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54 pages 1 hour read

Jeff Hirsch

The Eleventh Plague

Fiction | Novel | YA | Published in 2011

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Part 2, Chapters 17-25Chapter Summaries & Analyses

Part 2, Chapter 17 Summary

In an empty classroom, Mr. Tuttle gives Jenny and Stephen copies of American history textbooks and orders them to copy chapters one through three. Jenny passes notes to Stephen, insisting he wanted to hit someone all along and that the fight wasn’t as serious as he is making it out to be. She finally sends a note telling him that she wants to break things to stop her own anxiety, and he has a moment of self-awareness. Jenny leaves the classroom without finishing; Stephen dutifully finishes, and then Mr. Tuttle hands him his pop quiz, which he got an A on. Mr. Tuttle asks if he is a “human being or savage” and insists that society relies on the educated (151). He gives him three textbooks to further his education; Stephen takes them and runs.

Part 2, Chapter 18 Summary

Stephen returns to the Greens feeling hopeful, but then he runs into Caleb on the porch. Caleb clearly just confronted the Greens about the fight. Stephen sneaks into the house and overhears Marcus and Violet discussing their refusal to let the community expel Stephen even though Marcus is wary of Caleb’s retaliation. Stephen panics and packs his things, determined to leave and not cause more trouble. Violet catches him as he tries to leave but does not stop him. He admits to stealing the Greens’ supplies and explains where to find them; he also asks the Greens to take care of his father. He then leaves, thinking about Jenny’s note.

Part 2, Chapter 19 Summary

Stephen runs into the woods and makes his way to the old barn Jackson told him serves as Jenny’s hideout. He goes into the loft, is startled by an owl, and finds Jenny’s supplies, but before he can look at much in her sketchbook, she appears and scares him. She cleans up his hand, which is split from the fight, to avoid “amputation”; they then talk about their futures away from the town. Jenny says that she doesn’t want to go back to the community’s “American fantasy” and says that while her parents mean well, they refuse to take steps that could endanger their safety in the town, even if doing so would help others. She asks about Stephen’s father, and he reluctantly admits that he’s not sure he’ll wake up. She offers to help him feel better and gives him a makeshift stick of dynamite.

Part 2, Chapter 20 Summary

Jenny and Stephen run through the woods until they reach the Henry plantation—a large, grand house on the outskirts of the settlement. They go around back to pens containing pigs, sheep, and chickens, and Jenny hands Stephen the firecrackers. He refuses to hurt the animals, but she insists they’re just ruining the Henry family’s night. They light the firecrackers, which explode with light and color, and the animals panic and run for the house as the Henrys try to gather themselves. As the Henrys open the back door, they’re overwhelmed by the animals. Hearing Jenny, one of the family members aims a flashlight in her direction; to ensure she isn’t caught, Stephen stands in the opposite direction and says, “Fort Leonard forever” (167), enabling them to escape unseen. After they run into the woods, both are overwhelmed with emotion and kiss, unsure who started it.

Part 2, Chapter 21 Summary

Stephen wakes up the next morning to find Jenny awake and drawing him. She explains that drawing helps her feel more stable. Stephen feels a rush of guilt for acting foolishly the night before and not focusing on survival, but Jenny gets him to admit his thoughts. She then pins him down and forces him to admit that a bit of fun won’t kill anyone and that the survival of the world doesn’t depend on him. They kiss some more and spend time together in the barn until Stephen gets up, determined to go to the Greens’ house to retrieve the books that Mr. Tuttle gave him. Jenny says that when his father recovers and they leave, she wants to go with them; she is tired of living in the fantasy world of the Landing, even if the outside world is harsh and deadly. Stephen agrees and promises to come back, suddenly overwhelmed with hope for the future.

Part 2, Chapter 22 Summary

Stephen runs back to the Landing, dreaming of a future with his father and Jenny where they go west and make a life for themselves. He reminisces about the time his parents told him the story of how they met. His mother had been running her family’s gas station alone, having lost the rest of her family to disease, when his father and his father’s family stopped to get gas. Stephen’s grandfather tried to pay with a $100 bill, but Stephen’s mother didn’t have change and offered to give him the gas for free to get him to stop yelling at her. Stephen’s father got out of the car and refused to leave unless they took her with them, even though his father hit him for impertinence. Stephen recalls how his father looked at his mother like her very presence made life make sense.

Stephen returns to the house but finds it empty, which alarms him. Noticing that the coats are gone, he goes to the school and finds the entire population of the Landing in a classroom, listening to Caleb recount the “attack” on their house the night before. Caleb references the Israelites and the Bible to discuss how spies are “poisoning” the community’s land and threatening its safety. He calls on the people to attack Fort Leonard to protect themselves. Desperate to prevent violence, Stephen finds Marcus and tries to tell him the truth, but Marcus admits that they already raided Fort Leonard and killed two guards, so the fort is mobilizing against Settler’s Landing as well. He tells Stephen to get Jenny to safety and wait for the violence to dissipate. Stephen obeys, but when he returns, Jenny’s barn is burning to the ground.

Part 2, Chapter 23 Summary

Stephen runs into the barn, screaming Jenny’s name. He finds her semiconscious with her legs pinned under fallen debris, and he hauls her onto his back as the fire worsens. The dry barn is burning quickly, and the smoke is thick and noxious. Stephen forces his way through a wall and brings Jenny back to consciousness; she tells him that a bunch of strange men burned down the barn without warning. Realizing that they will die without supplies, Stephen forces his way into the barn and grabs his knife and Jenny’s sketchpad. He then runs back out as the barn collapses.

Part 2, Chapter 24 Summary

Stephen and Jenny stumble to the ruins of the Golden Acorn casino. They find a mostly intact hotel room and collapse in it; Stephen tends to Jenny’s burn wounds, and she falls asleep. Stephen lies awake, daydreaming about the quarry and feeling guilty for bringing ruin, war, and despair to Settler’s Landing. Jenny wakes up and reassures him that the Henrys won’t come to the casino since they got what they wanted—a war, which will make the world more like what it was before the Collapse. She apologizes for getting him involved and admits that she just wanted to make people feel the way they made her feel.

Stephen and Jenny climb to the top of a billboard, where they observe the stars. Jenny wonders if other countries survive, unharmed by the Collapse and by P11, and asks if Stephen would make it so the plague never happened if he could. Stephen isn’t sure since he has never known that world, and Jenny admits that she wouldn’t. They return to the hotel room and fall asleep.

Stephen wakes up a few hours later and goes for a walk, leaving Jenny asleep. Outside, snow has fallen. He walks alone for a while until he finds a clearing and builds a fire. He remembers the day his mother died in premature childbirth when he was 10. Stephen had been convinced that her being pregnant and him gaining a sibling was a miracle, but his grandfather was furious about the prospect of having to feed another person. After Stephen’s mother died, his grandfather told him that her death was better for everyone, including her, since all of them were just delaying death. In the present, Stephen contemplates being “practical” and leaving Jenny to strike out on his own, but he decides he isn’t his grandfather and wants to make more of life, especially with Jenny in it.

At the casino, he sees a figure standing by the door. Violet reveals herself and then tells Stephen that his father has died.

Part 2, Chapter 25 Summary

Stephen leaves the Greens’ house carrying his father’s diminished body. He carries the body as far as he can and then puts the corpse on a snowbank, amazed by how small and old his father looks. He takes a shovel and begins to dig, but the frozen dirt is difficult to break, and he quickly exhausts himself and must force his body to keep moving. Jenny arrives and tries to help, but he refuses to let her. When the grave is complete, Stephen sits with the body and embraces his father. Overwhelmed by loss, he allows Jenny to help lower his father into the grave and then drops the only picture he has of his family onto his father’s chest. Then he fills the hole and sits back in the snow, letting grief and the storm take him.

Part 2, Chapters 17-25 Analysis

This section complicates and advances the plot while introducing new character dynamics—most prominently, the developing relationship between Jenny and Stephen, who grow closer and even kiss. Despite the romantic implications of a kiss, however, their relationship is not particularly romantic; rather, the novel presents them as bonded together through similar trauma. The intensity of their relationship is undeniable, but to Stephen, Jenny represents not so much a romantic partner as a future for himself, developing the theme of Individualism Versus Communalism as Survival Strategies. The physicality of their connection echoes this survival-based bond and represents a more positive release than Stephen’s self-harm in earlier chapters. Kissing one another serves as an outlet and a relief for both, to the point that Stephen says, “Fun wasn’t the word. Not even close. Suddenly Grandpa and that flash of gold seemed far away” (171). Stephen and Jenny need one another as people more than they need one another as romantic partners, and their relationship—complicated, messy, and emotional—represents their unmet needs and their desire to find the answer to those intense needs in one another.

The grief Stephen experiences when he buries his father likewise signals his unmet needs. His father is his last connection to his past, his childhood, and the person he has always considered himself; losing his father represents losing this past identity. Stephen’s choice to bury the invaluable family picture symbolizes his loss of hope. While it could suggest an attempt to move on, it is also a desperate act: Stephen sees no point in pretending he was ever a person in the fullest sense of the word—someone with a family and dreams for the future—and certainly no point in pretending he was ever a happy child. In his grief, he buries all his memories of joy and completeness rather than acknowledge that both good and bad can exist in a single life. Stephen’s losses are extreme, and he struggles to understand how to accept grief without losing himself in the process. In this sense, his character arc parallels that of Settler’s Landing as it navigates Traditionalism Versus Toxic Nostalgia in American Culture. Like Stephen, the residents of the Landing are grappling with the loss of what once existed and struggling to understand what to preserve and what to let go of.

The extreme nature of loss and grief is represented symbolically through fire. Fire both destroys and saves; likewise, grief and loss are both necessary for life to continue and yet extremely destructive. Fire wrecks Jenny’s barn, nearly kills her, and coincides with irreparable losses. Just as Jenny cannot get her barn back Stephen cannot get his father back, and they cannot live properly without their supplies. However, fire also represents life, as when they notice “the barest wisp of smoke [rise] like a ribbon from someone’s campfire” (193). In the same way, loss helps the characters move on and recreate their lives, separating them from the things that held them back, if only unintentionally. Through all of this, the novel builds the argument that life must simply continue. Grief, loss, and renewal are all part of the human experience, and all contribute to who a person is. Stephen lives a complete life because he experiences these things.

However, this does not mean that there is no value in trying to minimize senseless loss. This point is vital to the story’s development of the Fort Leonard conflict. The people from Fort Leonard are not shown on the page until the conflict is over, which suggests how the people of Settler’s Landing have dehumanized them, othering and excluding them. However, Stephen, Jackson, and others protest the killing of the two guards from Fort Leonard even without having met them. This contrast is vital: The adults look the guards in the eye and still choose to kill them, while the children recognize that the people of Fort Leonard are human and just as deserving of life as anyone else. The novel thus implies that the adults have grown too used to a world in which they feel they must protect themselves at any cost. Stephen used to operate according to this assumption but has grown beyond his grandfather’s influence to become a kinder, more hopeful person who is capable of recognizing that the greater good is more important than the individual good.

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