that something has come into the house […] seeing how it stood with the two men and came into the hallway of its own accord, something formless yet felt” (3). She later learns that she is right to feel a sense of foreboding: Its officers act on behalf of the new regime, arresting people without charge for violations such as protesting and holding (or killing) detainees in secrecy. In fact, the GNSB builds its power upon secrecy. The more secretive it is, the more frightened people are. This fear gives the GNSB more power because its officers act without accountability. As the novel goes on, the GNSB become just one part of a large infrastructure of abuse of power. Thus, the introduction of the GNSB is a foreshadowing of further violence and violations of human rights.

Truth

Truth is an important motif in Prophet Song, supporting the theme of The Tyranny of Authoritarian Society. In this novel, the principle of truth is destroyed. Eilish is a scientist and therefore bases her understanding of the world on fact: “[T]he real work of a microbiologist is […] seeking evidence, testing hypothesis against reality, against whatever an individual might seek to believe, the answer true or false is found in the result” (13). However, her knowledge of and faith in facts is quickly overturned when the fascist regime makes fact, reality, and truth impossible to decipher. As Simon tells Eilish, “if you change ownership of the institutions then you can change ownership of the facts, you can alter the structure of belief, what is agreed upon” (20). The regime warps facts into their own version of the truth, such as accusing Larry of inciting rancor against the nation. Because the regime is extremely secretive, there is no truth to analyze or explore, only silence. Silence is the absence of any concept—truth or lie. However, not having truth in their lives makes citizens even more afraid. Psychologically, the absence of truth is destructive because it suggests that there is nothing stable or trustworthy in life. Carole Sexton identifies the absence of truth as the source of true horror. It is not just that her husband has been arrested and never returned, but that she has no way of finding out if he is even alive. Not knowing is the real torture, and this torture helps the state keep control over people. Carole becomes a shell of a woman because of the absence of truth.

Human Rights

In Prophet Song, characters are stripped of their rights to protest, to gather, to leave their homes, and to question or criticize the government, bringing into question of whether human rights are real at all. The motif of human rights is important because without any rights, the characters in this novel are pushed to their physical and psychological brinks.

The first sign that the regime devalues human rights is when Larry is arrested and held without recourse. Ireland’s constitution, constructed to protect human rights, is suspended. As society shifts from democracy to authoritarianism, society is split between people who believe in the inherent truth of human rights and those who believe that the concept of rights is a social construct. In a dream, Eilish recognizes that she has taken her rights for granted when she imagines a detective telling her, “You call yourself a scientist and yet you believe in rights that do not exist […] it is up to the state to decide what it believes or does not believe according to its need” (65). If human rights are theoretical instead of inherent fact, then the state can abuse people with impunity. In the narrative, violations of human rights become worse as the state descends into fascism and then anarchy. Bailey’s torture and murder is the most significant indictment of the regime’s abuse of human rights; Eilish notes cigarette burns and marks from a drill on the body of her son, whom the military claims died from “heart failure.” Without a belief in human rights, no one will help Eilish find justice for Bailey. In this way, Lynch illustrates how the dehumanization of a population is largely developed through their loss of human rights.

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