logo

56 pages 1 hour read

Maggie O'Farrell

The Vanishing Act of Esme Lennox

Fiction | Novel | Adult | Published in 2006

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Pages 1-74Chapter Summaries & Analyses

Pages 1-9 Summary

The narrator opens The Vanishing Act of Esme Lennox with a memory of two girls at a dance on New Year’s Eve, just before the stroke of midnight. The girls examine their dance cards as they watch other couples dance. The narrator hints that somehow, this happy scene ends with a girl named Esme staring out a window covered in metal bars. The narrator, Esme herself, stares through the bars, trying to focus on the distance. She examines the many layers of paint on the window, while behind her she hears the movements of other women. One woman makes tea for her dead husband, another waters long-dead flowers, and another smokes despite being warned otherwise. Esme wonders if she’s right about when it all began, and her memories take her back to her childhood in India.

The novel cuts to the past, as Esme remembers being four years old and playing in a garden. She gazes across the garden and sees her parents in the distance, who at first resemble only shapes and lines. As she approaches, her mother, Ishbel, is surprised to see her, as she’s supposed to be taking a nap. Esme asks for tea, and though her mother protests, her father says she can have some. Esme’s mother is pregnant and visibly annoyed by Esme’s presence. Ishbel asks Esme where her ayah (nanny) Jamila is, but she doesn’t know. Esme climbs onto her mother’s lap, and thinks about her baby sibling whom she felt move and what Jamila said about the baby: “[S]he thinks this one is lucky, that this one will live” (5). The girl takes in all the sights and sounds of the garden, like her father swinging in a hammock and the sound of her sister Kitty’s jump rope hitting the ground. Esme listens to the insects, when one suddenly flies into her hair. She flails and screams as her mother calls for Jamila.

Esme moves on to other memories, like the time Jamila painted her hands with henna, and when Kitty fell into a pond and had to be rescued. She once enjoyed playing jacks with the cook’s children and watching ants swarm a banyan tree. She recalls an unpleasant memory of her mother tying her to a chair as punishment for crawling under the table during meals. Esme was fascinated with people’s feet, ankles, and shoes; the scarf her mother uses to tie her to the chair is a paisley one from Scotland, which belonged to her grandmother. One evening, the people at the dinner table include an engineer, an older woman and her son, and a solitary man. Esme recalls everyone hearing a sound outside and leaving to inspect it; however, no one unties Esme from her chair. Stuck staring at the empty table, she picks up her spoon and drops it on the floor.

Pages 9-26 Summary

The novel cuts to a woman named Iris. She walks her dog along the street in the New Town section of Edinburgh, Scotland. She stops in front of her vintage clothing shop and kicks aside a beer can, spraying liquid on the shop door. Iris steps inside the store and notices a curious letter in her stack of mail. She scans the letter, written via typewriter, and notices the name Euphemia Lennox (Esme)—but is too distracted with the messy door to read the letter and sets it aside. After washing the door, Iris stops to look at the city, thinking, “Sometimes this street feels so deep cut into the city it’s as if Iris is leading a subterranean existence” (11). Thinking about the letter, Iris wonders about the name Euphemia—but assumes she’s a customer. Later, Iris sits in a bar with her brother Alex, waiting for Alex’s wife Fran to arrive. Iris and Alex have a playful relationship and frequently touch each other as the former tells the latter about a customer’s invoice that called her a witch. Fran arrives at the bar, fresh from getting highlights at a salon; her scalp is sore from the painful process. She watches Iris and Alex from afar, noticing their shared drink and Alex’s hand on Iris’s wrist. Fran examines Iris’s clothing and skinny frame. She approaches the table and finds the pair laughing hysterically; she asks what they’re joking about, but they brush her off.

At the same time across town, Esme stares out a window, watching women load luggage into cars and drive away. A woman cries as a man puts her suitcase into the trunk of a car. Esme takes one last look before a man tells her that it’s time to leave.

Back in her shop, Iris unpacks a vintage red designer dress and displays it on the mannequin in the shop window. She adds a handbag and adjusts the position of the mannequin; secretly, she wants to keep the dress for herself. She calls her brother Alex, but when Fran answers the phone, she hangs up without speaking. Later, Iris helps a man select a gift for his wife’s birthday. Iris’s phone rings, and a man asks if she has time to speak about Euphemia Lennox. She doesn’t know the name, so the caller apologizes, thinking he has the wrong number. Iris helps her customer select a handbag and wraps the gift while pondering what his wife is like. After closing the store, Iris drives to the Old Town section of Edinburgh, Scotland to visit her lover.

Iris met Luke, a tall, handsome lawyer, two months ago at the wedding of a friend. After they make love, Luke dresses and calls his wife Gina, claiming he will be home late due to work. He begs Iris to stay and have dinner with him, but she refuses. He claims he is ready to end his marriage and be with her, but Iris says she doesn’t want to discuss the issue and must leave to visit her brother. Luke is angry that she’s leaving him to be with Alex. Iris recalls the first time Luke and Alex met: Her brother showed up at her flat without calling, and Luke was there. The two exchanged an awkward, icy conversation and Alex appeared to be intimidated by Luke’s size. Over drinks, Alex explained to Luke that he and Iris are not blood-related, and that Iris’s mother is married to his father. While Luke was out of the room, Alex was critical of him and asked Iris about the nature of their relationship. Iris assured him that they were not serious before Luke returned to the table.

Pages 27-33 Summary

The narrative returns to Esme’s memories of India. She and her sister Kitty should be paying attention to their teacher Miss Evans, but instead make faces at each other and try to staunch their laughter. Esme plots a way to escape and asks Miss Evans if she can be excused to use the restroom. Instead, Esme trots off to the kitchen, following the smell of chai. She goes to the nursery where Jamila cooks, while her baby brother Hugo plays at her nanny’s feet. Esme adores her brother and begs to hold him, but Jamila says he is too heavy—so she settles for nuzzling his face while he plays with her braids. Jamila tells Esme that she should be at school, and they overhear Miss Evans informing Esme and Kitty’s mother that she disappeared from class.

Esme’s memory shifts to sitting at a dining hall table in front of an oily stew. She tells herself that she will refuse to eat everything on the plate except for the bread without margarine. A woman wearing a scarf around her head asks who is coming for her. The woman states that her daughter is coming for a visit, and Esme responds that her parents are coming. A cook overhears and smugly says Esme’s parents are dead. Esme says she knows, but the cook walks away in disgust. Believing this memory isn’t quite right, Esme’s mind shifts back to childhood. From her bed, she watches Kitty pack for a visit to the country. Esme herself can’t go because her mother saw her walking outside without shoes. She asks Kitty to stay with her, but Kitty says she must go so she can meet a boy. Esme doesn’t understand, so Kitty explains that they both must find husbands and move away from home. The former proclaims she is never getting married.

Pages 33-41 Summary

The narrative cuts to Iris. She awakens late and dresses quickly, as she has to interview a potential weekend employee for the shop. A man named Peter Lasdun calls from Cauldstone, a psychiatric hospital. Mr. Lasdun claims he is calling about Euphemia Lennox, Iris’s great-aunt. Iris is confused because her grandmother, Kathleen Lockhart (Kitty), doesn’t have a sister. Kathleen has Alzheimer’s disease and resides in a nursing home; Iris has power of attorney for her grandmother since her mother lives in Australia and her father is dead. Mr. Lasdun explains that Euphemia is Kathleen’s sister, and that she’s been a patient of Cauldstone for many years. Iris goes to the hospital to speak with Mr. Lasdun and a social worker in person. On her way, she calls Alex and tells him about Euphemia. Alex is just as perplexed as Iris. At the hospital, Mr. Lasdun says Cauldstone is closing, and that he must relocate all their patients. Since Iris is Euphemia’s closest relative, they hope she can take the older woman home with her. Iris is stunned to learn Euphemia has been at Cauldstone for 60 years. Doctors diagnosed her with many conditions, including bipolar disorder, but have deemed her safe for release. Iris says she can’t take Euphemia home since she doesn’t know her. But before she leaves, she asks to meet Euphemia.

Pages 41-48 Summary

Content Warning: The following summary contains child death.

Esme remembers what she calls “the hard thing” (41). The sound of playing cards reminds her of the ceiling fan in the nursery in India. Esme hovers over Hugo’s crib, showing him a paper bird, but he doesn’t feel well and turns away from her. Jamila says he has a slight fever likely due to teething, and urges Esme to go outside to play. Instead, she rushes through the house and looks through her parents’ belongings, giddy with freedom. As she climbs onto their bed, Esme notices a curious pain in her chest. She examines herself but doesn’t see anything unusual; however, she presses her chest and feels the pain again. Esme wanders through the house and becomes aware of its eerie silence. She runs back to the nursery and finds Jamila barely able to speak and burning with a fever. She runs to the kitchen for help, but it is as though everyone vanished in the middle of meal preparation. Esme runs outside and calls out to whom she thinks is the gardener’s son, but he doesn’t answer. She returns to the nursery and finds Hugo dead. She holds his body throughout the night, and when she awakens the next morning, she realizes Jamila is also dead. When her parents return several days later, they find Esme locked in the library, holding Hugo’s body. Her father questions her, but she is in shock and has lost all sense of time. Her mother stares out the window as they pry Hugo’s body from Esme’s arms.

Pages 48-63 Summary

The novel cuts to Iris. A social worker leads Iris into the depths of Cauldstone. The place is eerily quiet and has an unpleasant smell. They enter a room where several women linger—one begs for cigarettes, and one shuffles around repeating the same phrase. A nurse summons Euphemia, and Iris meets her great-aunt for the first time. Iris introduces herself, but Euphemia seems confused. The former explains that she is Euphemia’s sister’s granddaughter. Euphemia grabs Iris’s wrist, whispers that she’s not dangerous, and implores her not to look at the nurses for help because they will put her back in solitary confinement. She tells Iris that her name is Esme, and that she’s never told the hospital staff her real name. Esme seems surprised that Kitty had a son, and Iris tells her that he died when she was young. Iris tells Esme that Kitty has Alzheimer’s disease and confirms that Cauldstone is closing. Esme asks if Iris will take her away, but Iris says she can’t. She silently leaves, and Iris is stunned to realize Esme looks like her father.

Later, Iris meets Alex and Fran for lunch and explains Esme’s situation. Alex questions if Esme’s situation is a scam or a mistake. Iris stares at Fran and thinks about how much she dislikes her sister-in-law; Fran’s never worn the vintage dress Iris bought her as a wedding gift. Iris confirms that she saw the papers legitimizing Esme’s relation to the family, but Fran echoes her husband’s doubts. There is a palpable coolness between Alex and Fran, and the former begs Iris to have no further dealings with Esme or Cauldstone.

Iris visits her grandmother, Kitty, at her nursing home in Old Town. Kitty has little short-term memory and is agitated. Iris enjoyed visiting her grandmother as a child, but now, these visits are unpleasant. She introduces herself to Kitty, but Kitty quickly forgets Iris and becomes combative when Iris tries to help her button her sweater. After arguing over whether or not Kitty has eaten dinner, Iris asks Kitty about her sister Esme. Kitty exclaims that Esme wouldn’t let go of the baby. Iris questions this, but Kitty only repeats that Esme wouldn’t let go and they had to sedate her. She tries to pry more details from Kitty, but she only adds that she was in another room at the time (of Esme’s sedation).

Pages 63-74 Summary

Iris visits Cauldstone’s confidential archives with Mr. Lasdun’s permission to research Esme’s history. Since she doesn’t know Esme’s admittance date, it takes a while to find her records. Iris eventually learns that Esme was admitted to Cauldstone at 16 for refusing to cut her hair and dancing around in her mother’s clothing. She returns to her shop and reads an email from her mother in Brisbane, stating that she knows nothing about Esme. Iris plods through shop bookkeeping, but fixates on the image of a young girl twirling around in a beautiful gown and humming a song, unaware that people are watching.

Mr. Lasdun leaves the hospital, anxious to get home and enjoy dinner with his family. Suddenly, Iris runs toward him, asking what will happen to Esme when the hospital closes. He explains that they will attempt to place her somewhere residential, but she will likely wind up in a nursing home facility. There is a shortage of available placements, and Esme is currently on a waiting list. Mr. Lasdun explains that she may be discharged soon and will have to stay in a hostel. Iris says she will house Esme. Later, after Luke stays the night at her home for the first time, Iris lies in bed reading to him about the history of women incarcerated in psychiatric hospitals; he’s uninterested and continues touching her. She abruptly asks him how old he was when he first had sex. He says it happened when he was 17 at a New Year’s party. Iris returns to the subject of Cauldstone, unable to stop thinking about what it must have been like to be trapped there. Luke continues to touch her, and asks about her first sexual experience. She refuses to give him details, but privately recalls that it was her stepbrother, Alex.

Pages 1-74 Analysis

The novel largely follows the perspectives of two female characters. The reader first experiences the memories of Esme Lennox, as she probes her mind to determine when an unidentified event began. Esme’s narration later switches to the perspective of Iris Lockhart, and though the women are different, they appear to be connected—as they are both trapped physically and emotionally. Esme stares out a window encased in bars and relates a story from her early childhood, in which her mother tied her to a chair. Iris is trapped metaphorically, engaging in an affair with a married man that is physically gratifying but emotionally distant (on her part). Alex, her stepbrother, is controlling and manipulative of his sister and dislikes her becoming involved with another man—yet has a strained relationship with his wife Fran. Fran is Iris’s opposite in every way, from her plain clothing, highlighted hair, and mannerly disposition. Conversely, Iris is a free-spirited woman with an old soul who sees through Fran’s façade. O’Farrell manipulates the novel’s narrative structure by eschewing chapter breaks, as if the two women are holding the reader captive, refusing to let them leave until they finish their stories. The further the narrative progresses, the more intertwined Esme and Iris’s stories become until it is revealed that Esme not only lives near Iris, but is her great-aunt. O’Farrell establishes the theme of The Generational Impact of Family Secrets through Iris, as she realizes her grandmother (Kitty) has a sister for whom she is now responsible. Furthermore, the reader learns Iris is harboring a family secret of her own. Through their interactions at the café, it is clear that Iris and Alex have a close relationship; however, the revelation that her stepbrother was her first sexual partner further complicates her character. Iris’s discovery of Esme not only opens her eyes to her family’s dark secret but also to the many forgotten women left to rot in psychiatric hospitals for decades (over “offenses” as simple as refusing to cut their hair or heightened sexual desire). Through Iris’s eyes, O’Farrell reveals the somber History of the Mistreatment of Women and their Mental Health.

Through Esme’s memories, the reader learns about her childhood living in British-colonized India in the 1930s. Though her childhood is full of sensory pleasures, Esme’s parents are emotionally detached from her and her sister Kitty; Esme instead finds the motherly comfort and affection she needs from her ayah (nanny) Jamila. Esme is a unique child, yet her adventurous spirit goes against her parents and society’s expectations for young girls. She is unconcerned with manners or attending parties to find a potential husband and instead prefers exploring the world, free from these expectations. When her mother ties her to a chair, it symbolizes both parents’ fruitless attempt to force her to conform. Esme doesn’t fight the restraint but still rebels by tossing her spoon onto the floor. She develops affection for her baby brother Hugo, someone who could have alleviated her loneliness had he lived. Esme’s traumatic loss of both Jamila and Hugo forever changes the trajectory of her life and at this point of the novel, could explain why she was sent to a psychiatric hospital.

Esme’s colorful, sensual memories of India clash with the cold, gray image of Edinburgh, adding to the grim tone of her (and Iris’s) present-day plight. Once Iris and Esme meet, the two women become inextricably linked, as Iris feels an unspoken connection. Though she is initially reluctant to accept responsibility for Esme’s care, Iris is haunted by the older woman having lived in a psychiatric hospital for over 60 years. Whether it be the pull of familial connection or Iris’s compulsion to free a woman trapped both physically and emotionally, she hastily decides to bring Iris into her home—a decision that will cause her to rethink all she knows about her family and reevaluate her path in life.

blurred text
blurred text
blurred text
blurred text