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Hannah and Bailey depart for Austin. On the plane, Hannah realizes Bailey is cold, and doubts her own parenting ability. She questions Owen in her thoughts, asking, “How did he not leave behind a set of rules on how to take care of her? The first rule: Tell her to pack a sweatshirt when she gets on a plane. Tell her to cover her arms” (93).
Hannah recalls a trip she took with Jules to Austin in their senior year of college, and admits that by leaving the house, she is hoping Owen will come home, saying, “Isn’t that how it’s supposed to work, the kettle boils once you stop watching?” (94). Hannah understands this is magical thinking but also understands she and Bailey cannot sit at home and wait for Owen any longer, and that any action feels better than inaction.
On the plane, the stewardess assumes that Bailey is Hannah’s daughter; Bailey quickly disabuses her of that notion, hurting Hannah. Bailey, however, soon realizes that, at the moment, Hannah is all she has and kindly switches drinks with Hannah.
In Austin, Hannah and Bailey check into a hotel booked by Jules and set out for a walk. Hannah spots a music club featured on one of Owen’s album covers, and when they reach the University of Texas (UT) stadium, Bailey feels certain she has been there before with Owen. When Hannah presses her to remember more about that visit, Bailey recalls that Owen said he wanted her to be a football fan, which strikes both of them as odd since Owen never watched football in their presence.
Eventually, Bailey remembers she walked to the stadium with Owen from the church where she was a flower girl in a wedding. Hannah picks up this thread, and the next step of the investigative journey is underway.
As Bailey and Hannah walk around the UT campus, Bailey begins to recognize some spots and Hannah calculates that the wedding in Austin that Bailey remembers could only have taken place in 2008 after Bailey was old enough to remember it and before Bailey’s mother died and Bailey and Owen moved to Sausalito.
Belle, Avett’s wife, finally calls Hannah back, and launches into a defense of her husband: ”I mean this whole thing is just ridiculous,” she says. “Avett is an entrepreneur, not a criminal. And Owen’s a genius, though I don’t need to tell you that” (110). As Belle speculates the whole thing is a set-up, Hannah realizes that Belle is, in a roundabout way, pointing fingers at Owen, and demands, “So are you saying it was a setup or an accounting error? … Or are you just saying it’s everyone’s fault except for Avett’s?” (111). Hannah’s question infuriates Belle, who tells Hannah they need to reach Owen.
Hannah ends the call; Bailey asks who was on the phone and encourages Hannah to be the one person who tells Bailey the truth, Hannah recaps the call and the two continue their walk.
Hannah briefly recalls an odd event with Owen regarding a trip to San Francisco the two took with Bailey three months before Owen’s disappearance. Sausalito was flooded, and the houseboat dwellers were forced to evacuate to San Francisco. As they prepared to leave the houseboat, Owen gathered several of Bailey’s belongings, including her piggy bank. Hannah chalked this up to paternal sentimentality.
At the hotel in San Francisco, however, Hannah woke up in the middle of the night and discovered Owen was not in bed. She went down to the hotel bar where she found Owen having a drink at 3 am. On the bar in front of him was Bailey’s piggy bank. When Hannah questioned him, he launched into a story about taking Bailey down to the docks when she was a little girl and lamented the fact that Bailey was growing up and would someday leave. Hannah did not question him further.
The title of Chapter 13 is another authorial nod to those in the know, as “Keep Austin Weird” is a slogan for the city that organically developed from a statement by a caller to an Austin radio show in 2000. The slogan caught on and was adopted on several fronts. This is a clever method of drawing the reader into the story, which Dave also employed in Chapter 11 when she titled the chapter after a popular children’s book. The more Dave mixes reality and fiction, the more the reader is willing to suspend disbelief and fully engage with the story.
When Hannah mentally admonishes Owen for not telling her to advise Bailey to take a jacket on the plane, she is doing what people do in the face of great betrayals or grief: focusing on one small, manageable detail about which to be angry. The reader is reminded that while Hannah has kept a tight lid on her emotions, she cannot help but feel abandoned by Owen. This is significant because the feelings of abandonment are deeply rooted in Hannah’s childhood, and her desire to avoid inflicting the same damage on Bailey will inform the decision Hannah makes at the end of the book.
The small gesture Bailey makes by switching drinks with Hannah on the plane implies that Bailey knows something about Hannah’s habits, perhaps that Hannah actually wanted a real Coke, but ordered Diet Coke out of habit or a concern for calories. When Bailey switches the drinks, it signals a softening towards Hannah—a stark contrast to Bailey’s statement to the stewardess: “I’m not hers” (95).
As the two make their way through Austin, Hannah stifles her anger toward Owen for the predicament in which he has left them, and encourages Bailey to tell her anything she remembers about Austin. Childhood memories, Hannah has read, are often forgotten, but “we get them back. They often come from returning to a place and then being allowed to experience it in the same way you experienced it the first time” (104). The reader is reminded that Hannah’s childhood traumas lie just below the surface and guide Hannah’s decisions as she navigates the aftermath of Owen’s disappearance.
The title of Chapter 14, “Who Needs a Tour Guide?”, while ostensibly about the visit to Austin, is also a reflection of Hannah’s solitary quest to discover why Owen has left. Bailey is Hannah’s companion but is often at odds with Hannah and beyond that, Hannah has only Jules back in San Francisco only tangentially involved in unraveling the mystery.
When Belle calls Hannah and raves about her own husband’s innocence, Hannah has a moment of clarity during which she realizes this is likely how she sounds to other people:
And I hear it then, what people [...] must hear when they’re talking to me. I hear the crazy [...] Maybe that’s what happens when the bottom falls out, you lose the ability to modulate—to make your words make sense to the rest of the world (110).
This realization suggests Hannah may not be so certain of her belief in Owen’s innocence, which once again heightens the tension of the story and raises the stakes for Hannah, who, if she is wrong about Owen, might also be wrong about other things in her life. Furthermore, when Hannah hangs up on Belle, the possibility of having an ally in the one woman who might understand what Hannah is going through ends. Hannah will have to get out of this situation by herself and save Bailey in the process.
Hannah initially demurs when Bailey asks who was on the phone, but Bailey presses Hannah, saying, “No one can protect me from this. So how about you agree to be the person who tells me the truth?” (112). Hannah tells Bailey about Belle’s phone call, which signals another positive shift in their relationship.
As Hannah recalls the odd scene with Owen at the hotel bar in San Francisco, Owen despairs of his daughter’s growing independence, pending adulthood, and subsequent departure from the family home. He tells Hannah, “There is going to come a time when I won’t be able to keep her safe anymore, not from anything,” (117). This statement, made three months before he disappeared, foreshadows what Hannah will soon discover: The day Owen feared had, in fact, arrived.
The piggy bank on the hotel bar in front of Owen is glaringly out of place. Hannah considers the fact that Owen had collected it—along with other things of Bailey’s and brought it to San Francisco—as some sort of sentimentality. Yet the piggy bank is a clue to be revisited in subsequent chapters, when Hannah realizes that, like Owen’s will, the piggy bank bears the name “L. Paul.”
By Laura Dave
American Literature
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Memory
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Modernism
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