60 pages • 2 hours read
Joe AbercrombieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Whether literal or metaphorical, keys are potent symbols, for they unlock doors behind which secrets are often kept. They also bestow power on whoever possesses them, allowing such people exclusive access to otherwise forbidden spaces. When Bayaz uses his key to open the House of the Maker, which has been sealed for centuries and is steeped in mystery and rumor, he reveals himself to be the real Bayaz, First of the Magi. In this regard, the key also serves as an identity marker and confirms Bayaz’s authority beyond doubt. In a world in which science and reason have begun to supplant mysticism and magic, the key represents a link to the past, to Juvens and Kanedias, and to a time when magic held a central place in history. Thus far, Bayaz’s excursion into the House yields only a single chest, and Abercrombie has yet to reveal the contents, but if the company’s terrifying trek through the vast darkness should prove worth the risk of oppressive fear, the chest will prove to be immensely important to the still-developing plot.
Adua’s University is a crumbling and decrepit building that serves only as a residence for its Administrator, Adepts, and staff, for Glokta’s tour through the building reveals not a single student or classroom. In this place, Adepts conduct their research in solitude, plead for funding, and argue over whose discipline is the most important. The fact that the University—a symbol of knowledge and progressive thought—is virtually abandoned is a striking testament to its relative lack of importance within the larger social structure of the Union. Its library is vast but unused; the books and scrolls are covered in dust, and only the Adeptus Historical knows how to find anything. When he dies, so will his knowledge. If a University symbolizes learning, the government’s neglect of the University suggests a widespread disregard for learning. In a hierarchy that favors the high-born and the manipulative power brokers, knowledge for its own sake occupies a low rung on the social ladder.
Monarchy aside, the government of Adua is bifurcated between two loosely legislative bodies: the Open and Closed Councils. While the Open Council—so named because it has the appearance of transparency—does its business before a gallery of spectators and petitioners, the Closed Council operates in secret. It has only 12 members representing the various interests of Law, Finance, War, and the King, and these members ostensibly work in unison for the good of the Union. In reality, however, the Council is composed of small factions, each of which seeks to forge alliances and gain leverage against other members. This is where the real power lies, and the fact that the Council operates largely in secret implies that the Union’s larger government is itself equally secretive, corrupt, and full of brinksmanship. The King, who is ostensibly the head of state, is old, senile, and easily manipulated, and Lord Chancellor Hoff is more than satisfied with these circumstances. When Bayaz appears to claim the 13th seat on the Council, the other members resist, for they know that Bayaz would impose a new sense of order and ethics on the Council’s members, making him a clear threat to their existing power schemes. Both government and the jockeying for power within its hallowed halls represent an important element in the narrative, but government in the wrong hands benefits only a few, while the commoners must deal with the repercussions.
The Seed is a small splinter of material from the “Other Side,” the medium from which a Magus draws his power. It can greatly enhance the power of a Magus, although it can only be carried by someone with Demon’s blood, like Ferro Maljinn. Like all great power, the Seed can have serious repercussions for those who choose to use it, and Bayaz’s pursuit of it is a topic of serious philosophical debate between Bayaz and Yulwei. They often argue over the ethics of using the Seed’s great power in service of a noble goal while risking great harm to the world. The Seed is a weapon with power similar to that of Sauron’s One Ring in Tolkien’s The Lord of the Rings, and thus, the ethics of using such a weapon in war becomes a central defining conflict that will be further developed in later installments of the series. By creating such a weapon, Abercrombie implies that some things are better left untouched, for although the Seed may end the war and vanquish evil the collateral damage of using the Seed may produce its own kind of evil. This is what Yulwei fears, for he says, “It is a cursed thing, this Seed, a damned thing. Nothing but chaos grows from it!” (451). However, the great evil that Bayaz fears not the Seed, but Kahlul and his army of Eaters, and to defeat them, Bayaz is willing to risk using the Seed. These debates can never be resolved, however, since neither Bayaz nor Yulwei possesses the gift of foresight. They must simply come to a consensus and hope for the best.