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50 pages 1 hour read

Tracy Chevalier

The Glassmaker

Fiction | Novel | Adult | Published in 2024

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Symbols & Motifs

Dolphins

Dolphins are a significant motif in the novel. Once Antonio leaves Venice, he communicates with Orsola by sporadically sending her small dolphin figurines made of glass, and this pattern persists over the centuries. It is eventually revealed that Antonio’s descendants carry on this tradition for many generations, even though they have long since forgotten the reason for it. In the final section of the novel, which is set during the COVID-19 pandemic of 2020 and 2021, Orsola also alludes to a falsified photo that seemingly depicts dolphins in the canals of Venice. However, after the initial, fake photo, dolphins were indeed spotted and filmed in a rare sighting in central Venice. The motif of dolphins therefore represents joy and hope during difficult times. 

After Antonio leaves Venice, he and Orsola never see one another again, and by sending her glass dolphins, he wordlessly expresses his ongoing love for her. There is no real chance that Antonio and Orsola will reunite, but the dolphins memorialize his emotional connection to Venice, even after he has been ostracized from it. Because the dolphins are made of glass, they represent Orsola’s vocation and family history in Murano, but the figure of the dolphin itself symbolizes Antonio’s legacy as the son of a fisherman and his strong ties to the water.

While the glass figures of the dolphin generate hope and a sense of connection for the lovers, the photos of the dolphins become beacons of hope for a much broader community during a time that challenges the entire world. During the first wave of shutdowns and isolation protocols due to the COVID-19 virus, many people grapple with fear and loneliness, and the idea that the shutdowns are restorative and healing to the natural world provides a small beacon of hope. While the false photos are eventually debunked, the idea that dolphins have been sighted in Venetian canals because of lessened boat traffic and improved water quality implies that there are at least some benefits to the isolation measures. Both the photos and the glass dolphins therefore symbolize the fragility and the misleading qualities of hope. Although the glass dolphins allow Orsola to feel emotionally connected to Antonio, their regular appearance also allows her to ignore the reality that he has been dead for centuries. The photo provides an uplifting but false narrative. However, when Orsola realizes that Antonio’s descendants have been sending her dolphins long after his death, it is clear that the memory of their love still lives on.

Plague Beads

During the outbreak of plague in Venice during the 16th century, Orsola begins making special glass beads that people buy as talismans of protection. Given the limited scientific and medical knowledge at this time, people find the plague to be mysterious and terrifying and are desperate for any remedy, no matter how far-fetched. The beads therefore represent human vulnerability during precarious times. Because the Venetians don’t know what else to do, they cling to small emblems of hope and rely on faith to protect them. 

The beads also connect with the novel’s thematic focus on The Compromising Nature of Business Decisions. Although Orsola is initially quite hesitant about making and selling the plague beads because she does not want to exploit people by giving them false hope, she is determined to help her family in any way she can. The Rosso family faces very challenging financial circumstances after the family is forced to quarantine and shut down their workshop, so Orsola agrees to make and sell the plague beads to support them. She also concedes that providing “comfort in the face of fear was something” (128). The small and fragile beads also, symbolize the precarious nature of life during the plague era.

The Chandelier

In the 18th century, a man named Giacomo Casanova becomes intrigued by Orsola and the Rosso family’s glass workshop. Casanova orders many expensive items, including an elaborate glass chandelier. However, he never pays for them and ends up being jailed. The unsold chandelier therefore represents the poor business decisions that sometimes plague the Rosso family, and the incident also highlights their vulnerability to exploitation. Marco in particular takes control of the business when he is still quite young and inexperienced, and because he is hot-tempered, impulsive, and ego-driven, he lacks many of the innate qualities that would make him a successful businessman. These factors leave the Rosso business vulnerable to exploitation by individuals such as Casanova, who seem to promise patronage but do not deliver. 

After Casanova tricks them, “the chandelier now gather[s] dust on a shelf in the storeroom, its grapes and flowers losing their luster” (251). Like Casanova himself, the chandelier is briefly dazzling but ends up being quotidian and wasteful. After this episode, the fortunes of the Rosso workshop steadily decline, and they no longer craft such elaborate and customized products. The chandelier therefore represents one of the last moments in which they enjoy the opportunity to fully indulge their creativity to make art for art’s sake.

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