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51 pages 1 hour read

Madeleine Thien

Simple Recipes

Fiction | Short Story Collection | Adult | Published in 2001

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Part 2, Stories 5-7Chapter Summaries & Analyses

Part 2, Story 5 Summary: “House”

Ten-year-old Lorraine and her older sister, Kathleen, who is 14, are in foster care. When they decide to go to the old house on their mother’s birthday, Lorraine remembers what life was like for her and her sister before her mother walked out.

They lived in a nice little house in Vancouver, Canada. Their father is usually gone. He’s a logger and goes out for jobs, more often than not leaving his wife and two girls alone. Lorraine remembers how her mother used to sing in the church choir. One time, when her father was there, they went for brunch and her mom was drunk. The mother spills her beer into everyone’s food and ruins everything. Lorraine can tell how angry her dad is by the way, afterward, that “he drove so fast everything blurred” (104).

Lorraine knows that when her father calls, her mom blushes and giggles. Once while her mother drinks in the bed with Lorraine, she calls them a pair, but when Lorraine says she is glad they’re a pair her mother tells her that is the wrong answer. She doesn’t want her daughter to be like her.

Lorraine remembers how, on her last birthday, they went for Italian food. Her mom didn’t drink that day because she never drank on her birthday. She quit for that one day just to prove she could. But mostly, her mom remains drunk. Lorraine knows that one part of her mom is a sick person, but the other part is her mom’s real self. The only problem is that Lorraine doesn’t know how to work with the two moms. She knows when her mom lies though. Usually that’s when she’s been drinking. And she often wakes up to find her mother sprawled out on the floor, passed out, beside her bed.

Just before her mother leaves, Lorraine has a temper tantrum on the street. Her mother won’t get her what she wants at the store. As cars drive by, Lorraine refuses to get up. Not long after that, Lorraine stands on the lawn looking at her sister’s handiwork. Kathleen has already mowed the lawn twice. Then she watches her mother walk away. Lorraine remembers it seemed like nothing was wrong. Her mom “walked away down the street, turned left and disappeared” (112). Likewise, Kathleen has also seen this moment. Neither girl discusses it with the other.

After their mom fails to come home, the girls aren’t sure what to do. They wander around the empty house eating peanut butter and crackers. When their dad calls, they cry and tell him what happened. He brings them to the logging camp, but after a few days realizes that it won’t work with his girls in the camp. He takes his daughters back to the city, where they meet the social worker he arranged for them. The girls go into foster care and eventually they live with a foster mom named Liza.

Once, not long after they move into their foster home, Lorraine wakes up and Kathleen is next to her, her arms wrapped tightly around Lorraine. When she wakes up, Kathleen tells Lorraine that during the night she was making noises and saying weird things. All of a sudden, Lorraine tells Kathleen their mom is dead. Kathleen says she shouldn’t say that. If she does it will make it true.

On the day of their mother’s birthday, they decide to skip school and go back to the house. Maybe their mother is there or will show up. They find the house and lay out on the lawn. They spot a woman inside their old house on the phone. It’s not their mother. A woman walks by and asks them what they are doing. She scolds them for being out in the sun. They stay there the entire day and by late afternoon people start coming home from work. Then all of a sudden a white pickup truck drives by and they see it’s their father. They wonder if their mom is in the truck. But she’s not. Kathleen taunts her father about coming by the house. He’s all dressed up.

Their father admits he can’t stop thinking about her. Lorraine, Kathleen, and their father talk quietly about their mother. Kathleen starts to cry and says it’s her fault. She watched her mom walk away. She says she knew her mother was leaving, but she said nothing. But Lorraine says that Kathleen isn’t to blame. Then their father says he can’t save them. Eventually he takes them back to their foster mom. As they drive away, Lorraine imagines her mom, standing there, mourning. It is an image that won’t leave her mind. When their dad drops them off at their foster home, he says he will never forget them. Lorraine watches as he drives off and knows she will always remember what he looked like as he drives away.

Part 2, Story 6 Summary: “Bullet Train”

Harold’s mother is sick. His father punishes him by making him go up to the roof and stay there. Though Harold has a fear of heights, his father tells him it will make him stronger. After his mom dies, Harold takes her metal box, the one filled to the brim with coins, and vows never to remove a single coin. One day, when his father puts him on the roof, Harold remembers his mother’s funeral. He remembers before she died how they would walk hand in hand around Trout Lake. He tells her he will never forget her. As he thinks about this, he edges toward the cusp of the roof, then, on his stomach, slides over and slips off, landing below in the grass.

Harold knows he will always be shy around women. When he grows up and leaves his father’s house, he meets Thea and her daughter, Josephine. He sleeps with Thea and then never leaves, thinking he has woken up in a dream. He thinks, “I’ve dreamt up an entire family” (139).

When Thea meets Harold, she is working as an outreach nurse. She is 10 years younger than him. As an outreach nurse, she drives around in her van providing free needles and condoms to drug users. She is often known by her nickname, “The Protector.” When Thea was 16, she fell in love with a helicopter pilot who was 31 years old. One night, Thea lets him stay in her room, in the house she lives in with her mother and father. The next morning her mother walks in to wake her, sees him, and quietly backs out of the room. She learns she is pregnant, and the helicopter pilot takes her in. She leaves home and realizes she is young and must learn a lot to keep her man happy. The day of her ultrasound, she waits for him in the hospital. But he never shows up. Yet as Josie grows, Thea feels an inexpressible sense of love. In her mind, Josie is the one thing she has done right. “In all her failures, in all her missteps, she had finally managed to do something supremely well” (148).

One night, after Harold moves in, he collapses. Thea is beside herself with fear. She can’t lose him. Her daughter, Josephine, is surprised that her mother loves him as much as she does. Josephine remembers sleeping next to her mom. She even slept next to her when she was a teenager. Now, through the thin walls, she hears her mom and Harold having sex. Now that Harold is here, it will never be the same. Josie has a new boyfriend, Bradley. She decides she will leave with him. She feels like she is drowning in that house with her mom and Harold. One of worst things her mother ever did to her was burn her under scalding water in the shower, a punishment for losing the bracelet that the helicopter pilot had given her mother. Josie begs forgiveness. Her mother realizes what she’s done and stops, telling her daughter she is sorry. That night they sleep side by side.

After living with Harold and her mother, Josie decides it’s time to leave. She will live with Bradley. She packs her things and steals the money her mother has hidden in an empty Aspirin bottle. Harold walks in and sees Josie’s rucksack on the floor, and the money in her hand. He knows exactly what she is planning to do. He tells her she will break her mother’s heart. Josie agrees. But she has to leave. So, Harold opens the kitchen door, surprising Josie.

Josie doesn’t end up marrying Bradley. She ends up going through a lot of different men and traveling all over the world. People ask her why she doesn’t settle down and have children. Josie says she’s always been a free spirit. When she is very old she will tell people that her father was a boy who jumped from the roof and her mother was a woman who fell from a helicopter. When standing on balconies and high buildings, she always has the compulsion to jump. She wonders as she ages, how she has managed to bypass love when it was for the sake of love that she left home.

Part 2, Story 7 Summary: “A Map of the City”

Miriam’s parents are 30 when they emigrate from Indonesia to Vancouver, Canada. Miriam is born in Vancouver, with kidney failure. For the time that it takes to recover and gain strength she becomes her father’s daughter. “In his arms I was peaceful” (164), she says. As she grew up, her father would say to her, “Ever since you were born, Miriam, my life has been terrible” (165). He always smiles when he says this.

Her parents open a restaurant, but it fails. Then her father opens a furniture store and calls it Bargain Mart. Miriam loves to go to work with her father so much that she fakes illness sometimes to skip school and be with him in the store. Sometimes, on her fake sick days, she sleeps in a makeshift closet, separated by a curtain. One day she writes her name in crayon on a couch as if to assert her identity. Miriam watches her father read the newspaper all the way through or struggle to connect with the scant few customers that visit the store. One time a man walks into the closet and sees Miriam resting there. He is shocked, and Miriam’s dad is awkward and uncomfortable. He can’t find a way to connect with the customers. At home, her father washes the vegetables, her parents ask each other how their day was, and later, all three of them sleep in the same bed, Miriam in the middle.

When Miriam is in her early twenties, she meets her soon-to-be husband, Will. He rides his motorcycle down an alley, and she stops him and tells how they should be together. “I just have this feeling that we are meant to be” (174), she says. Will agrees and jumps enthusiastically into the relationship. Miriam likes him because the daily troubles that bother most people don’t seem to bother him. He is restrained and strong. When Miriam sees his apartment for the first time, she thinks its emptiness has to do with the terrible deaths both of his parents suffered. But then she realizes that simplicity is part of his personality.

Will and Miriam get married. She tells Will it was his motorcycle that swept her off her feet. Her father doesn’t attend the wedding. By then he is living alone, having left Miriam’s mom. Though Miriam was born in Canada, her parents miss Indonesia. They are Chinese Indonesian and arrived in Irian Jaya, a province of New Guinea at the height of a violent political uprising. When the tension grew and violence reigned, her parents decided it was time to leave.

Miriam remembers the times she and her family would take long drives through Vancouver, her mom at the helm with a map on her lap, directing her father where to go. Now her parents have split, and she realizes how much everything in her family has changed. She remembers that the fighting began when the furniture store started to fail. Her mother wants her father to sell but he refuses, driving them into bankruptcy and poverty. The furniture store is the last business her father ever owns. The apartment they live in becomes an empty place. Miriam begins to sneak out at night and drive around with her friends. One night her father wants to tell her something, but she refuses to listen. Then one spring day, her father leaves for Indonesia. Miriam believes that returning to Indonesia is her father’s bravest act. “He threw caution to the wind” (198) returning to the place that has always filled his imagination. Miriam believes that Indonesia has always driven a wedge between her parents. After her father leaves, she and her mother move to an apartment in East Vancouver.

She lives with Will and finds their life comforting with its predictable routine. Will is 10 years older than she is. One day she thinks she might be pregnant. That’s when she realizes that maybe she can’t commit to the marriage. She is relieved that the pregnancy fails. Shortly after that, her father returns to Vancouver. He is terribly sick and lives alone on social assistance. There are pills for depression everywhere. Shortly after Miriam visits her father at his apartment, she breaks up with Will. Will goes to Ontario, where he is from originally, to give Miriam some space. One day Miriam is sick with fever. She has bad dreams that mix reality with fantasy. She remembers one time when it snowed, her father built a snowman, and her mother took pictures. In her sickness, Miriam now realizes that there had been something ghostly about her father outside in the snow. “My father in the snow, smiling for all the world to see” (216).

In the end, her father tries to kill himself. Luckily, a neighbor hears her father making loud noises and calls for help. The paramedics arrive to find her father dressed in a suit asking for his family until he loses consciousness. Miriam and her mother stay with him in the hospital, but he remains in critical condition. Miriam’s mother tells Miriam that her father always loved her. “He’s always had such dreams for you” (223), she says. She tells Miriam she is not trying to make her feel bad. She assures Miriam that she can never disappoint her father.

One day, Miriam arrives home to a message from her mother. Her mother says that her father is out of danger. Each day her mother sits with her father, bringing him a cup of coffee and a newspaper. Miriam is so happy to see them together. After that, Miriam calls Will and he comes back to her. One day, Miriam and Will drive to Miriam’s old neighborhood. She searches for the furniture store but can’t find it. Will suggests that maybe it’s been torn down. At first she resists this idea, but then finally admits it, realizing that there is nothing left of her old life as a child.

Part 2 Analysis

“House” is another example of a narrator remembering the past. The author also plays with time so that the chronology of the story, like all the others in this collection, is not in sequential order.

Home and family also, once again, make their thematic appearance. In this story, the two sisters return “home,” leaving their foster care family in order to revisit the past. Lorraine, the oldest sister, is able to see the truth about her past—that her mother was alcoholic, and her father was absent. The note of abandonment that hinges beneath every story in the book is made clear in “House” when Lorraine remembers how her father left the children with social services. She tries to think of him but his image fades: “He’d always been a memory” (116).

It’s important to note that the story is not called “home.” Home would be something else for Lorraine and her sister. It would be a noun that is inclusive of happiness, parents, and order. When the two sisters visit their past, they are returning to a place that contains none of these. It is now just a house, representing loss, grief, and family dysfunction.

Keeping with the narrative thrust of memory that engages the characters in all the stories, the house is also a symbol that rekindles the past and the fractured lives the girls led, with a mother who drank too much and a father who was rarely there. In this regard, the house becomes emblematic of loss, grief, and the deterioration of family.

While Kathleen is the more responsible of the two sisters, Lorraine is the one who seems to be most like her mother. The author juxtaposes Lorraine against her mother and Kathleen against her father. Lorraine, like her mother when she is drunk, suffers from temper tantrums, like the time just before her mother leaves when Loraine lies down in the middle of the street refusing to get up. On the other hand, Kathleen is more composed, more rational. She is calm and collected the way her father can be. For example, when their father arranges for them to go to foster care, he doesn’t skip a step. He does things with little demonstration of emotion. He dispassionately makes sure social services is arranged for the girls and drops them off without showing any feelings. Kathleen keeps her feelings private. Likewise, it is Kathleen’s idea to go back to the house. She is the one who provides the coins for the bus and knows the bus route. Kathleen calmy determines where they will sit as they watch the house. So, like her father, she makes the decisions and follows through.

The penultimate story, “Bullet Train,” is different from the others in that there are three specific points of view. Each character carries trauma with them and as their lives become intertwined, their history becomes the key factor in their decision making.

Harold’s trauma is two-fold. The first is that his mother dies of cancer. In this regard, Harold never feels a sense of home. This homelessness is a theme that carries throughout the other six stories in the collection. Second, when Harold’s father punishes him, he sends his son up to the roof. Harold is afraid of heights, so his anxiety is at a maximum. The fear of heights is a metaphor that aptly characterizes Harold’s inability to grow emotionally, to reach for anything that might make him feel joy. He is trapped in some ways to the ground, yet ironically, he doesn’t feel grounded. When he is in his house, for example, he wanders from room to room on his tiptoes. This wandering is symbolic of Harold’s own nomadic mental state. He admits to walking from room to room, with “a pain in his chest” (133). The painful chest can be interpreted as a broken heart, particularly in light of his mother’s death.

This idea of familial displacement runs throughout the story. It is seen most clearly in Thea’s predicament. When her mother chooses Harold over her, Thea wants to leave. Like Harold, who similarly runs from his house when he can, Josephine feels dislodged by her mother’s relationship with Harold. Her solution is to eventually run away as a salve to the feeling that she is superfluous and in the way at home. The shift in the family dynamic makes her believe she is out of place. She thinks she “wasn’t meant to be here any longer” (153). Eventually she leaves. And in this way, she shares a similar quality of wandering that Harold possesses.

But Thea, Josie’s mother, does not have a wandering heart. Though Thea believes that Josie is the one thing she did right, she begins to prioritize her relationship to Harold over that of her daughter. Harold becomes her anchor, the one that allows her to feel safe and secure. As in many of the stories in this collection, the fracturing of a family takes place along shifting alliances. Ironically, as much as Thea wants Harold and her daughter to stay, she worries that it will all disappear. It is too hard for her to think about losing one thing. Thea fears displacement much like Harold experienced after his mother died.

While Josie and Harold share the similar trait of wandering, Harold finally settles down with Thea. When he sees that Josie is leaving he is ironically both concerned at how it will hurt her mother and encouraging. He tells her to go, opening the door for her. When Josie puts her heavy pack on she has to hold the walls. The wall is the only support she has in the moment of her leaving. The heavy pack represents her new home, one that will be spent mostly on the open road. Josie, unlike Harold, cannot settle down. She does not find a place to rest her heart and her body. She has not felt a sense of belonging at home with her mother since Harold displaced her as her mother’s anchor. Likewise, she has not found a place to be at home in the world. As she travels all over the world, Josie’s one tragic loss is never having known her father. For Harold, the sense of homelessness is embedded in the loss of his mother. It is symbolic that Josie, the one woman who gives him a sense of place, is also a mental health provider known by her nickname, “The Protector.”

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