56 pages • 1 hour read
Riley SagerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Carter confides to Kit that he might be Lenora Hope’s grandson. Carter thinks Ricardo Mayhew killed Lenora’s family to avoid having to take responsibility for her pregnancy, leaving Lenora alive because he couldn’t kill his unborn child. Mary was on her way to the lab with blood samples from Lenora and Carter on the night she died. Their conversation is interrupted by what feels like an earthquake, as a piece of the cliff on which Hope’s End sits calves off and topples into the ocean.
Miss Hope confirms that an infant is gone, but is unresponsive when Kit asks her to elaborate. Kit is apprehensive about trusting Archie, but approaches him anyway. Archie confirms that he was Miss Hope’s best friend, but when asked about the baby, he insists that Lenora was never pregnant.
In an Interlude, the typist explains that she and Archie were each involved in romantic relationships. When she trusted him with the secret of her pregnancy, Archie was supportive, but implored her to consider the consequences and determine if Ricky was the kind of man she should entrust with her future. Archie offered to help her secure an abortion.
In the present, Kit becomes suspicious when she discovers that the cassette player with Jessie’s audiobook is turned off—this could only have happened if Miss Hope unpressed the button with her paralyzed arm. Kit is fond of Miss Hope, but she cannot ignore her escalating mistrust about the many discrepancies and outright lies.
One night, Mrs. Baker raises the alarm, alerting everyone to trespassers on the grounds. Kit hurries outside, and is immediately furious when the invader turns out to be her neighbor and former casual sex partner Kenny, who has climbed the wall to taunt and harass the people in the house. Kenny’s ability to get on the grounds results in an important revelation: Hope’s End is not secure. Kit must now consider that Mary’s killer may not be one of people on the premises on the night Mary fell to her death.
Later that night, awakened by the call button, Kit finds Miss Hope staring wide-eyed in terror and a page in the typewriter. Line after line reads, “It’s all your fault” (219). Miss Hope claims that her sister is the typist.
Kit assembles the household, demanding to know who wrote the message. All deny it. When Jessie suggests that Kit has concocted the incident for attention, Kit regards her with suspicion. Kit knows that someone has been sneaking into Miss Hope’s room. Mrs. Baker is visibly distressed. Alone, Kit tests Miss Hope true physical condition. She drops the snow globe of Paris beside her patient’s hand, but it shatters on the floor.
In an Interlude, the typist recalls a fight between her parents. The usually sedate Evangeline is furious that his business is in such trouble that Hope’s End is in danger of foreclosure. Winston wants access to her parents’ money; to the typist’s shock, Winston claims that Lenora is not his daughter—Evangeline had been pregnant and agreed to marry Winston to avoid a scandal; Lenora’s birth father is a servant. The typist’s sister accuses her of following in their mother’s footsteps: “Now you know where you get it from. And that you’re not the only slut in the family” (230). The typist goes to Evangeline for help, but before she can tell Evangeline that she is pregnant, she realizes that her mother has overdosed on laudanum.
In the present, Kit has a visitor—her father claims he “came to take [her] home” (237). Patrick is concerned that the town is drawing conclusions about Kit’s guilt based on her new affiliation with the Hope family. Kit turns him away.
In exchange for Miss Hope’s promise to tell her about the baby, Kit agrees to take her patient outside while everyone is at Mary’s funeral. By daylight, the extent of the disrepair of Hope’s End is even more pronounced. Using her yes/no taps, Miss Hope reluctantly answers Kit’s questions, confirming that the baby was a boy, that he lived, that he was taken away, and that she does not know what happened to him afterward. Miss Hope refuses to tell Kit everything that she told Mary, though Kit cannot understand why. Kit goes inside for the typewriter. When she returns, she finds Archie, Carter, Jessie, and Mrs. Baker outside.
The younger staff members at Hope’s End have something important relating to The Uses of Secrets in common. Carter, Kit, and Jessie want their experiences at the house to explain or inform their identities. Kit hopes that by returning to the role of caregiver, which she sees as her calling, she can regain the sense of purpose she felt before her mother’s death. Moreover, proving Lenora innocent would bolster Kit’s fight to clear her own name. Finally, Kit also feels a duty to Mary, with whom she feels professional kinship; picking up Mary’s investigation would result in justice for her death. Carter, a former bartender, believes that Miss Hope is his grandmother, having found evidence of her pregnancy; he hopes solving this family mystery will allow him to find himself. Kit is suspicious that his motives are greed and the desire to control the estate, but Carter’s preference for the caretaker’s cottage suggests that his curiosity is more sentimental than material. Jessie too has an ulterior motive for working at Hope’s End. Kit initially believes that Jessie enjoys the thrill of living in an infamous true-crime house, but Sager eventually reveals that Jessie’s decision to seek employment there is also related to family secrets.
The stereotyping of women as emotionally fragile and delicate appears in both the 1929 and 1983 narratives, touching on the theme of How Chauvinism and Paternalism Dictates Women’s Fates. To quiet Evangeline Hope’s depressive response to her husband’s emotional and financial abuse, her physician prescribes laudanum. Laudanum, a liquid opiate, gained popularity for the treatment of “nervous” disorders in middle- and upper-class women in the 19th century. Unlike the opium smoked in dens, which was made illegal in 1887, opium consumed as laudanum—despite being just as addictive—was seen as socially acceptable and genteel. Male physicians often used this sedative to facilitate patriarchal household control; discomfited women found that laudanum made their lives more bearable. By 1929, however, laudanum use was rare, as the Harrison Narcotics Tax Act of 1914 placed significant restrictions on the sale and prescription of the drug. That Evangeline was still dependent on this medication indicates the degree of her addiction and the criminal complacency of her doctor. That Dr. Walden is eager to prescribe laudanum to Evangeline’s daughter is indicative of his blinkered willingness to accept that the girl has inherited her mother’s weak constitution—a chauvinistic baseless assumption. Like Detective Vick, Dr. Walden is another of the novel’s casually sexist male authority figures.
By Riley Sager
Addiction
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Class
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National Suicide Prevention Month
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