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64 pages 2 hours read

Joyce Maynard

The Bird Hotel

Fiction | Novel | Adult | Published in 2023

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Prologue-Chapter 15Chapter Summaries & Analyses

Prologue Summary: “One Thing About Hard Times”

The narrator describes how, when she was 27, she decided to end her life by jumping from the Golden Gate Bridge. She recalls how Lenny said, “One thing about hard times […] Once you hit bottom, things can only get better” (ix). She couldn’t bring herself to let go of the world, but she couldn’t go home. That is how she ended up at the Bird Hotel.

Chapter 1 Summary: “1970. From Now on You’re Irene”

Two weeks before her seventh birthday, the narrator learns from the television that her mother is dead. Her grandmother says people will be looking for them, so they move, and Grammy changes the narrator’s name from Joan to Irene, using paperwork from a friend whose granddaughter died. A box arrives, labeled in her mother’s handwriting, of her mother’s favorite vinyl records. At school, Irene tells classmates that her mother is a famous singer who is away recording albums. She loved when her mother sang to her at night, especially when she sang old ballads. Diana had a succession of boyfriends, one of whom, Indigo, threw young Irene into the pool and gave her a fear of water. The boyfriend Irene liked was Daniel, a nurse. Irene thinks her mother “was a person who needed a man at her side, and she never had any trouble finding one” (6). Irene and her mother traveled across the country going to concerts, and Irene thought that Diana showed more care for her vinyl records than she did for Irene. After Daniel left them, Diana met a man named Charlie who said he was part of the Weather Underground. They followed him to New York City, and Diana sent Irene to live with Diana’s mother, though she didn’t plan to stay with Charlie.

Chapter 2 Summary: “No Evidence of Survivors”

The television reports an explosion at the Weather Underground house. There are no survivors, and an off-duty policeman, who had three daughters and a 10-year-old son, was among those killed in the blast. The only body part found is a woman’s fingertip. After that, Diana and Irene change their names and move several times. Irene’s grandmother locates Irene’s father, Ray, who is living in British Columbia with his new family. He invites Irene to visit. Irene’s grandmother lives in fear of being found by law enforcement. She dies when Irene is 18, and on her deathbed, she tells Irene to never reveal who she is.

Chapter 3 Summary: “A Man From the Sunny Side of the Street”

Alone after her grandmother’s death, Irene finished art school. At a gallery show that includes her work, she meets Lenny, a man with a sunny personality. Irene is showing a series of drawings of conures—exotic birds that have taken up residence in San Francisco after escaping a pet store (18). Lenny is a grade-school teacher and a Giants fan and comes from a large, happy family. After a year together, they have a son, Arlo, and get married. Lenny wishes Irene felt more comfortable around his family and doesn’t understand why her father, Ray, doesn’t want to see her.

Chapter 4 Summary: “One Way to Find Your Family”

Though she is happy, Irene still keeps her past a secret. She learns that DNA testing is now being used to help solve crimes. A friend from art school says a detective came by asking questions about Irene, calling her Joan.

Chapter 5 Summary: “Orange and Black Balloon”

The Giants are playing in the World Series, and before game three, Lenny and Arlo and Irene visit the store and buy Arlo a balloon. As they walk home, Arlo’s balloon floats away, and he runs into the street to catch it. As a van comes around the corner, Lenny leaps into the street chasing the balloon. Both Lenny and Arlo are struck and killed.

Chapter 6 Summary: “The Earth Opens Up”

That same day, the Loma Prieta earthquake hits San Francisco, but all that matters to Irene is that “In the space of an instant everything I had loved in the world floated away—the two people on the planet who had my heart” (36). She avoids Lenny’s family. Six months after the accident, while she is at home, a conure looks through the window at her. Irene senses that the bird is telling her to escape. She clears out her apartment, gives away her vinyl records, and goes to the Golden Gate Bridge. But she can’t jump, thinking, “It suddenly seemed not simply wrong, but disloyal to my darling husband and our precious son to throw away my life because they’d lost theirs” (39). She walks until she sees people boarding a green bus decorated like a turtle. The bus is going to Mexico, and though Irene has no money, she is invited aboard.

Chapter 7 Summary: “Riding the Green Tortoise”

Riding the bus reminds Irene of her youth. She ends up next to a pregnant woman and the woman’s young daughter, Everest, who asks her about whether she wants to have a child. People share their food, so money isn’t a concern.

Chapter 8 Summary: “Bus to Nowhere”

While the bus is broken down, one of the drivers, Gary, visits a casino. He later gives Irene a wad of money. The bus stops at Tapachula. Irene walks to the airport, where she boards a flight to the capital city, San Felipe. Clearing customs, Irene sees a bus heading to Lago La Paz—Peace Lake—and boards it. She notes the differences from the US not just in landscape but in culture, with small children selling crafts and roads without safety features. A woman on the bus tells Irene to go to La Esperanza, a word meaning hope.

Chapter 9 Summary: “A Six-Year-Old Tour Guide”

Irene arrives at Lago La Paz, a large lake surrounded by small villages and a volcano looming over all. The locals call it El Fuego—the fire. The place is almost completely undeveloped. Her companions are “a few aging hippies” (53) and a vacationing couple. Irene notes all the women who are carrying babies. At La Esperanza, Irene chooses a small boy as her guide and tells him she is looking for a place to stay. His name is Walter, and he takes her through town to “the most beautiful place in the village” (55).

Chapter 10 Summary: “Stone Egg”

The sign on the door says La Llorona. A woman opens it and identifies herself as Leila. Irene almost gives her the name Joan. Leila leads Irene down a long flight of stone steps into a “wild, fantastical garden” (57). Among the plants are carvings, including one of a giant egg. The place seems out of a fairy tale: Irene thinks, “I had never seen anyplace so beautiful, or one offering greater evidence of love on the part of its creator” (58). Beautiful as it is, Irene can also see that the property is falling apart. Examining the artwork, she sees that one picture depicts a variety of natural disasters, including an erupting volcano. Irene is the only guest. Leila gives her a dress to wear, and she takes a long shower.

Chapter 11 Summary: “The Only Thing That Lasts Is the Volcano”

Dinner is fish harpooned that morning by Pablito. Luis oversees and maintains the property, and Maria is the chef. Their son Elmer, 16, helps with maintenance. Mirabel, a beautiful young woman, also works at the hotel. The dinner is delicious. Leila says she doesn’t advertise La Llorona; “The people who are meant to come here find their way” (63). Leila loves beautiful things and is full of stories. She sees the volcano as a reminder to treasure each day.

Chapter 12 Summary: “I Remember Food”

At La Llorona, for the first time in months, Irene sleeps without having nightmares of her son and Lenny. She wakes to the singing of birds. She feels her senses returning; she is no longer numb. She eats and explores the gardens Leila planted. Leila mentions that she has a blood clot lurking in her veins somewhere. She invites Irene to come with her to market.

Chapter 13 Summary: “Shrimp as Big as Your Hand”

Irene sees several vendors, including a young man offering Mayan astrology. That is Andres, and Leila warns Irene to stay away from him. Irene isn’t bothered, as she expected to be, by the sight of children: “I was in a whole other world where none of the usual rules applied, including the timetable for grief, if there was such a thing” (70). She sees foreigners, not the usual vacationers but hippies. They buy shrimp and eat them for dinner. Leila doesn’t pry into Irene’s past. Instead, she tells Irene her story.

Chapter 14 Summary: “How to Make Macarons”

Leila tells her life story: She was born in Nebraska, and her uncle, Timmy, who was a soldier in World War II, married a girl he met in France. When Timmy was killed, Noemi, who was pregnant, came to Nebraska. The family took her in, and Leila was fascinated by her. Noemi taught Leila how to make macarons. She taught Leila French, and Leila taught her English. After Noemi married again and moved out, Leila won a baking contest with Noemi’s macarons and used the money to go to Paris. She found work in a bakery, and one day, she waited on a customer who she later learned was Marlon Brando. Leila became his lover, and he took her with him to investigate a property he had bought. When they landed in La Esperanza, Leila felt at home. Brando decided to move on, but Leila wanted to stay, saying, “I had fallen in love with a volcano and a lake and a village” (84). She bought property and started a garden.

Chapter 15 Summary: “No Return Address”

Irene writes to Lenny’s parents, thanking them and apologizing for leaving without saying goodbye. She doesn’t give a return address.

Prologue-Chapter 15 Analysis

These chapters describe the plot events hinted at in the prologue: the story of how the narrator ends up at La Llorona, a place which, despite the name evoking a mythical weeping woman, offers respite from her grief. Having spent much of her childhood in hiding with her grandmother, living under an assumed name to avoid detection, Irene thinks of herself as a person who lacks a real home. The brief years of happiness with Lenny and her son seem like stolen moments compared to the devastating loss, which drives Irene into flight again. Loss is the defining movement of this section of the novel, beginning with young Joan’s loss of her mother, but among the losses are small moments of recovery and hope that provide the possibility for change and new growth, beginning The Gradual Process of Healing.

Irene’s lasting heartbreak at the loss of her mother is evidence of The Endurance of Grief and Love. Her mother becomes the mythical woman in Joan/Irene’s life, and like La Llorona or the narrator of the “Long Black Veil,” an old ballad she likes to sing, she seems restless, melancholy, and unsatisfied, always searching for something. Young Joan remembers her mother as beautiful, musical, often heartbroken, and unable to settle down. Music is Joan/Irene’s link with her mother, through the songs she sings young Joan and the vinyl records she gifts her. For Irene, these artifacts are the last surviving piece of Diana, like the fingertip found at the scene of the explosion. Irene’s choice to give away her art supplies, a symbol of her artistic nature, and the records of her childhood indicates her resolution to break from her old life and her history. But instead of suicide, she chooses flight, as did her mother and grandmother, as will many other characters who end up in La Esperanza seeking refuge. How Irene eventually builds a home at La Llorona becomes integral to her recovery.

Like the loss of her mother, the loss of her husband and son leads Irene to question her identity, expressed in that moment when she first meets Leila and wonders which name to give. Does she want to reclaim her lost childhood self and be Joan again, or is she still Irene, the woman Lenny knew? Her reluctance to speak of her recent loss further indicates Irene’s struggle with her identity; lacking a child, can she even call herself a mother? She will only feel safe speaking of Arlo to Walter, another young boy, and one equally familiar with loss. Irene can make a choice about how much of her previous life will identify her, and she is also far away from the consequences of any of Diana’s crimes. In La Esperanza, a word meaning hope, by a lake named Peace, Irene can choose who she wants to be and build a new life.

The link between these stages in her life is the conure, a type of parrot native to Central and South America. The conures of Telegraph Hill, San Francisco, are displaced exotics living in a non-native land, exactly what Irene will become. The parrots link Irene to Lenny—her art is how they first meet—but another of these parrots sends Irene on her quest. The bird becomes her guide to a new home, a place so lush with bird species that Irene calls it the Bird Hotel, confirming the birds’ symbolism of growth, beauty, and life.

Though Irene’s silence about her past is one way she deals with The Endurance of Grief and Love, finding La Llorona proves not only a refuge but entrance into a new family circle. The awakening of her senses and appreciation for food indicates that she is coming back to life after the initial shock of grief. The new species and the presence of the volcano, a novelty in her landscape, also remind her that she is new territory. Maynard gives her fictional community roots in Indigenous Mayan culture, and the novel will go on to explore interactions between the people who are born there and the immigrants who come to stay from North America, Europe, and elsewhere. La Esperanza has a long history of seekers, but, as Leila will reveal, they do not always find what they’re looking for, which establishes suspense as to what Irene will discover.

The first-person narration draws the reader firmly into Irene’s perspective and voice, complemented by Maynard’s prose style, which is direct, clear, and rich with figurative language. Historical events such as Woodstock, the Greenwich Village explosion, and the Loma Prieta earthquake of 1989 provide a historical framework for events of Irene’s life, against which the ways of life in La Esperanza appear as almost timeless cultural rhythms. Each chapter title draws out a word or image that reflects the emotional heart of the chapter. These titles can vary in length, but the repetition adds layers of resonance and meaning. Chapter 11’s title, for example, is “The Only Thing That Lasts is the Volcano,” encapsulating the fleeting nature of life in comparison to geological time. When the volcano erupts toward the end of the book, it becomes a paradoxical symbol of permanence and destruction at once. Maynard’s narrator uses subdued humor to convey an attitude of acceptance toward the precarity of life, and her restrained style suggests the equanimity that characterizes the town itself if not all of its inhabitants. This is an attitude Irene will have to learn over time. The emotional beats moving between loss and recovery, grief and love, create a heartbeat that threads through the narrative.

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By Joyce Maynard