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Alexander McCall SmithA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Precious Ramotswe, often called Mma Ramotswe, is the protagonist of The No. 1 Ladies’ Detective Agency. Ramotswe is described as “not tall—being blessed with generous girth, rather than height” (98). Her fatness is appealing to men throughout the novel: In one instance, a cheating husband that Ramotswe is investigating tells her “that he liked good, fat women” (142) like her. This reflects that fact that fatness is considered a positive physical attribute in women in Botswana. Mma Ramotswe is characterized by her perseverance through loss, her love of Botswana, and her independence. While her perseverance and national pride are constants throughout the novel, Mma Ramotswe comes to increasingly trust her love interest J.L.B. Matekoni as the novel progresses, and ultimately remarries, despite initially vowing never to do so. When she was younger, Ramotswe’s father and cousin begged her not to marry Note Mokoti, but she did “because she was headstrong” (135). Later, when J.L.B. Matekoni first proposes to Ramotswe, she rejects him, explaining that “I cannot get married again. Ever. I am happy as I am. I have got the agency and the house. My life is full” (138). Her change of heart and her reclaimed confidence in her own judgment as an older, wiser woman forms the novel’s emotional resolution and is the main thrust of her character arc.
When the action of the novel begins, Precious is 34, “parentless, veteran of a nightmare marriage, and mother, for a brief and lonely five days” (59). The first part of the novel details the various losses Mma Ramotswe has suffered: At the age of 20, she was briefly married to an abusive man, and it is implied that his abuse while she was pregnant led to the death of their infant child. This violent loss haunts Mma Ramotswe throughout the novel, interrupting her memories. After her marriage ended, Mma Ramotswe moved back to her father and cared for him for 14 years until his death. The novel begins soon after this bereavement. She begins the No. 1 Ladies’ Detective Agency with the proceeds from the sale of her dead father’s cattle. The founding of the Agency is a representation of Mma Ramotswe’s ability to turn pain and loss into something meaningful for herself and her community: “there was so much suffering in Africa that it was tempting to just shrug your shoulders and walk away. But you can’t do that, she thought” (230). Her dedication to problem-solving is a constant throughout the novel.
Mma Ramotswe’s love of Botswana is another constant in the novel. The novel’s initial introduction to Ramotswe stresses that “she loved her country, Botswana, which is a place of peace, and she loved Africa, for all its trials” (4). Mma Ramotswe’s pride extends beyond Botswana to all of Africa: “she would not be anything but an African, never, even if somebody came up to her and said ‘here is a pill, the very latest thing. Take it and it will make out into an American.’ She would say no. Never. No thank you” (215). The novel closes with J.L.B. Matekoni reflecting that Mma Ramotswe “was everything to him—mother, Africa, wisdom […] the white sky against the endless, endless, bush […] O Botswana, my country, my place” (234). From the beginning, when Precious is described as “a good woman in a good country,” to this ending, she is often made the personification of Botswana. Her enterprising, optimistic and independent attitude reflects the prosperity and growth of Botswana as a nation. Similarly, her journey from an oppressed and abused wife to a successful businesswoman healed sufficiently to enter into a new, redefined marriage traces the trajectory of Botswana from a British colonial “protectorate” to a thriving independent nation state, opting into the Commonwealth relationship with the UK.
Obed Ramotswe is the father of Precious Ramotswe. His death enables Precious Ramotswe to establish the No. 1 Ladies’ Detective Agency, and although he is not alive at the time of the novel, his legacy and influence is evident throughout the novel. Chapter 2 is dedicated to Obed Ramotswe’s story and is narrated in his voice, making him a key character. Although the novel does not make this clear, it is as if the reader is hearing him recounting his life as his daughter may have. His narrative is explicitly presented as an attempt to “write down the lives of ordinary people” (15) at the time. The sacrifices Obed makes for Precious throughout his life are representative of his love for her and the struggles of citizens in the decades immediately following Independence to build a hopeful future for Botswana.
Obed Ramotswe’s role in the novel is largely to situate the story of Precious and Botswana in its historical and cultural context. As such, his life spans key periods of history and is reflective of common experiences between 1930 and the 1990s, He was a child when Botswana, then known as the Bechuanaland Protectorate, was under the rule of the British Empire. His childhood memories are dominated by symbols of colonial power, such as the railroad: “[W]e saw the white people look out of their windows, like ghosts, and sometimes they would toss us one of their Rhodesian pennies” (16) (Rhodesia is now Zimbabwe). This memory reveals the “ghostly” alien nature of the colonizers who travel through the Bechuanaland Protectorate. His story emphasizes the independent spirit of the Twana people who would agree to British commands in person and then “behind their backs, they did the other thing, or they just pretended to do something” (20). This subversive behavior prefigures Precious’s ability to work around those who obstruct or underestimate her.
Obed lives a life of hardship, obliged to find work in apartheid South Africa where racism was politically institutionalized and workers were treated similarly to enslaved people. Violence, injury, and murder are detailed as routine in his narrative. Even when Obed returns to Botswana, he is chronically ill from lung disease related to his time in the mines: Quoting a miners’ song, he explains that “the mines eat men. Even when you have left them, the mines may still be eating you” (17). The chronic illness is symbolic of his personal trauma, and the trauma of post-colonial societies who deal with the effects of oppression long after colonial systems of power have been dismantled. His narrative is ultimately one of hope however: He comes home, he loves and is loved by his daughter, and leaves a meaningful personal and financial legacy for her. The fact that his daughter Precious uses her inheritance to found the No. 1 Ladies’ Detective Agency makes Obed’s life is symbolic of the struggle, hope, and generosity of spirit necessary to build an thriving independent Botswana.
J.L.B. Matekoni is the owner of Tlonkweng Road Speedy Motors, and Precious Ramotswe’s love interest. He is 44 (10 years older than Precious) when the action of the novel begins, and is described as being “not handsome, but he had an easy, reassuring face” (87). His defining characteristics are his stability as a businessman and his devotion to Precious Ramotswe. He is a largely steady character whose personality and ways of thinking do not change hugely over the course of the narrative; instead, his increasing intimacy with Ramotswe is used as a measure of her willingness to trust in men. This steadiness of character serves as an emotional anchor in the novel and is indicative of his reliability and steadfastness, especially in a world where men are portrayed as untrustworthy and unpredictable. The novel’s first introduction to Rra Matekoni features him offering Precious advice on budgeting for the Detective Agency: “[H]e knew what he was doing, where as she did not” (87). This introduction establishes Rra Matekoni as an authority on budgeting and business and as having complementary skills to Precious’s own. The novel’s emphasis on Rra Matekoni’s business skills and success establishes him as a suitable partner for Mma Ramotswe. He also encourages and helps her in her own enterprise, making him a suitable partner for Precious, who prioritizes the Detective Agency and her financial independence above all else.
Rra Matekoni’s devotion to Ramotswe is evident throughout the book: He thinks she personifies everything good about Africa. At multiple points in the novel, Matekoni crosses personal ethical boundaries in order to support Ramotswe’s work and make her happy. In the first instance, he agrees to look for the identification numbers on a stolen car despite the fact that “he did not like stolen cars [and] he preferred to have nothing to do with them” (128). He agrees to help because “this was a request from Mma Ramotswe, and so there was only one answer to give” (128). Later, Mma Ramotswe asks for his help in a scheme involving the powerful Charlie Gotso. Although Rra Matekoni is deeply afraid to be “enmeshed in a whole web of deceit involving the police and one of Botswana’s most powerful men” (186), he nevertheless agrees to help. Seeing Mma Ramotswe smile, “he thought: I am lucky. She is smiling at me. There is nobody to love me in this world. Here is somebody who likes me and smiles at me” (187). His devotion to Precious helps her to solve the mystery and rescue a boy who has been kidnapped. In exchange, Precious helps him to overcome his fear and find his moral courage. Mma Ramotswe’s acceptance of Rra Matekoni’s proposal at the end of the novel is a symbol of her emotional growth and healing, as she learns to release her fierce independence and accept Rra Matekoni’s love and assistance. His steadfast devotion to her throughout the novel is what makes that growth possible. The presentation of Rra Matekoni as a loyal and trustworthy partner creates an optimistic contrast to the general negative presentation of men in the novel and makes him a role model for men’s behavior toward women.
By Alexander McCall Smith