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42 pages 1 hour read

Holly Black

The Stolen Heir

Fiction | Novel | YA | Published in 2023

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Character Analysis

Suren/Wren

Suren, or Wren, is the 18-year-old protagonist and first-person narrator of The Stolen Heir. Wren’s voice is raspy from years of screaming, having been tortured by her parents Lady Nore and Lord Jarel of the Court of Teeth. She has primrose-colored hair, a thin face with large green eyes, a pointy chin, and skin “the pale blue-gray of hydrangea blooms” (85). When describing herself, she sees a monster with sharp teeth, which “make even the Folk flinch” (85). This is indicative of her negative self-perception, which is worsened when Wren discovers she is “something made like a doll, from snow and sticks” (198). She was created by the storm hag Bogdana for Lady Nore and Lord Jarel, who couldn’t conceive a child, and given her own daughter Mellith’s heart. Wren is oblivious to her origins, believing herself the couple’s biological daughter, Suren, until she learns of Oak’s betrayal at the Ice Needle Citadel.

Wren has lived in the wilderness of the mortal realm since fleeing the Court of Teeth at the age of 11. She spends her time observing her human unfamily and breaking curses plaguing other humans. Her extended time among humans makes her compassionate toward their plights, often attacking the Folk, her own kind, to protect the less fortunate. Wren values The Importance of Autonomy, having experienced abuse and imprisonment in the Court of Teeth. She is cynical and distrustful, lessening the hypnotizing effect of childhood friend Oak’s charm.

At the end of the novel, Wren completes her arc by accepting her identity, no longer seeking permission to exert power. However, her flaws—her desperation for love and desire to ruin those who’ve wronged her—are exacerbated by her coming into power. At Queen Annet’s court, the seamstress Habetrot senses destruction in Wren, and when she overcomes Lady Nore, becoming the ruler of the Court of Teeth, she claims: “I am not nothing. I am what is beyond nothing. Annihilation. I am the unraveler. I can pull apart magic with a thought” (327). Though she frees Lady Nore’s guards from their curses, she takes Oak captive and makes even the loyal Hyacinthe fearful.

Oak

Oak is a 17-year-old antagonist, ally, and love interest to Wren. He attempts to rescue his father figure Madoc and prioritizes Wren’s safety—and by extension, Mellith’s heart. Yet, his Manipulation of Truth ultimately makes Wren an enemy rather than an ally. Oak is the biological son of the deceased Liriope and Prince Dain. Liriope was rumored to be a gancanagh, a love-talker or honey-mouth, who used her power to seduce both the former High King and Prince Dain; Oak is believed to have inherited this power. However, believing the power led to her death, Oak, who isn’t aware whether or not he has such an ability, does not use it.

Oak is lean but muscled, with golden curls, a scar along his throat from a failed assassination attempt, goat feet and horns, fox-like eyes, and “a trickster’s mouth and the swagger of someone used to people doing what he wanted” (38). He’s often able to sweet-talk his way out of trouble and, therefore, treats every situation, no matter how dire, as a game. He “moves as though he expects the world to bend to his will” (34), his fox-like eyes and trickster’s mouth illustrating his talent for manipulating the truth, as fae cannot lie.

Despite the boyish charm he exudes, Oak uses it to hide his strengths. He appears as a spoiled prince, but proves a skilled swordsman, having inherited his bloodlust from Madoc. However, his martial prowess and propensity for games lead him to underestimate his and Wren’s bond, as the novel ends with Wren imprisoning him for his many betrayals.

Lady Nore

Lady Nore is the main antagonist, the beautiful ruler of the Court of Teeth with gray skin and pale hair, but a “cruel set of her mouth” that “warned Wren not to trust her” (15). She is disgusted with humanity and weakness, her values including “ferocity, ambition, and no hesitation about spilling an abundance of blood” (238). These values fuel her torture of Wren and use of Mab’s bones to create monsters. Much of Lady Nore’s power is dependent on words, as her daughter Wren has the power to take away her autonomy with verbal commands. Even when under Wren’s control, she is able to regain a measure of power to alert her allies.

When Wren realizes she has Mellith’s heart, she uses the Power of Words to unmake Lady Nore by wishing her dead, and “with no more than the force of that desire, she is spread apart on the snow. Taken apart” (329). Mellith (“mother’s curse”), the name given to the storm hag Bogdana’s daughter by the first queen of Faerie, Mab, is what Wren becomes to Lady Nore.

Tiernan and Hyacinthe

Tiernan, a guard, and Hyacinthe, a prisoner, are sidekicks to Oak on his journey to rescue Madoc. The two men “once made the sorts of promises lovers make” (249), though their relationship is now complicated due to serving on opposite sides of the Battle of the Serpent eight years ago. While Tiernan is an Elfhame-approved guard for Oak, assigned by High Queen Jude herself, Hyacinthe is one of Madoc’s traitorous soldiers who were cursed into falcon forms for betraying High King Cardan. Hyacinthe is controlled with a magical golden bridle.

Tiernan is described as knightly, though he never officially became a knight, having joined the Court of Shadows as a spy. He has short blackberry hair, wary dark eyes, a long nose, and “the look of someone more comfortable saluting than smiling” (35). Tiernan is a foil to Oak, efficient with his words where Oak is eloquent: “[if] Oak is the sunlight filtering through trees in the woods, all shifting gold and shadow, then Tiernan seems like those same woods in winter, the branches barren and cold” (70).

Hyacinthe has long mahogany hair, purple eyes, light brown skin, and a falcon wing for one arm—illustrating that his curse is only partially broken. His unwilling enslavement reminds Wren of her own childhood, earning her sympathy because she values The Importance of Autonomy. His loyalty is questioned by Oak and former lover Tiernan, who knows and loves him best. However, his loyalty to Wren is earned when she helps him escape the golden bridle; he warns Wren of Oak’s gancanagh heritage and releases her from Lady Nore’s dungeons out of gratitude.

Bogdana

Bogdana is an ancient storm hag who can control storms and serves Lady Nore and Lord Jarel, having helped them magically conceive Wren. She spends her days hunting Wren after she escapes the Court of Teeth. She is described as a “huge, looming creature, spindly, with mushroom-pale skin and a head full of wild black hair” (16), and claw-like fingers “as long as flower stalks” (29). Bogdana has “been killing mortals and faeries alike since long before [Wren] was born” (31) and is the only being whom Lady Nore fears. Despite her malicious nature, she is the only person Wren misses when she’s away from Elfhame. Bogdana serves as a mother figure to Wren, which makes sense considering Wren is her biological daughter. When she created Wren for Lady Nore and Lord Jarel, she included the heart of her deceased daughter, Mellith. During the reign of the first queen of Faerie, she was tricked into killing Mellith, but cursed Mab’s line in retaliation. Bogdana exemplifies The Power of Words through her encouragement and support of Wren, especially during her torture at the Court of Teeth.

Madoc

Madoc is a redcap faerie, the foster father of Oak and his human sisters Jude and Taryn; he is the biological father of Vivienne. While Madoc raised Jude and Taryn as children after murdering their human parents, Eva and Justin, he raised Oak since his birth. During The Folk of the Air trilogy, he is the Grand General to the former High King’s army, yet betrays the royal family. His scheming to place Oak on the throne and rule through him fails, and he is exiled to the mortal realm by his daughter, Jude, who becomes High Queen. In The Stolen Heir, Madoc is seen as the traitor who allied with the Court of Teeth against Elfhame.

As a redcap who revels in bloodshed, Madoc doesn’t necessarily desire power, but rather “craved conquest […] the fight itself” (118) and “was never so happy as when he went to war” (36). His relationships with his children have always been complicated, his love for them true but often caught in his desire for conquest. As much as he loves Oak, the prince is ultimately a pawn to incite long-lasting war. Oak loves Madoc as a father, “even knowing he’s a monster” (119). This love prompts Oak to travel to the Court of Teeth to free him from Lady Nore.

It’s eventually revealed that Madoc planned to be kidnapped all along, in an effort to recruit his old soldiers from Lady Nore, overtake the Ice Needle Citadel, and absolve his banishment from Elfhame. His affinity for strategy is evident in his scheming, and his thirst for bloodshed is evident in him advising Oak to kill Wren before she realizes Oak has manipulated her.

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