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48 pages 1 hour read

Ali Hazelwood

The Love Hypothesis

Fiction | Novel | Adult | Published in 2021

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Symbols & Motifs

Fake Dating

Fake dating is a popular trope in the romance genre. Exactly as the name suggests, fake dating involves two (or more) people pretending to be involved with one another, often for reasons that have nothing to do with any desire they might have to actually date their fake partner. Olive enters a fake relationship with Adam believing it will come to an end and she’ll move on while Anh and Jeremy get their happily ever after. Due to her demisexuality and dedication to her research, Olive sees no future with Adam until their lighthearted banter and meaningful conversations capture her heart.

Adam thwarts the fake dating trope with another common romance trope, the secret crush. While he tells Olive his main reason for entering the fake relationship is frozen funds, he has also been pining after her for years and welcomes the opportunity to spend time with her and get to know her better. As the fake dating trope dictates, Olive’s feelings eventually grow to match Adam’s, until both can’t imagine life without one another. Their fake dating becomes real love by the end of the book.

Academia

The Love Hypothesis is set against the backdrop of the rigorous world of academic education. In early chapters, the pecking order of Olive’s world is laid out. Tenured professors like Adam are at the top, and grad students like Olive are at the bottom. Olive and Adam’s relationship crosses several academic boundaries, and since Adam is the elite among the elite, it opens doors for Olive that would otherwise remain closed to someone so low on the food chain. Tom exploits this idea later when he threatens Olive and tells her she only received attention because she’s dating Adam. Tom’s words are not true, as gatekeeping methods like blind submission processes where papers are read anonymously are put in place to offer those in the lower ranks a fairer chance.

Anh represents another angle of academia. Historically, women—particularly women of color—have been underrepresented and excluded from opportunities in academia afforded their white (typically male) counterparts. Anh is the only BIPOC person in her class and, aside from Olive, the only woman. Anh’s work to promote the voices of women and the BIPOC community in academia symbolizes the real-life efforts being made toward a more inclusive education system for all. As someone familiar with the rigors of academia, Hazelwood drew upon her own experiences, as well as from those of friends, to create a realistic depiction of the struggles facing graduate students—from discrimination to low pay and ridiculous hours. Realistic feelings of accomplishment and joy help to make the rigors worthwhile.

Banter

The romance genre relies heavily upon interactions between the romantic individuals at its center to make the story work. Olive and Adam are complete opposites, and their conversations reflect this while bringing out their personalities and furthering their relationship. Olive’s sunshine attitude results in many instances of babbling or oversharing as she fails to contain her joy at the simple things in life. By contrast, Adam is a man of few words much of the time. His dry sense of humor complements Olive’s bubbly personality, making them a perfect match.

Olive and Adam’s conversations are heavy on banter. They tease one another about their personality quirks, tastes in food, and many other topics. Olive’s love of sugary drinks comes up often throughout the book, serving as recurring banter to strengthen her relationship with Adam and provide humor. She particularly loves pumpkin-flavored drinks while Adam finds them disgusting. Olive also likes fast food, such as a sushi place in Boston with cheap prices and a conveyor belt to transport dishes. Adam thinks the food is suspect and teases Olive about it, a moment that leads to them staring longingly at one another. Banter begins as humorous conversation but slowly reveals who Olive and Adam are, bringing them together.

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