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C. S. LewisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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C. S. Lewis was a writer, theologian, and academic. Born on November 29, 1898, in Belfast, Ireland, Lewis was the second son of Albert James Lewis, a solicitor, and Florence Augusta Hamilton Lewis, a mathematician. Raised in a nominally Christian household, his mother’s death from cancer when he was nine contributed to his initial loss of faith. Lewis’s early education was characterized by private tutoring and attending boarding schools in England, which he found oppressive.
In 1917, Lewis’s studies at University College, Oxford, were interrupted by World War I. He enlisted in the British Army and served as an officer—experiences that further distanced him from his faith. He returned from war as a self-professed atheist. Lewis graduated from Oxford with a triple first in classics, philosophy, and English literature. He subsequently became a fellow and tutor in English literature at Magdalen College, Oxford, for nearly three decades. During this time, Lewis formed friendships with other literary scholars, most notably J. R. R. Tolkien. Through these friendships, Lewis began to re-examine his religious beliefs. In 1929, Lewis converted to theism, and two years later, in 1931, he embraced Christianity. Lewis’s conversion began his career as a Christian writer and apologist. His works during this time addressed theological concepts and practical Christianity, aimed at a broad audience. The first of these works was The Pilgrim’s Regress in 1933. In 1941, Lewis published The Screwtape Letters, a satirical and insightful examination of human nature and Christian doctrine presented through the fictional correspondence between a senior demon and his nephew. Lewis’s radio broadcasts on Christianity, later compiled into the 1952 book Mere Christianity, targeted a general audience and distilled complex theological ideas into clear language. Other works included The Problem of Pain (1940), Miracles (1947), The Great Divorce (1945), and the Space trilogy, which included Out of the Silent Planet (1938), Perelandra (1943), and That Hideous Strength (1945). One of Lewis’s most famous works is the Chronicles of Narnia series, seven fantasy novels written between 1950 and 1956. Though ostensibly written for children, these books are full of Christian symbolism and themes.
In 1956, Lewis married Joy Davidman Gresham, an American writer who converted to Christianity in part due to Lewis’s writings. Their marriage was short-lived, as Joy succumbed to bone cancer in 1960. A Grief Observed (1961) captures Lewis’s reflections on her death. Lewis continued to write and lecture until his death on November 22, 1963.
The title of Lewis’s book, The Pilgrim’s Regress, refers to John Bunyan’s 1678 book The Pilgrim’s Progress. Lewis intended his novel to be an updated version of Bunyan’s story for modern times. The Pilgrim’s Progress is considered a seminal work of English literature, notable for its allegorical narrative and its impact on religious and literary traditions. The book is split into two parts, each focusing on a spiritual quest for salvation and enlightenment.
The first part of The Pilgrim’s Progress focuses on a man named Christian. He lives in the City of Destruction, which symbolizes a life steeped in sin, and feels burdened by the things he has read in a book—the Bible. Desperate to escape impending doom, Christian sets out on a journey to the Celestial City. Early in his quest, he falls into the Slough of Despond, a bog representing despair and guilt. Aided by a character named Help, Christian perseveres and reaches the Wicket Gate, where he is admitted after overcoming his initial fears and doubts. In the House of the Interpreter, he experiences instructive visions and lessons. Further on, Christian arrives at the Cross, where his burden miraculously falls off, symbolizing the Christian doctrine of liberation from sin through faith in Christ. In the Valley of Humiliation, he battles Apollyon, a demon representing Satan. Subsequently, Christian traverses the Valley of the Shadow of Death, a dark and fearful place symbolizing the trials and doubts that test one’s religious faith. Christian also goes to Vanity Fair, a town representing worldly temptations and moral corruption. Here, Christian and his companion, Faithful, are imprisoned for rejecting the values of the fair. Faithful is martyred, but Christian—aided by another companion, Hopeful—escapes. Christian and Hopeful are later imprisoned in Doubting Castle. They eventually escape using the Key of Promise. The climax comes as the pilgrims cross the River of Death, the final barrier to the Celestial City. Upon reaching the Celestial City, they are welcomed into eternal glory. The second part follows Christian’s wife, Christiana, and their children, who undertake a similar pilgrimage to the Celestial City.
The allegorical style of The Pilgrim’s Progress allows Bunyan to explore complex theological concepts in an accessible manner. Each character and location symbolizes the moral and spiritual struggles of the Christian faith. The book is also notable for its portrayal of both the personal and communal aspects of faith. This duality reflects the balance between individual spiritual responsibility and the supportive role of the community.
By C. S. Lewis