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65 pages 2 hours read

Freida McFadden

The Housemaid

Fiction | Novel | Adult | Published in 2022

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Symbols & Motifs

The Room in the Attic

The attic room is an integral part of the story and plays several parts in it, including as an important symbol. When Millie first arrives at the Winchesters’, she’s struck by the contrast between the sparseness of the attic room and the opulence of the rest of the house. This points to The Seen and the Unseen theme. The remainder of the house, which is frequented by people outside the family and is beautifully and expensively furnished; this mirrors how Andrew and Nina’s marriage is presented to the outside world. The room in the attic represents the truth of their marriage—that is, Nina’s secret torture at Andrew’s hands, away from the eyes of the world.

Millie feels unsettled by the room almost instantly upon entering it, only later realizing that it’s because the room locks from the outside. On her very first night, the doorknob sticks, foreshadowing revelations about what truly happens in the room, and what will eventually happen to Millie there too. Despite the door eventually opening, Millie continues to feel a sense of foreboding about the room. Thus, the space helps maintain the narrative’s tension and suspense.

Also symbolic is that the room looks out onto the backyard, a space of the home to which visitors are usually not privy. From the garden, the only one who ever sees Nina in the attic room is Enzo, who isn’t a guest or visitor in the house; like Nina, he has far less social power than someone like Andrew. Only the characters in the story who are typically unseen can see what’s deliberately hidden from view: These characters include Nina, because she’s a woman, experiences domestic abuse, and is from a lower social class than Andrew; and Enzo and Millie, who are hired help and from a lower social class than the Winchesters.

White Dresses

White dresses are an important recurring symbol. When Millie first meets Nina, she’s dressed in all white; Nina continues to wear only white clothing, which is presented as one of her character’s eccentricities. This seemingly ties in with how Cecelia, too, is usually dressed in white-frilled dresses, an impractical choice of clothing for a girl her age. Later, Nina’s narration reveals that Andrew demands that Nina and Cecelia dress this way and punishes Nina if either of them strays from this convention.

White traditionally represents purity and cleanliness, values associated with perfection. This symbolizes Andrew’s demand of perfection from Nina and Cecelia; in fact, his expectation that Nina dress in white spills over to her hair, as she lightens her natural color for him. Furthermore, the smallest imperfections or blemishes show up more starkly against white than any other color; this echoes Andrew’s tendency to mete out harsh punishment for the smallest of transgressions.

In addition, white often represents peace; ironically, it becomes the uniform of sorts for the women Andrew tortures. Nina’s plan to find a replacement for herself involves the white dresses. She passes some along to Millie, and the day that Millie wears one of these dresses is when Andrew and she first sleep together. Eventually, the story reveals that Andrew himself experienced torturous disciplinary methods at Evelyn’s hands. This ties into the cardboard box of Andrew’s baby things that she sends over, all of which are white.

Millie’s Glasses

Millie wears glasses to the interview in an attempt to dress down her good looks and not threaten Nina. When Nina later asks Millie why she’s not wearing the glasses, she lies that she’s wearing contacts; eventually, she’s forced to come clean about having worn fake glasses to the interview. Glasses are an instrument that typically help a person see more clearly; however, Millie’s glasses are fake, and she doesn’t actually need them. It’s symbolic that Millie uses an object that aids clarity to deliberately mislead or misdirect someone else. Thus, Millie’s glasses point to The Seen and the Unseen theme.

Ironically, even though Millie attempts a deception using the glasses, she ends up being the one who’s misled. Her “vision” or perception of the Winchesters is inaccurate because of Nina’s orchestrations. Beginning with the glasses, Millie believes that she must dress down, although Nina’s actually looking for someone young and pretty. Millie continues to misunderstand the situation surrounding Nina and Andrew—she believes that Nina has a mental illness and Andrew is the long-suffering spouse, and she’s wary of Nina’s apparent jealousy. Over the course of the story, all of these assumptions are eventually proven false and the truth is entirely the opposite, reinforcing The Seen and the Unseen theme.

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