The Blade Itself

What are some ways Abercrombie plays with and subverts the fantasy genre both in terms of characters and tone?

There is a strong undercurrent of political intrigue throughout the narrative. What is Abercrombie saying about the relationship between power and structural systems of governance? Can one exist without the other?

How is Collem West’s character important in terms of evolving class structures? How is he an outlier, and why is that important to the dynamic of class and society?

Analyze at least three different examples when either Bayaz or another character suffers consequences from the use of power.

Bayaz and Yulwei argue over Bayaz’s use of the “Art” and his pursuit of the legendary Seed. What is at the heart of this argument? What are the moral implications of Bayaz’s actions?

Analyze Bayaz’s shows of power (whether magical or political) throughout the novel. Is Bayaz a morally conscientious character, a morally bankrupt trickster, or a combination of both? Use specific examples from the text to prove your point.

The narrative takes a decidedly dim view of war. What are some examples of this perspective? How is this view oppositional to the glorification of war that often characterizes fantasy narratives?

How does Abercrombie succeed in making Glokta—a broken man, a torturer—sympathetic? How does he do the same for Jezal? Use specific examples from the text to prove your point.