56 pages • 1 hour read
Freida McFaddenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Millie, confused by the picture of Douglas on the television, remembers that she has proof she didn’t meet Douglas at the Albany motel. Enzo picked her up at the car rental place just after midnight that night. She calls Enzo and tells him she’s in trouble, and he agrees to come over immediately.
Millie tells Enzo what the police are saying and tells him that the man pictured on the news is not the one she shot. Millie explains what happened between her and Wendy, and everything that happened the night the man was shot. Millie recognizes now that Wendy set her up, and Millie needs a way to prove it. Millie remembers seeing Douglas go into an apartment building with a blonde woman the day she had lunch with Brock on the patio of a local restaurant. Enzo says they should go to the building and see if she can catch sight of the man again.
Enzo and Millie clean up her apartment and talk about her relationship with Brock. Millie admits that she and Brock never completely connected. Enzo criticizes Brock for judging Millie for something she did as a teenager. They kiss.
Millie and Enzo don hats and stand outside the apartment building Millie saw Douglas go into with a blonde woman, hoping to catch sight of him. They’ve been there for hours, so Enzo goes to the Dunkin’s across the street to get coffee and bagels. Shortly after Enzo returns, the blonde woman comes out of the apartment building and goes into the Dunkin’s. Enzo follows to speak to her.
Millie grows restless and walks over to the Dunkin’s, watching through the windows as Enzo speaks to the woman. When Enzo comes out, he tells Millie the man’s name is Russell Simonds and he is the husband of the blonde woman, Marybeth. Enzo shows Millie a LinkedIn profile, and she recognizes Russell as Douglas. Enzo says that Russell is out of town on a business trip.
Millie and Enzo go to Enzo’s apartment to wait for Enzo’s friend to call with information about Russell. Enzo’s guy calls and tells him Russell has no police record but gives him the address of a cabin Russell owns. Millie wants to go to the cabin, but Enzo says they need to think things through first.
Millie gets a call from Brock warning her that the police have gotten an arrest warrant for her based on gun powder residue on her clothing. Millie expresses a desire to go to the cabin and get revenge on Wendy, but Enzo destroys the paper towel he wrote the address on and makes Millie promise she will not go to the cabin. However, Millie steals Enzo’s car keys as she leaves the apartment.
Despite the fact that Millie is depicted as caring and heroic, she is often also naïve and somewhat helpless. Although Millie insists she can take care of herself and will never turn to Enzo for help, she calls him when she realizes that Wendy set her up. Millie has never stopped caring for Enzo and is quick to seek out his help. Millie’s feelings are further confirmed when she spends the night with Enzo less than 12 hours after her break up with Brock. Additionally, had Millie been more curious about the relationship between Wendy and who she thought was Douglas, she might have learned the truth long before the real Douglas died and avoided her current trouble. In this way, McFadden joins the themes of the Bystander Effect Versus the Everyday Hero and Using Domestic Violence to Manipulate Others. Millie’s investment in Wendy’s circumstances tows the line between being a bystander who chooses to not intervene in something that is not their business and being a hero who never thinks to question someone in need. For Millie, who has lots of experience with women survivors of domestic violence, the act of questioning what appears to be domestic violence contributes to that violence. Yet, in not questioning the appearance, Millie’s heroic impulses are quickly turned into qualities ripe for exploitation. As Enzo and Millie learn Russell’s name and learn about the cabin he owns, readers are prompted to recall the cabin from the novel’s Prologue and worry over the inevitable threat to Millie’s life, which she seems now unlikely to prevent or save herself from.
Enzo’s morality and rational mind are similarly complicated as Millie’s. Enzo is able to save women from their abusive partners, using his connections with an underground world to provide these women with fake identification; he is also able to orchestrate Xavier’s arrest by planting drugs on him. But he is steadfast against letting Millie kill Wendy, and in this way Enzo and Millie mirror Millie and Wendy from earlier in the novel when Wendy contemplates killing Douglas with Millie. Thus, Millie’s desire to kill Wendy out of revenge comes across as another example of her impulsive rather than purely heroic character. She may be willing to risk her life to help a woman in need, but she is also ready to risk another stint in prison in order to avenge herself.
At this point, the novel shifts from being a mystery with a heroic protagonist to a tale of revenge with Millie as vigilante. The evidence against Millie continues to grow as the police find gunshot residue on her clothing from the night of the shooting, and the anticipation over how Millie will earn her good name back grows urgent. Readers are already aware of Millie’s potential for violence, as evidenced by her prison record and her injuring of Xavier in self-defense, so when Millie walks out of Enzo’s apartment with his car keys, the assumption is that she plans to go after Wendy even though she promises Enzo she is going home to turn herself in. While Millie is not explicitly motivated in these chapters by wealth, she is motivated by a desire to control her circumstances in a way that can be compared to Wendy’s desire to control her circumstances. In this way, Wealth as a Motivator can be understood metaphorically as the desire to preserve one’s pride.
By Freida McFadden