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49 pages 1 hour read

Emma Clayton

The Roar

Fiction | Novel | Middle Grade | Published in 2008

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Chapters 1-5Chapter Summaries & Analyses

Chapter 1 Summary: “The Girl Who Knew the Secret”

Twelve-year-old Ellie flies over the Atlantic Ocean in a Pod Fighter. She is fleeing Mal Gorman, the man who kidnapped her over a year ago. Gorman questions his security officers about how Ellie escaped the space station where she had been kept and disabled the rest of the Pod Fighters. He is particularly upset that she knows “The Secret” and has escaped with a “live black-capped capuchin monkey” (4). Gorman orders his men to kill her.

Ellie remembers her kidnapping: being taken from the street by masked men, dosed with a sedative, and waking up a prisoner on a space station. Once Gorman reveals to her The Secret, she knows he will never let her go, and she decides to escape. Now, nearing England, she sees The Wall, a massive concrete structure enclosing all of Northern Europe, Russia and Canada, a structure built during “The Plague” to keep out infected, ravenous animals. With a live monkey—Puck—in the back of her Pod Fighter, Ellie aims to prove that humans have nothing to fear from animals. As she flies over The Wall, dozens of Pod Fighters are waiting. She engages them in a chase through the urban canyons of London.

Chapter 2 Summary: “The Golden Turrets”

Ellie’s pursuers force her from the lower shadows into the clouds above. The chase intensifies, but Ellie deftly eludes them. She descends into the shadows again, beneath the pillars supporting London’s “second level” (built to keep the rich above the flooding). Exhausted, she lands the fighter to take a rest, but she soon hears the engines of pursuing fighters. The chase continues, but she is hit by laser fire, and her fighter plummets toward the water below.

As children, Ellie and her twin brother, Mika, fight constantly, but her disappearance has shaken him deeply. He is the only one who believes she is still alive. As Ellie flies through lower London, Mika wakes up in the dead of night, sensing her presence. He hears muffled voices outside their apartment. When he sees a police pod hovering outside his window, he wakes his parents, but by the time they look, the pod is gone. His mother, Asha, tucks him into bed, but just then, Ellie’s fighter plunges into the water, and Mika feels “a crushing blow to his chest” (30), forcing the air from his lungs. Asha calls an ambulance.

Chapter 3 Summary: “Monkey Business”

Gorman watches from a police boat as crews dredge the river Thames for Ellie’s and Puck’s bodies. He reflects on his position as Minister of Youth Development, a Cabinet position that allows him to live a comfortable life above the squalor of The Shadows. Ironically, he “hate[s] children and [doesn’t] understand them” (36).

A salvage boat locates the Pod Fighter and hauls it to the surface. Gorman is surprised to see Ellie still alive in the half-flooded cockpit. He orders the police to shoot both Ellie and the monkey. Inside the cockpit, Ellie focuses intently on the windshield, and it is blown outward from the Pod Fighter, showering the police with water and debris. In the confusion, Ellie leaps into the water, clinging to the side of the boat, and Puck attacks the police chief. When Gorman orders the police to shoot Puck, Ellie boards the boat and uses psychic power to disarm them. Gorman, however, threatens to kill Ellie’s family unless she surrenders. She complies, and Gorman loads her and Puck into coffins for the trip back to the space station. When Gorman threatens to kidnap more children, Ellie is filled with rage. The anger inside of her intensifies into a “Roar,” and Gorman’s nose begins to bleed and his head to pound. The police quickly close the lid of the coffin, severing Ellie’s link to her captor.

Chapter 4 Summary: “Television Heads”

At the hospital, Asha and David (Mika’s parents) are relieved to find their son is fine despite “some incoherent mumble about water in the engine” (49). The doctor suggests Mika see a therapist to deal with Ellie’s “death.” He also urges them to register Mika’s “mutation” (webbed feet) with Reception before they leave.

Mika relates a recurring dream to Helen, his therapist: He’s lying on a bed surrounded by people with televisions for heads. They threaten to eat him. Helen then bemoans the invention of “Everlife,” a pill to prolong life. She claims that “all the worst people got the most important jobs in the Northern Government after The Plague and now they never get replaced because they stay alive for so long” (55).

Chapter 5 Summary: “Pink Poison”

Mika arrives at his “refugee school” to find an unexpected surprise: balloons, streamers, and cupcakes festooning the usually drab classroom. Their teacher, Mrs. Fowler, informs them they have a guest speaker: a representative from the Youth Development Foundation (YDF). When she enters, however, she reminds Mika of one of the “Telly Heads” from his dream. She tells them about “Fit Mix,” a “formula to promote adolescent growth” (66) that will be provided for them every morning. Mika asks what’s in it, but she is vague on details. Although touted as a healthy alternative to “Fab food,” the standard diet of London’s poor, Mika refuses to drink it. The headmaster intervenes, threatening to fine his family if he doesn’t drink it, but Mika throws the mixture in his face. He is dragged out of the classroom.

Chapters 1-5 Analysis

In these first few chapters, Emma Clayton explores The Use of Fear to Manipulate and Control, as well as the inevitable division of rich and poor. In The Roar, Clayton creates a world filled with deception and lies, a two-tiered society in which the rich live in luxury, high above the floodwaters, and the poor live below, in ramshackle, moldy “fold-down apartments.” Northern Europe, Canada, and Russia are walled off from the outside world, a bulwark against “The Plague,” a fabricated scare tactic of the Northern Government to disenfranchise and subjugate the poor, reifying the power structure and comfort of the rich. Historically, society’s least-resourced inevitably bear the brunt of economic and environmental malfeasance, and the use of fear to manipulate and control those with the least power is a classic tactic of an authoritarian regime.

The Roar incorporates another trope of dystopian science fiction: the abuse of the natural world to the point of environmental breakdown and collapse. While the precise origins of the flooding in The Roar are not described, there are clear allusions to climate change. Part and parcel of this dystopian world is its “mutant” population, boys and girls born a generation after the erection of the Wall who possess physical abnormalities—webbed hands or feet, for example, and psychic abilities like Ellie’s. These mutants are coveted by the authoritarian government in order to exploit their special abilities for the government’s own agenda. The fear of difference—which manifests as bullying and verbal abuse—as well as the unique bond between twins are other themes Clayton touches on early in the narrative. Mika is called a “paranoid freak” and a “mutant weirdo” by classmates who taunt him over his sister’s assumed death. Ironically, the very difference that makes Mika a target of abuse is the thing most coveted by Mal Gorman and the YDF—who, among other things, seem obsessed with a fear of aging and the preservation of their own youth at all costs.

Middle-grade dystopian fiction typically features young protagonists who become empowered to stand against authoritarianism threatening their autonomy. Ellie and Mika, both defiant of authority, will not win any medals for good behavior, but Clayton’s message is that social change turns on such defiance, not on good manners or complying to Gorman’s view of children as malleable pawns in an adults’ game.

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