88 pages • 2 hours read
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In literary terms, the titular octopus is a controlling metaphor, which is a symbol or image in a novel that transcends a single category of narrative significance. In this case, the octopus functions as a symbol, a motif, a theme, and a metaphor. A controlling metaphor is usually present in a work’s title and is the focal point of the protagonist’s character development. A controlling metaphor is multi-layered and can transform in meaning as the protagonist grows toward greater self-understanding.
The author prefaces the novel with a quotation from The Octopus: The Graceful Cephalopod of the Deep by Derby King to establish the octopus’s thematic importance: “The history of the octopus illustrates the brain’s ability to evolve. As they lost their ancestors’ protective shells they were forced to become more intelligent” (5). From the first page, we know that the octopus’s means of protection, adaptability, and intelligence are important ideas. A less obvious one is that the octopus’s strength comes from within. Without the protective shell of financial stability and family support, Zoey must rely on her inner resources not only to survive her difficult circumstances but also to transform them.
As a symbol, the octopus represents Zoey’s highest self. The octopus is highly versatile and holds elements of mystery. It can protect itself in various ways, including by shrinking and enlarging, by producing toxic ink, by changing its skin color and texture, by traversing any terrain in its environment, and by quickly fleeing—all with the help of its eight tentacles and unblinking eyes. Zoey’s goal is her own and her family’s survival, and she clings to identifying with the octopus to help her navigate life’s challenges, relying particularly on the powers of camouflage and stealth. Despite having the octopus as a source of inner strength, Zoey’s self-esteem remains low. Her challenge is to explore the depths of personality to become the strongest, most complete version of herself.
Zoey’s conversation with Connor at the Pizza Pit in Chapter 12 serendipitously introduces her to the chakana, the Quechua concept for “the state in which all beings are their complete selves” (68). Connor encountered this idea during a trip to Peru and got a cross-shaped tattoo to remind him of his inner strength. Late that night, Zoey draws an octopus tattoo on her arm with a Sharpie marker, signaling awareness of her ability to decide her fate on her own terms.
The motif of camouflage ties into the octopus’s symbolism, but other kinds of camouflage appear regularly at key moments of plot and character development. An avid hunter, Silas wears a camo trucker hat. At school, Silas uses his silence to go unnoticed among his schoolmates so as not to incur bullying. He admires the bobcat, which he hunts with his father, for its unusual stealth. When Zoey tells Silas that he must be disappointed about not having spotted one, Silas replies, “It’s all part of the hunt. You’ve got to be just as stealthy as they are. […] Sometimes, a bobcat will match its steps to a coyote’s tracks—will go footprint for footprint” (22). The bobcat is to Silas what the octopus is to Zoey, a symbolic animal that gives him strength because of its ability to move unseen.
Zoey’s pink camo jacket features symbolically in the novel. She loves the jacket, and it’s part of her identity. Ironically, her coat and Silas’s hat, which are meant to make hunters blend in with their environment, make Zoey and Silas appear hyper-visible around their schoolmates. In debate club, Lydia makes assumptions about Zoey’s political views based on Zoey’s camo jacket, while Silas’s trucker hat, along with his silence, leads students to accuse him of being the parking lot shooter. After voicing her opinions in the debate room, Zoey realizes that standing out is not as dangerous as she expected, and she no longer needs to define herself as someone skilled at hiding.
Different means of transportation represent characters’ mobility and autonomy, or their lack thereof. In Zoey’s world, having a reliable form of transportation isn’t a given, and her daily routines include walking to her bus stop, walking to or from home, walking to Bryce and Aurora’s bus stop, and walking home from Fuchsia’s house. Zoey’s home is a trailer, and she remembers having lived in a car with her mother when she was younger (84). These details signal transience and uncertainty in Zoey’s life—the absence of a solid foundation. The uncertainty creates tension in the narrative and keeps the stakes for Zoey’s actions high.
The car is a symbol of power and hope, neither of which Zoey has through most of the novel. When Zoey thinks about Matt Hubbard’s family eating dinner every Saturday at the Pizza Pit, one of the things she can’t imagine is that his family always has access to a car with a full gas tank. In Zoey’s world, Lenny owns the car, and he keeps it under tight control, checking the odometer and gas gauge readings daily. In this way, Lenny hopes to maintain control over Kara because he can monitor where she goes. When Kara decides to leave Lenny, she needs to use another car—one that Lenny doesn’t control. Using Connor’s car to drive to their new apartment signifies that Zoey and her family are on their way to a better future.
Ms. Rochambeau’s car allows Zoey to attend debate club after school, since Zoey would miss the arrival of her siblings’ bus if she walked home as usual. Ms. Rochambeau gives Zoey the tools for success in multiple ways. In sharing both her car and her knowledge, Ms. Rochambeau increases Zoey’s upward mobility.
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