48 pages • 1 hour read
Johann Wolfgang von GoetheA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Werther’s vacillating attachment to the poetry of Homer and, later, of Ossian, indexes his mental state. At the beginning of the novel, Werther finds solace in the calming verses of Homer, particularly the Odyssey. He deliberately seeks it out as a sanctuary to calm his constantly turbulent emotions. However, as his infatuation with Lotte intensifies, he turns away from Homer and focuses on Ossian. The presentation of Homer’s poetry as a gift from Lotte and Albert on Werther’s birthday marks a pivotal moment in the narrative. By this juncture, Werther’s once peaceful existence has been irrevocably disrupted by his burgeoning feelings for Lotte. By the end of the book, his focus shifts to Ossian. While the poems were later revealed to be the work of the contemporary Scottish poet James Macpherson, in 1771 and 1772, the years the novel takes place, they were widely popular and attributed to an ancient Gaelic poet named Ossian. Werther’s translation of the poems into German is meant to portray him as an intelligent and scholarly person. Ossian depicts wild landscapes Werther imagines himself wandering through, hearing spirits, and witnessing the lamentations of maidens. He is captivated by the imagery and emotions in these tales. They contain themes of desperation, hopelessness, and passion, which resonate with Werther. While Homer calmed him, Ossian intensifies his already volatile emotional state.
Throughout the novel, the natural world serves as a symbolic reflection of his inner feelings and experiences. This connection between emotions and nature is a common trend in the Sturm und Drang literary movement. As an artist, Werther draws inspiration from trees and views them as embodiments of steadfastness and loyalty. They also mark the locations of critical moments in his emotional journey: the lindens in Wahlheim, the trees he sits under with Lotte and the vicar, and the fruit trees in her orchard. These trees mirror his feelings, and their destruction reflects the erosion of Werther’s mental state. The vicar’s wife cuts down his grove, and a beloved willow is lost to a flood. In both cases, Werther sees it as an attack on the relationship and further fractures his emotional state. In his final note to Lotte, Werther requests to be buried under the linden trees in the churchyard. At the novel’s beginning, Werther states that he finds peace in nature, and that is ultimately where he is laid to rest.
The recurring symbolism of literal and metaphorical storms represents Werther’s inner turmoil throughout the story. From the novel’s outset, storms parallel Werther’s tumultuous emotional state, serving as a metaphor for the passions that consume him. His infatuation from his first meeting with Lotte is likened to a whirlwind of young love, backed by the real storm that interrupts the dance. The convergence of the emotional and literal storms underscores the symbiotic relationship between Werther’s internal turmoil and the external world. The symbolism of the storm extends beyond its literal manifestation to encompass the thematic undercurrents of the novel, particularly Werther’s philosophical reflections on the nature of emotion and existence. For Werther, the storm represents the tumult of his feelings and the existential struggle inherent in the human condition. As his emotional storm intensifies, the flood in Wahlheim serves as a visceral manifestation of the final destructive havoc his emotions have wrought on his relationships and himself. This storm serves as a manifestation of the final act of Werther’s existential crisis, forcing him to reckon with the fragility of earthly existence. The destruction wrought by the flood underscores the futility of Werther’s passionate pursuits in the face of his reality.
Lotte’s ribbons serve as a physical manifestation of the theme of The Destructiveness of Unrequited Love in the novel. From their first meeting, Lotte’s ribbons are a focal point for Werther’s fixation on her. She is wearing pink ribbons and a white dress. Pink is often associated with love, while white represents purity. This reflects the romantic, almost saint-like view Werther takes of her. As his infatuation intensifies, the ribbons assume greater significance. He receives one of these ribbons as a birthday gift, something he had repeatedly requested, and keeps it as a memento. The ribbon now symbolizes his nostalgia, carefree happiness, and innocence. However, it also highlights the growing conflicts surrounding Lotte’s awareness of Werther’s romantic intentions toward her. Bestowing a personal item of clothing carries profound significance, which muddies his perception of Lotte’s willingness to reciprocate his feelings. Ultimately, he requests to be buried with the ribbon. This shows that he continues to refuse to let go of his desire for innocence and idealization even after death. Despite her being married to another man, Werther still manages to keep a part of Lotte with him forever.
By Johann Wolfgang von Goethe