60 pages • 2 hours read
Joe AbercrombieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jezal and West spar again, and this time, Jezal gets the better of his opponent. His diligence pays off, and Varuz at last sees hope in his pupil. As West prepares to leave, he warns Jezal to stay away from Ardee, and Jezal grudgingly consents.
West then meets with Lord Marshall Burr, who reports that their outposts in the North have been destroyed. Bethod is running roughshod over Angland, and the Union’s response is sluggish at best. With the recent dissolution of the Mercers, there are now fewer noblemen to fund the war effort. Burr appoints West to his senior staff because the officer knows the North country. West is concerned that his “common blood” will undermine his authority among the officers of noble lineage, but Burr brushes aside his concerns. West also fears that the war will be devastating but hopes that this new appointment will greatly benefit his military career.
Logen and Bayaz sail to Adua, the “city of white towers” (248) and the urban center of Angland. Adua seems beautiful but is corrupt and fractious behind its high walls. They disembark, and the crush of people on the docks makes Logen claustrophobic. The hard looks that he gets from passersby suggest that the Union’s war against Bethod has begun on a rhetorical front as a propaganda war directed against all Northerners. Bayaz leads Logen toward the Agriont, the seat of government and commerce. On the way, a ragtag group of soldiers—too young or too old and too ill-equipped—marches past on their way to war. Bayaz stops at a theatrical shop and purchases costumes to give them the air of nobility. Bayaz means to take a seat on the Closed Council.
Jezal, recently sober, jogs along the outer wall of the Agriont, his mind consumed with thoughts of Ardee. He arrives at the training compound where Varuz has assembled a small audience—including Ardee—to observe his practice duel with West. Initially nervous, his training takes over, and he defeats West easily. He accepts the congratulations of the high-ranking observers, but when Ardee tries to speak with him, he walks away, remembering West’s warning.
Jezal arrives for guard duty where he finds Yoru Sulfur sitting against the wall, awaiting his master. He is about to run Yoru off when Bayaz, Quai, and Logen approach. Jezal is reluctant to allow the barbarian to pass, but Chamberlain Hoff has left orders to admit all three. Jezal escorts them to a chamber containing Sult, Hoff, and High Justice Marovia, “[t]hree members of the Closed Council” (267). The door shuts in his face.
Glokta and Sult recount the details of the conspiracy: Sult’s secretary leaked Rews’s list to the Mercers, who then killed all those named; Sult knew his secretary was the source of the leak but allowed suspicion to be cast on Kalyne, all the while keeping Glokta in the dark. The plan works to perfection. Glokta’s next task is to investigate Bayaz’s claim to the empty seat on the Closed Council, a body “privy to the workings of the very heart of our government” (271-72). Sult wants Bayaz exposed as a fraud.
Yulwei smuggles Ferro past a security officer on their way to Dagoska. Their ultimate destination is Adua, but Ferro protests, saying “These northerners are mad, everyone knows it…Mad! Godless!” (274). From a high cliff, they gaze down at a Gurkish fortress. (Gurkhul is an empire in the South.) A mighty armada of ships is moored there. Yulwei fears that the empire is an unexpected force to be reckoned with and rushes off to warn “the others.”
On the road, they encounter a large group of shackled prisoners (people who were taken and enslaved after a failed rebellion against the Emperor). The soldiers’ brutal treatment triggers memories of Ferro’s own abuse as an enslaved person, and she prepares to retaliate, but Yulwei persuades her to stand down. A soldier, attracted by the commotion, offers to sell one of the prisoners—a young girl—to Ferro, believing that Ferro is a young man. The urge to kill rises in her, but she resists, and the phalanx of prisoners shambles forward.
Logen and Bayaz stroll through the Agriont where Logen sees unfamiliar sights: carpenters constructing stadium seating for the Contest, meticulously planned gardens, and women dressed in high fashion. He watches a military training exercise and wonders how these men would fare in the chaos of real battle. He finally rests on a bench near the towering House of the Maker. A woman joins him, unafraid and desperate for conversation. She confesses that she feels “invisible” in the big city. They chat briefly, and she leaves.
That night, a woman appears to Logen and appears to be an exact replica of his dead wife. As she reaches for him, the room explodes in a flash of brilliant light. When he opens his eyes, the woman is gone, and the room is shattered. Bayaz—responsible for the explosion—wades into the wreckage. Logen’s “wife,” he claims, may have been an Eater. Logen asks Quai what an Eater is, and he answers: “It is forbidden…to eat the flesh of men…” (289).
Severard reports the incident in Logen’s quarters to Glokta. Glokta then orders his Practical to inquire about a particular bank (mentioned by Kault before his suicide). This inquiry is in direct violation of Sult’s orders. Later, Glokta visits Logen’s quarters to survey the damage. Logen tells him about the woman and the destruction caused by Bayaz’s “base magic.” He also tells the Inquisitor about his status as Bethod’s former champion; Bethod is now his mortal enemy. Bayaz enters, and Glokta questions him about the intruder, but the Magus is not forthcoming with information. Glokta suggests that Bayaz might be an imposter, an accusation which angers the wizard. Even the power of Bayaz’s presence is not enough to convince Glokta that they are who they say they are.
As Jezal readies himself for the Contest, he notices a note on the floor: an invitation to meet that night. The note is from “A,” and Jezal assumes it to be from Ardee. Later, he files into the arena alongside 16 other contestants, including the formidable champion, Bremer dan Gorst. The referee enters the ring and signals the start of the first round. Despite his nerves, Jezal beats his opponent easily. After the match, Jezal, West, and several other comrades celebrate. They discuss the war, but West tamps down their naïve optimism with a dose of reality, saying, “Home before winter? Next winter, maybe, if we come back at all” (312). He pulls Jezal aside and tells him that they must leave for the North in four weeks. West leaves, and Jezal, bored of his friends’ company, departs soon after. He tries to rationalize a “middle ground” with Ardee—more than friendship but not a full-blown relationship. He realizes that it can never work, but he still finds himself at the meeting place. Ardee surprises him from the shadows and seduces him. They kiss briefly, but she pulls away. She has complete control over Jezal, and he knows it.
In these chapters, Abercrombie allows his characters to wrestle with their personal demons. Jezal, for example, now newly dedicated to his training and some modicum of sobriety, reaps the rewards of his hard work. His natural talent emerges, and at last, he earns the praise of Varuz and enjoys victory against the stronger, more experienced West in a sparring contest. He even wins his first bout of the Contest itself against an admittedly overmatched opponent. However, while he seems to have mastered one shortcoming, his narcissism and rampaging libido threaten to undermine his newfound progress. Even in victory, his scorn for his opponent gives him a decidedly unflattering edge, and despite West’s warnings and his admonition to avoid Ardee, Jezal cannot stop himself from meeting her in secret. He knows that getting romantically involved with her is a bad idea, but he moves forward nonetheless. With these exchanges, Abercrombie finds a myriad of ways to humanize his characters and add flourishes and nuances to the unspoken rules that govern their behavior. In this way, even the more stereotypical characters that he creates ultimately take on a unique edge.
Meanwhile, Logen finds himself utterly out of his element in the bustling capital city of Adua. Everything closes in on him, and despite having fought in numerous battles and faced fearsome opponents, the tight walls of his quarters and the blatant artifice of the city strike more fear into his heart than any sword-wielding foe could ever achieve. In his constant struggle for survival, Logen relies upon simplicity and transparency. In the North, the stakes are clear: kill or be killed. In the city, however, the landscape is fraught with political maneuvering and backstabbing, along with the cordial facades that mask hidden contempt, and these aspects prove far more dangerous because he never knows where his true enemies might be. Poorly versed in Political Intrigue and the Quest for Power, he finds himself out of his element. To compound his uncharacteristic sense of unease, he is also confronted for the first time by an Eater: a duplicitous creature of magic that he cannot kill with mere brute force. All his reliable tools—his battle skills, his physical strength—are of little use to him here, and that feeling of being unmoored is more unsettling to him than any battle would be. In the implied hostility of the city dwellers’ stares, he also finds himself a target of The Vilification of the Cultural “Other,” as the area’s propaganda machine has already begun to color public opinion against Northerners like him.
Ferro and Yulwei’s journey also takes them north to Adua. Along the way, they encounter a group of shackled prisoners, and it takes every reserve of Ferro’s willpower not to retaliate against a brutal guard who whips his captives and tries to sell a young girl to her. Ferro also demonstrates a similar prejudice to many of the other characters, once again demonstrating Abercrombie’s overarching theme of The Vilification of the Cultural “Other,” for the narrative reveals that her bias against Northerners is based upon their lack of religious faith. In this moment, Ferro’s deeply ingrained anger against the Northerners for being so different emphasizes the author’s talent for creating nuanced characters with unique foibles and inner fears and prejudices. For all of her killing and savagery, Ferro professes a belief in a higher deity: a belief which, in her mind, separates her from the practices of the North, which she perceives to be less than sane. The incident marks a telling demonstration of bias, and a very human one, for even in real life, familiar cultures are normalized while unfamiliar ones become very easy to villainize. Similarly, as West, Jezal, and their comrades prepare to march to war, their nationalism is fueled by propaganda against their enemy whom they view as a collection of brutes and savages who pose a threat to the Union’s civilized way of life. Abercrombie continues to explore the theme of othering throughout the narrative, and ironically, this prejudice works both ways. Just as several characters view Logen with suspicion, the “barbarian” warlord sees little to recommend the “civilized” world of Adua even as the citizens of Adua dismiss him a savage not fit to walk their cobbled streets.