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54 pages 1 hour read

Amanda Peters

The Berry Pickers

Fiction | Novel | Adult | Published in 2023

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Chapters 5-8Chapter Summaries & Analyses

Chapter 5 Summary: “Joe”

In the years following Ruthie’s disappearance, Joe looks for her where the family picks berries in Maine. His mother is sure that Ruthie is alive somewhere. Each year, fewer workers return, and eventually, the family stops coming. During their last summer there, Joe is 15. A carnival comes to town. Joe is most excited for the distraction—tired of envisioning finding Ruthie’s bleached bones in the berry fields. At the carnival, his brother Charlie gets into a fight with a man named Archie. Archie and his brothers beat Charlie so badly that he dies of his injuries. The family heads back to Canada, much to the ire of Mr. Ellis. Joe recalls seeing Archie years later, walking along the side of the road after leaving prison. Joe swerved to hit him. He missed, and he isn’t sure if he really meant to kill the man, but he thought that Archie deserved it.

Chapter 6 Summary: “Norma”

As Norma ages, her mother’s headaches, like Norma’s dreams, grow rarer. They return the year that Norma leaves for college in Boston. Norma enjoys spending time with her friend Janet, but often escapes into books. Reading is her favorite activity, offering distraction from her overbearing mother and the guilt she feels for worrying her. Many of her classmates are preparing to get married or to begin working for their fathers, and Norma cannot imagine the confines of either. Once she leaves, she and Janet lose touch until Norma drops her mother off at an assisted living facility.

Aunt June lives in Boston and promises to show Norma around. Norma wanted to be a writer but couldn’t find her voice: She resolves to teach instead. While exploring, they see a group of Indigenous protesters in a park, and Norma is curious about the protest. June encourages her to ask about it, but one of the protesters screams out “Ruthie!”; June drags her away. Norma is confused, but June seems upset. June brushes it off, but Norma can’t forget.

They stop in an Irish bar, and Norma mentions the incident again. The bartender makes disparaging comments about Indigenous people, and she and June drink too much whiskey. Norma tells June that the incident is stranger in light of her imaginary childhood friend, Ruthie. June dismisses it as coincidence and makes Norma promise that she will never tell her mother about their experience.

Norma meets and falls in love with Mark, who works in the accounting department of a Boston law firm. Mark helps her to feel comfortable socializing and enjoying the city like the other college students do. When she graduates, she and Mark are engaged. June and her parents approve of the match. Norma graduates with a teaching degree; she feels happy and accomplished.

Chapter 7 Summary: “Joe”

Joe’s condition continues to deteriorate, and the pain medication takes away his ability to walk. His mother and Mae take care of him, but he tries not to be a burden by staying in bed. His daughter Leah comes to see him. He loves her, but she does not call him “Dad.” He was largely absent during her childhood, and he accepts his smaller role in her life. He asks her to pull a small pair of boots and a doll out of his closet, telling her about Ruthie. He still hopes that she is alive. He tells Leah that his brother Ben thought that he saw Ruthie in Boston, but she was rushed away before he could speak with her.

After losing both Ruthie and Charlie in Maine, the family doesn’t return. Mr. Ellis writes, but Joe’s mother argues that those fields took two of her children. Joe, Mae, and Ben all struggle. Mae moves away but loves parties. Neither she nor Joe can find love, and they feel they are cursed. Ben joins an Indigenous protest movement in Boston. He visits and tells his family that he saw Ruthie walking with a white woman. Ruthie looked just like their mother. The family is excited, but Joe is angry. He doesn’t want Ben to stir up old memories, and he is not convinced it was Ruthie. He loses his temper, and his mother orders him to leave the table. Angrily, he rushes off and is hit by a truck. His injuries are severe and his recovery is lengthy. The man who’d hit him came to the hospital and offered him a job. Ben chose to stay home and care for his brother. Joe recalls asking Ben if he was sure that he’d seen Ruthie, and because Ben was so certain, the two decided to periodically make trips to Boston to look for her. They agree to keep their quest from their mother so as not to get her hopes up or cause her more pain.

Chapter 8 Summary: “Norma”

Norma and Mark marry, and although they are happy during these early years, she thinks about the ways they drifted apart. Shortly after they married, Norma got a job near Augusta, and they moved back to Maine. Her mother was more involved with her church and pressures Norma, too. Norma is finally able to provide her mother with a reason not to: She is pregnant. Her mother seems shocked but assures her that she is happy. Norma is unconvinced.

Norma’s pregnancy proceeds as normal, but at 34 weeks, she loses the baby. The entire experience is a blur, from the initial appointment which Mark declined to attend, to the subsequent trips to the hospital, the news that the fetus is not “viable,” and the procedure to evacuate her uterus. She does not want to see her deceased daughter.

After they lose the baby, Mark and Norma’s grief separates them. Norma begins to think again about the dreams she had as a child. She is given the rest of the year off of work and spends her time mostly alone. After a short stay with their parents, Mark suggests a trip to Nova Scotia. They are excited and happy for the first time in a while.

On the trip, Norma sees a happy couple with a baby and begins to cry. Although he is sympathetic at first, Mark jokes about it, and Norma is incensed that he asked her if she plans to cry every time she sees an infant. They argue. She is mistaken for an Indigenous woman, and Mark points out how darkly complexioned she is. She loves Nova Scotia and feels so at home there that Mark jokes that she must have lived there “in a past life” (149). The two drink, dance, and start to feel happy, but Norma confides in Mark that she does not want to try to have another child. She explains that she’d lived her entire life with the ghosts of dead children. He is angry, telling her that it is not just her decision to make, that their plan had been to have children. Norma says, “Plans change.”

Chapters 5-8 Analysis

This section includes the novel’s multiple, related conflicts: Charlie’s death, Ben’s sighting of Ruthie in Boston, and Norma’s failed pregnancy and marriage all take center stage, and each of these incidents helps establish the novel’s rising action. Ruthie’s boots and cloth doll reappear, and Anti-Indigenous Racism continues to be a thematic focal point.

By the time Charlie is brutally murdered in a fight near the berry fields, young Joe is already racked with guilt over Ruthie’s disappearance. Because he was the last member of the family to see his sister alive, he feels responsible for her disappearance and already struggles with Grief and Guilt. When Charlie gets into a fight defending friend Frankie, Joe is too young to defend his brother. However, he is witness to the beating, so he feels responsible for the wounds that kill Charlie just a few hours later. Although neither incident is Joe’s fault, he blames himself for being there—or feeling he should have been there—and, in a sense, all of his difficulties stem from these two events. They are so deeply ingrained in him that he even swerves his car to kill Charlie’s murderer: In essence, Joe is the heart of the family, and he will not be whole until Ruthie comes home. Further, Joe’s tumor can be read as a metaphor for the pain that he carries as a fresh wound, and even his distance from his daughter is representative of his fear that he will be unable to protect her, too. Joe’s story speaks to the extreme difficulty of healing from traumas that are rooted in childhood experiences, including The Impact of Anti-Indigenous Racism, and in this way, the text engages in critical conversations within Indigenous communities about trauma and recovery. The Berry Pickers suggests that, while life might go forward, it is impossible to forget what has been cruelly taken away.

This section also contains the scene during which Ben, in Boston for an AIM protest, recognizes the adult Ruthie who, as Norma, is now in college and living in Boston. Although many in his family are skeptical, Joe finally believes that it was indeed Ruthie whom Ben saw, and they begin to periodically make trips to Boston to look for their sister. This showcases the strength of Indigenous Family Bonds: The brothers never give up hope that their sister is alive, and even though Ben has not seen Ruthie since she was a small child, something in him recognizes his adult sister and calls out to her. Ruthie, too, was drawn to the crowd of Indigenous protestors, and her recalling herself as her own imaginary friend demonstrates how sharply she has been pulled from her true self: The Ruthie that she remembers exists outside of herself as a friend. Joe also demonstrates the strength of his commitment to his family through keeping Ruthie’s boots and cloth doll. Both he and his mother refuse to get rid of these items, and in this section, he brings the objects out at the very end of his life. They are still, all these decades later, in the closet where his mother placed them when they returned home from the berry fields, and Joe wanting them close to them near the end of his life signifies how much he still loves Ruthie.

After June leads her away from Ben in a crowd, the two stop into an Irish bar. The bartender provides another example of Anti-Indigenous Racism, saying, “I think we’ve been more than kind, helping them out when they don’t want to help themselves. What more do they want” (105). White characters use prejudicial descriptive language, demonstrating the pervasiveness of racism not only in Canadian society but also in the structures of its government. There is a consistent sense within this narrative that white society has deemed itself superior to Indigenous communities, and such instances of anti-Indigenous prejudice are found in each section of the text as reminders of the deep-seated racism. Additionally, when Norma is “mistaken” for an Indigenous woman, it highlights a readiness to casually verbalize otherness.

This section also contains Norma’s failed pregnancy and the impact that it has on her marriage. Norma struggles in relationships: She does not remain in touch with her one childhood friend, and although Mark’s character is less developed than others, readers do get the sense that Mark and Norma do not quite connect. Although perhaps initially happy together, he does not understand the grief that she feels after losing their child, even making light of her sadness, which highlights a huge difference in character and overall misunderstanding of each other. He is angered that she does not want to try for another child, and tells her that it isn’t only her choice to make. They ultimately separate, and this section of the narrative becomes another parallel that Ruthie and Joe’s character’s share: They are each scarred by Ruthie’s kidnapping—although Ruthie, as Norma, does not understand the source of her inner unhappiness until she finds out the truth about her family—and both struggle to maintain healthy adult relationships. They are both more comfortable alone, but even in their solitary moments, they struggle with loneliness. The two were close as children, and as adults, they both long for the kind of connection that they once had.

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