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Jennifer Lynn BarnesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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The Inheritance Games’ primary thematic argument centers on the dangers of excessive wealth and power and the corrupting nature of both. Multiple characters exemplify this theme through their immoral actions; they stand in direct contrast to those who reject wealth and the corruption that that accompanies such power.
This theme is epitomized by Tobias Hawthorne and Vincent Blake. As Nan puts it, “No man has ever built an empire without doing a thing or two they aren’t proud of” (148). When Avery goes through the file folders of Tobias’s potential enemies, it becomes clear that Tobias has done many horrible things to attain his immense influence and riches—cheating, lying, and trampling over other people. One heartbreaking example is that of Tyler Seaton. Tyler lost his health insurance when Tobias fired him; his young daughter died of cancer shortly after. This implies that if Tyler had still had insurance, he could have afforded the doctor visits and treatments that could have saved, or at least extended, the girl’s life. Tobias is apathetic to such incidents; he merely writes a donation to a hospital, as if he can balance out the loss of life with money (in an act that improves his public image, to boot). Tobias even lets a man die and hides his body, in part to keep his reputation unstained.
Tobias’s wealth and power gives him the arrogant perspective that the world is his game board; he manipulates others, especially Avery, because he feels entitled to do so. Vincent is the same way; he moves people like Avery, Eve, and Toby around like game pieces, abducting and threatening them because he does not see them as equals. Vincent is extremely wealthy, just like Tobias; thus, it is implied that corruption and power go hand in hand.
This corruption is also seen in Eve. She does Vincent’s dirty work in hopes of gaining access to his inheritance, since Eve has been kept away from the Hawthorne riches her entire life. Eve is one of many characters throughout the trilogy who have fallen into the trap of doing evil things in pursuit of money. In the first book, Skye Hawthorne orchestrated a murder plot to try and keep Avery from inheriting the family fortune. In this novel, Eve helps Vincent kidnap Toby Hawthorne and infiltrates Hawthorne House, all on the promise of a sliver of his fortune—even with all the strings attached to it.
Other characters recognize the dangers of wealth. Toby is one example, as he consciously kept his daughter away from the Hawthorne family fortune. Eve tells Avery, “Toby didn’t want me to be a part of this. […] The mansion. The food. The clothes. […] He hated this place. Hated it” (85). It is revealed late in the story that Toby knows Tobias was complicit in the death of Toby’s biological father; thus, Toby clearly wanted to keep Eve far away from a man who would willingly aid and cover up a murder. Similarly, Grayson—who was Tobias’s heir before Avery—is disturbed to learn of his grandfather’s wrongdoings. He worries that, had they not learned the truth about Tobias, he would have followed in his grandfather’s footsteps and become just as corrupt. At the end of the novel, he searches for charities to which he can donate part of the Hawthorne fortune, showing an active rejection of wealth, power, and corruption.
Avery is another character who proves incorruptible. She ends up giving away the bulk of the Hawthorne fortune, recognizing how dangerous such a consolidation of mass influence and riches is: “All that money. All that power. Dispersed, where no one person would ever control it again” (360). This concludes the book’s argument that allowing great amounts of wealth and power to sit with one person is inherently dangerous. As Avery points out to the reporter in the epilogue, nobody needs that much money; the concept of a billionaire is ludicrous, as no person, not even a large family, could possibly spend such a sum. Through Avery, the Hawthornes, and the Blakes, The Final Gambit states that no one can amass a fortune without stepping on others, and that the only acceptable use for great amounts of money is the improvement of others’ lives.
The argument regarding the dangers of wealth and power goes hand-in-hand with the book’s critique of inheritance. At a practical, literal level, an inheritance can be used to manipulate people. This is epitomized by Vincent’s character, who uses his Blake family seals, the key to the family inheritance, to control his family. Isaiah describes how Vincent grants and rescinds the seals, thereby exerting clear and strict control over those set to inherit his fortune. The Blakes must do as Vincent asks in order to stay in his good graces. As Vincent’s case shows, the problem with inheritance is that it often comes with strings attached.
Another issue is that inheritance is most commonly tied to family identity. This can be problematic, as not everyone is accepted by their families, nor does everyone wish to associate with their relatives. Grayson exemplifies this fact. Grayson is the most troubled by the revelations of Tobias’s bad character. He realizes that he was supposed to carry on his grandfather’s task of protecting and building the Hawthorne fortune—which means he inevitably would have had to undertake corrupt and morally questionable acts. The wealth of the inheritance carries with it a burden, an expectation of how Grayson must act to grow the family fortune, and it is something he can’t accept. Even Tobias’s naming of Avery as his heir is problematic in this way; Avery had no idea who he was until she was dragged into his game, and her identity changed from destitute teenager to Hawthorne heiress overnight.
The book argues that an inheritance isn’t worth it if there are too many strings attached (and, in the book’s world, there are always strings attached). When Avery essentially renounces the inheritance, she’s living out this argument—and she is happier for it. Avery ends the book with far less money than she could have had, but with love, passion, and friends who care for her no matter what. The Hawthorne boys likewise deny not only their financial inheritance but also their familial inheritance. Instead of taking on positions of influence and power, they opt for humble lives. Xander becomes a mechanic like his father, and Nash works at a bar. They recognize that they don’t want the wealth and power they could have inherited, precisely because they do not want the burden of the Hawthorne legacy and everything attached to it.
Besides the main thriller narrative, the book contains a subplot regarding the ongoing love triangle between Avery, Jameson, and Grayson. This subplot allows the book to articulate its thematic argument about the complexity of love. This theme is further exemplified by Eve, who resembles Grayson’s deceased beloved, and Toby, who makes choices and sacrifices for his daughter and Avery.
In fairytales, romantic love is straightforward: Two people fall in love and live happily ever after. In reality, love is more complex. This is seen in the fact that Avery, although she’s in love with Jameson, still cares about Grayson. Throughout much of the book, there is still some doubt as to whether Avery will stick with Jameson or possibly turn to Grayson. She has multiple emotional encounters with Grayson, and she must forcibly remind herself that she chose Jameson. Although she is happy with Jameson, she cannot erase her feelings for Grayson so easily; as he deteriorates, emotionally wrecked by the reminders of his lost love, Avery goes out of her way to try and support him.
Jameson remains faithfully by Avery’s side, but he grows increasingly uncomfortable with Avery’s attentiveness toward Grayson. Despite Avery’s reassurances, Jameson remains doubtful that she truly loves him. This subplot is finally concluded in Chapter 68, when Grayson admits that he has harbored feelings for Avery the entire time, but acknowledges her love for Jameson (and Jameson’s for Avery). In this way, he steps back from the couple; it is his way of slowly beginning to let Avery go.
The intricacies of human emotion are also seen in Grayson’s reaction toward Eve. Logically, Grayson knows Eve is not Emily, the girl he once adored. However, the resemblance is so striking, Grayson feels naturally protective over Eve. Further, he’s pained by her presence, as she is a constant reminder of the love he lost. The fact that Grayson can still ache from his loss years later, and that he conflates the girl he lost with a totally different person, speaks to the complicated nature of love. On top of this, after Eve reveals her true colors, Grayson confesses to Avery that he feared he had grown so attached to his mental image of Emily that he lost the ability to love a real person. He also admits that he projected his longing for Avery onto Eve, which further complicated his feelings and his behavior.
The last element of this theme is the complexity of familial love. This is seen through Toby and his efforts to protect Eve and Avery. For most of Eve’s life, Toby has worked hard to keep her far away from the Hawthornes. Toby, knowing exactly the kind of man Tobias was, did not want to subject Eve to manipulative power plays and corruptive wealth. However, Toby never explained to Eve exactly why he kept her from her family. Instead, Eve grew up only knowing a life of judgment and exclusion. It is clear that Eve harbors resentment, as she willingly helps Vincent kidnap Toby and betrays the Hawthornes’ trust, all to earn a place among the Blakes. Nevertheless, Toby continues to try and protect her—and Avery, whom he views as a second daughter, especially since he loved her mother. He chooses to stay under Vincent’s thumb after Avery’s game with Vincent is over; this will prevent Vincent from claiming that the terms of the game are void, keeping both Eve and Avery safe. Although Avery is initially hurt, unwilling to lose a loving father figure, she recognizes the significance of Toby’s sacrifice and respects him all the more for his show of love.
By Jennifer Lynn Barnes