60 pages • 2 hours read
Robert Jackson BennettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide discusses ableism and violence.
In Daretana, a small town in the outer reaches of “Great and Holy Empire of Khanum” (15), 20-year-old Dinios “Din” Kol, assistant to investigator Anagosa “Ana” Dolabra, speaks to Otirios, an imperial officer about a body that has been discovered. Though Din is a signum, an officer role in the imperial military, and therefore outranks the other man, Din’s youth raises natural doubts of his ability, particularly as Ana has sent him to investigate without her. Otirios, an Apothetikal, a magic user responsible for “organic alterations” (20), or enhancements of organic matter, leads Din through a gate that is guarded by plants enchanted to seek out and paralyze intruders; only Otirios’s chemical key lets them pass by unharmed. Din gapes at the majestic estate.
Otirios explains that the dead body is suspected to be that of Commander Taqtasa Blas, a high-ranking officer. The body can neither be definitively confirmed as Blas nor definitively confirmed as a body, because death arose via magical alteration. Din struggles to remain composed as servants scream hysterically around him, reminding himself of his role as “an officer for the Iudex” who works in “delivering justice” (23).
Otirios leads Din into a sterile room filled with rare, magically altered plants. The estate is owned by the wealthy Haza clan, which surprises Din, as the Hazas don’t have a strong presence in Daretana. No member of the family is present in the house. Otirios smirks when he learns that this is Din’s first death investigation and that Din has only worked as an Iudex Investigator for the last four months.
In an ornate bedchamber, a tree grows through a human body; only small parts of the corpse are visible. A large puddle of blood is on the floor. Din has a visceral reaction to the grotesque scene. The tree, which extends through the roof of the house, sprung up in under five minutes—unprecedented magic that Otirios cannot identify as murder or an accident. There have been many different chaotic magical contagions across the Empire. Blas, before coming to Daretana, was examining sea walls in advance of the “wet season,” during which leviathans rise from the sea and threaten the Empire’s coastline. Nobody but Blas and house servants entered the room before the tree erupted.
Din is an engraver, someone magically “altered to remember everything [he] experienced, always and forever” (32). Using the strong scent of lye to orient his mind, Din memorizes the room’s details. He removes a small book from the scene, though this is prohibited. He notes strange mold, considers that he would be at risk “if anyone found out how he’d actually gotten this position” (35), and then vomits out the window, startling two officers.
Din explores the remainder of the estate, noting a speck of blood in the kitchens. He finds a quiet place to read the stolen notebook aloud; he cannot magically recall the text, but will memorize hearing it aloud. A sobbing servant who recalls that Blas reported chest pain before the tree erupted. Another servant reports that Blas habitually made unwanted sexual advances toward the staff. Din sees a dying kirpis mushroom (an expensive magical air filtration plant). The plants are susceptible to humidity, but he saw no open windows, which is odd.
The cook insists Blas caught a contagion at the sea wall, citing a long ago breach incident when one of the leviathans broke through. The anxious groundskeeper cannot identify the tree that killed Blas. The housekeeper, dismissive of Din’s age, refuses to explain Blas’s relationship to the Hazas. Din returns the book and looks at the tree and body a final time. Otirios asks if the day would have “been easier if the investigator herself had come,” which Din refutes “with absolute honesty” (48).
Daretana Canton, or district, doesn’t have a true city, “but rather a clutch of Imperial Iyalet buildings clinging to the main crossroads” (50). Din enters the jungle where his boss, Investigator Anagosa Dolabra, lives.
Ana’s house is filled with books. A “terrified” Engineering captain sits in a chair while Ana works on “some contraption of wires and string” (52). She scolds Din for not knocking, identifying him though she wears a blindfold. While Ana discusses a theory on pre-Imperial irrigation, the captain gestures for help. Din claims he encountered Engineering officers who need the captain; though Ana recognizes this as a lie, she lets the captain go. The captain leaves, outraged at being detained for hours, brushing off Din’s apologies on Ana’s behalf.
Ana never leaves her home or even looks outside of it. When Din tells her she should not trap people, Ana retorts that doing so recently helped her identify an infected well. She grows excited over the arrival of a stack of books, then laments that she “just might be going a little fucking mad in here” (59). Ana complains that Din won’t acquire her illegal “mood-altering grafts” (60), lamenting that Daretana is a backwater that lacks the danger of the inner rings of the Empire. Din privately reflects that Ana must have been assigned to Daretana as punishment for an unknown offense, as she possesses “a gift for inciting outrage” (62).
Finally, Din manages to distract her with the Blas death case. Ana grows excited when Din describes his horror at the death scene with uncharacteristic emotion. She re-dons her blindfold and asks him to describe everything.
Imperial Apothetikals alter humans in two ways: via short-term grafts, or via permanent suffusions, which are heritable, but often prevent procreation. Din is a special type of enhanced human called a Sublime: These are “cerebrally suffused and augmented” (64) and work to manage the Empire’s Iyalets, or military departments. Engraver Sublimes, like Din, are the “most sought-after” type (65).
Din spends hours reporting the details of the death scene to Ana, who concludes several things: The Hazas’ true wealth comes from owning land, a valuable commodity in the Empire; their privilege leads them to disregard laws with impunity. Ana then recalls an alteration gone wrong 11 years prior: An attempt to grow cheap fernpaper, a construction material, led to a plant called dappleglass growing inside people. Dappleglass also caused fernpaper walls to mold, despite fernpaper’s typical resistance to such damage. Since Din saw such mold at the Haza estate, Ana is “about eighty percent sure that Commander Taqtasa Blas was assassinated” (68).
Ana instructs Din bring the servant who reported Blas’s sexual advances, the housekeeper, and the groundskeeper to her house. She tells him to take his Engraver’s bonds—manacles that only he can remove—and to be armed. When he reminds her to complete a form so he can collect his monthly pay, Ana is dismissive. But as Din protests that his position is important to him, she apologizes for her attitude. Her attention quickly snaps back to her contraption, which detects earthquakes. It indicates that a leviathan is approaching the sea walls, something Ana finds exciting and Din finds terrifying.
Din so predictably sends a letter at the end of the month that Postmaster Stephinos keeps the post station open late to wait for him. Din remits his pay to his family, but only out of duty rather than affection. Stephinos advises Din to “read the mud” (77) to know if a wet season will be particularly bad and cautions him to look out for a Captain Thalamis.
Din muses on the coming wet season, reflecting that the constant worry of living in the Outer Rim often disrupts everyday living. He aspires to pay off his father’s debts so his family can move further inland, where it is safer. Just before he arrives home, he encounters Thalamis, who has been sent by the Haza family housekeeper. Thalamis demands to know the details of the investigation, threatening Din’s career. Din refuses, citing policy. Thalamis insults Din using ableist language, denigrating him for lack of reading proficiency. He accuses Din of cheating at his Iudex exam and vows to uncover the truth.
The next day, Din leads housekeeper Madam Gennadios, Ephinas the serving girl, and groundskeeper Uxos to Ana’s house. Gennadios is hostile, while the other two seem frightened. The three suspects are startled to find Ana blindfolded. Ana probes Gennadios about why Blas stayed at the Haza estate instead of at the barracks, particularly given his duties with the upcoming wet season. Ana posits that Blas was visiting a sex worker paid by the Hazas. Ana doesn’t understand how the Hazas benefited from their relationship with Blas, but the political implications of such a relationship may be why Blas was killed. Ana puzzles over why the Hazas own a home in such an unimportant town. Then, she threatens Gennadios into compliance by implying that her employers will react poorly to their housekeeper speaking to an Iudex officer, even when legally compelled to do so.
Panicked, Gennadios insists she doesn’t know what Blas gave the Hazas, worried that she will incur the Hazas’ ire. Ana counters that the powerful family will be unconcerned with Gennadios when Ana reveals that Uxos helped kill Blas. Ana has figured out that Uxos let in the assassin, who put the deadly dappleglass spores in the bath for Blas to inhale. When the dappleglass spores stained a fernpaper door, Uxos replaced it, which caused the kirpis shroom to wither, as Din noted. Ana has already sent Iudex soldiers to Uxos’s hut; Ana lies that they will find evidence of spores from where Uxos tried to burn the contaminated door to elicit Uxos’s confession.
Uxos lunges for Ana with a knife. Din strikes him with his practice sword, repeatedly striking until Ana stops him. A battered Uxos confesses that, two months prior, a stranger blackmailed Uxos into helping assassinate Blas. Severe facial swelling made this stranger unidentifiable, even by gender or race. The assassin was masked, so Uxos is uncertain if this was the same person as the stranger who initially contacted him. Din arrests Uxos and takes him to the Arbiters.
Din wishes to know whether a magical suffusion makes it possible for Ana to compile facts to solve mysteries. Ana rejects that a person is equivalent to their enhancement, countering that people “self-assemble” (98). Din is uncertain what she means but doesn’t press. She instructs Din on how to get further clues to uncover what Blas and the Hazas were doing together.
Gennadios is again hostile when she gives Din the information Ana requested. Otirios reports recovering the dappleglass in the drains, as Ana suggested, though posits it must be another variety, which does not grow so violently. It has also been altered so that the tree does not further infect the household. Din sees that Uxos’s hut is covered in incriminating spores.
The first part of the novel offers a lot of world-building. This first novel set in Khanum must develop the reader’s understanding of its fantasy setting while simultaneously introducing the plot and characters. Din’s first-person perspective provides a middle ground between revealing everything in a large amount of information and not explaining what an inhabitant of the fantasy world would find obvious.
This middle ground—in which Din, for example, explains the role of an engraver but not the overall structure of Khanum military—aims to give readers a foothold in Robert Jackson Bennett’s world while casting them, like Din and Ana, in the role of investigators. The texts prompts readers to gather clues to understand that the Iyalet military comprises four sub groups: Engineering, which oversees building walls and weapons to fight the sea titans; the Legion, who battle these titans using Engineering’s weapons; Apothetikals or Apoths who perform (largely plant-based) magic; and the Iudex, a military police force that oversees the other three groups. Din and Ana are part of this last group.
The process of discovering how these systems work becomes a metafictional investigation layered onto the novel’s mystery plot. For example, deciphering the Iyalet reveals the structure of the militaristic society of the Outer Rim. While pretextual elements, such as the map of Khanum or the list of its military ranks, offer clues, they do not offer a full explanation. For that, the reader must “investigate” the text.
Part 1 is a relatively contained mystery arc that plays with detective fiction tropes. Blas’s murder in a magically protected house reflects the closed circle mystery subgenre, which includes a small pool of suspects that can be closely examined by the investigator. This limitation was popularized by British mystery novelist Agatha Christie, whose And Then There Were None (1939) offers perhaps the most famous example; Christie is credited with creating this trope with her earlier novel The Mysterious Affair at Styles (1920). Blas’s seemingly impossible death—he was alone, and apparently safe—is a nod to the locked room mystery trope. One example is the Sherlock Holmes short story The Adventure of the Speckled Band (1892), which features a snake surreptitiously introduced into the victim’s otherwise secure bedroom; this mirrors the dappleglass spores smuggled into Blas’s bathwater.
The solving of Blas’s murder offers readers a paradigm for approaching the much more complex mystery of Parts 2-4. Locked room mysteries typically insist that a culprit is not supernatural or otherwise free from material constraints, no matter how much those investigating the crime may initially suspect supernatural means. Similarly, although there is magic in Bennett’s world, Blas’s murderer does not resort to it. At the same time, while classic detectives seem preternaturally capable, they are shown simply to have tremendous skill rather than superhuman abilities. Ana and Din do not solve crimes using their magical talents; they do so by making logical deductions out of clues: Din’s eidetic memory is merely the conduit through which Ana accesses information, not a shortcut to answers.
Therefore, although the novel operates in a fantasy setting, readers can emulate the protagonists’ search for answers. Ana, Part 1 assures readers, will not resort to magical powers to solve future cases, introducing The Idealization of the Past. She has the same information as Din and the reader. Establishing logical deduction as the way to derive meaning keeps the mystery grounded, even as Powerful and Corrupt Social Elites muddy clues and motives.
This portion of the novel also looks at encoding neurodiversity and learning disability into fantasy settings, part of the text’s attempt to build a sense of modernity in fantasy. Though Din’s challenges with reading are not given a specific diagnosis within the Empire’s understanding of medical or neurological capabilities, his experience parallels real-world conditions like dyslexia, which disconnects written words and speech sounds. Meanwhile, Ana’s sensitivity to sensory input is linked to media portrayals of autism spectrum disorder. The novel links these qualities to each character’s particular ability. Din’s prodigious memory is framed as a rare engraver talent that supersedes his lack of reading proficiency. Ana’s sensitivity, meanwhile, contributes to her success as an investigator.
While intended to be a positive portrayal, Bennett’s depiction of neurodiversity falls into the bias sometimes called the “Rain Man trope,” after a 1988 film about a man with autism and a remarkable talent for math. Though the film has been praised for making autism more culturally legible, it has also been criticized for perpetuating the idea that “autistic savant” characteristics are common among all people with autism (Knights, Karl. “Rain Man Made Autistic People Visible. But It Also Entrenched a Myth.” The Guardian, 17 Dec. 2018). The comparison between Ana and Sherlock Holmes reinforces this false connection between autism and exceptional skill, which disability studies scholars argue may reinforce negative and dangerous stereotypes (Freeman Loftus, Sonya. “The Autistic Detective: Sherlock Holmes and His Legacy.” Disability Studies Quarterly, 2014).
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