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56 pages 1 hour read

Kenneth Grahame

The Wind in the Willows

Fiction | Novel | Middle Grade | Published in 1908

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Chapters 1-2Chapter Summaries & Analyses

Chapter 1 Summary: “The River Bank”

Spring cleaning is hard work, and young Mole finally tires of it. Throwing down his brush, he cries, “‘Bother!’ and ‘O blow!’ and also ‘Hang spring-cleaning!’” (7) He hurries up the tunnel from his burrow and digs his way out of the upper section to the open air above. Ecstatic with the warm sunlight after living so long underground, Mole rolls in the grass and then heads for the meadow’s edge.

A rabbit stops him and demands sixpence to pass through the hedge. Mole brushes impatiently past him, knocking him over. Other rabbits peer from their holes and argue with each other about why they didn’t stop Mole.

He comes to a large river. He’s never seen one before, and he marvels at how it glimmers and chatters, as if the water plays with the things it moves past. A water rat emerges from a hole high in the opposite bank. They say hello, and the water rat invites Mole to visit. Before Mole can object because of the water between them, Rat launches a small blue-and-white rowboat and sculls across.

He helps Mole into the boat—Mole has never been in one, and he loves it—and oars back toward his side. As Rat rows, he insists that boats are wonderful, and he chants “messing—about—in—boats; messing——” (9), until the craft slams up against the other shore, knocking him backward. Rat suggests they make a day of boating, and Mole agrees. Rat disembarks, climbs into his home, and emerges lugging a lunch basket filled with cold-meat sandwiches and sodas.

As Rat sculls, Mole luxuriates in the ride. Rat says the river is everything to him: “It’s brother and sister to me, and aunts, and company, and food and drink, and (naturally) washing” (10). Mole asks if Rat gets lonely; Rat answers that the shoreline has gotten crowded, and other animals are always asking him for favors.

They pass a dark patch of woods that Rat calls the “Wild Wood.” Squirrels and rabbits live there, along with weasels and foxes, who can be nice company but aren’t trustworthy. Beyond the Wild Wood is the Wide World, where sensible animals never go.

The boat arrives at a small lagoon next to a mill. Mole volunteers to unpack the lunch basket while Rat lounges on the grassy bank. They dig into the food, and Mole, who hasn’t eaten all day, munches hungrily.

Otter emerges from the water, and Rat introduces him to Mole. Badger appears from the bushes; Rat invites him over, but he notices the other guests, grumbles, “H’m! Company” (13), and disappears.

Rat asks Otter who else is on the river that day; Otter complains that nearly everyone is, including Toad, who’s dressed in fine clothes and working a new, fancy rowing boat. Sculling is Toad’s latest passion; before that, he was sailing, punting, and house-boating. Otter remarks that Toad quickly tires of one activity and starts another; he has “no stability.”

Just then, Toad appears on the river, sculling furiously though not well. Rat waves, but Toad shakes his head and continues on. Otter begins to tell a story about Toad but suddenly disappears into the water. Rat realizes he’s chasing food.

Mole volunteers to repack the picnic basket. As Rat and Mole return upstream, Mole becomes eager to try rowing. Rat warns him that he must first take lessons, but Mole, growing jealous and impatient, suddenly leaps up, knocks Rat over, and grabs the oars. His first attempt to scull misses the water entirely, and the boat tips over.

Mole can’t swim, but Rat pulls him up, slides the oars under his arms, and, laughing, pulls him ashore. He pats down Mole’s wet fur and then has him run up and down the bank to dry off while Rat rights the boat and retrieves the sunken basket. They continue upstream, while Mole, humiliated, sits quietly in the stern. He apologizes to Rat for behaving like a “complete ass.” Rat accepts cheerfully and asks Mole to consider living with him.

Inside Rat’s home, the host provides his guest with a robe, slippers, and a chair before a roaring fire. Rat regales Mole with river stories: Ships hurl bottles, herons are fussy about their friends, some fish leap, and sometimes floods inundate the area. After supper, Mole is sleepy from the long day. Rat gives him the best bedroom upstairs.

Mole moves in with Rat. That summer, Rat teaches Mole to swim and row, and Mole learns to listen to the wind as it whispers among the reeds.

Chapter 2 Summary: “The Open Road”

Rat spends the morning with some ducks, friends whom he loves to tease. When floating in the water, they sometimes upend themselves and point their bills down into the river. Rat swims past and tickles them just under their beaks until they right themselves. The ducks tell Rat to stop it, so he sits on the bank and makes up a song about the ducks that begins: “All along the backwater, Through the rushes tall, Ducks are a-dabbling, Up tails all!” (17)

Mole interrupts to ask if Rat will take him to visit Mr. Toad. Rat agrees, and they take the boat upriver to Toad Hall. Rat says Toad is “[s]o simple, so good-natured, and so affectionate,” while at the same time he’s not too smart and can be “boastful” and “conceited” (18).

They arrive at the estate; it’s the nicest one in the area and has an old brick mansion, stables, and a banquet hall. They tie up in the boathouse, which has many fine boats but looks unused. Rat says Toad has lost interest in boats.

They find Toad in a garden, gazing at a map. He’s overjoyed to see them and says he was about to call for them. Mole sits and compliments Toad on his lovely estate; Toad says it’s the best one anywhere. He leads them to the coach house, where a “gipsy caravan,” or house on wheels, waits, painted canary-yellow with red and green wheels. Inside are bunks, bookshelves, a kitchen, games and everything else for travel.

Toad invites Rat and Mole to accompany him on a journey and says they’ll leave at once. Rat at first refuses, preferring his home on the river, but Mole, who’s eager for adventure, looks so disappointed that Rat hesitates. They have lunch, and Toad regales Mole with the exciting possibilities of travel. Soon the two are planning each day’s activities, and Rat can’t let them down, so he agrees to go along.

They catch the old gray horse, who doesn’t want to pull the wagon, and hitch him up. On the first day, they travel for miles and then stop at a public pasture and release the horse to graze. They enjoy dinner outside and then retire to the wagon’s bunks for the night. Toad says traveling is vastly better than living on a river. Rat disagrees.

Mole whispers to Rat that he’ll go along if Rat wants to escape. Rat thanks him but says they should stay, if only to protect the risk-loving Toad. He adds that Toad will soon tire of the trip anyway, much as he tires of everything else.

The next morning, Toad sleeps in late, so Rat cleans the previous day’s dishes while Mole visits a nearby village to buy eggs, milk, and other things Toad forgot to bring. As they sit, tired from the work, Toad rises and exclaims at how nice it is to travel and not have to worry about domestic duties.

The journey continues pleasantly, except that in the evening Rat and Mole see to it that Toad does some of the work. In the morning, Toad isn’t nearly as happy about travel as he was the day before and tries to sleep late again, but the others force him to get up.

While traveling slowly, they’re overtaken by a “motor-car” that roars past in a cloud of dust. Toad’s horse, startled, rears up and backs the wagon into a ditch, where it turns over. Rat shakes his fist at the receding automobile, shouting, “You scoundrels, you highwaymen, you—you—roadhogs!—I’ll have the law of you!” (23).

The wagon is severely damaged; its contents have spilled, and a wheel is broken. Rat and Mole try to right it, but it won’t budge. They find Toad sitting in the road, staring after the car, making engine noises and smiling, as if in a trance. Rat realizes Toad has found a new passion, “motor-cars,” and won’t be of any use for days. He and Mole start to walk to the nearest town, but Toad catches up to them.

Rat tells Toad to file a complaint with the police, but Toad can’t imagine protesting as wonderful a machine as a car. He wants to never again see the wagon, but he thanks Rat for joining him on the journey that introduced him to automobiles. Rat refuses to speak to Toad. At the town, they stable the horse and explain the broken wagon to the stable hands. Then, they take a train back to Toad Hall and deposit Toad—still “spell-bound, sleep-walking” (26)—and instruct his housekeeper to feed him and put him to bed. Rat and Mole scull their boat back to Rat’s home, where they enjoy a peaceful dinner.

The next evening, Rat brings news that Toad has purchased “a large and very expensive motor-car” (26).

Chapters 1-2 Analysis

The first chapters introduce three of the main characters—Rat, Toad, and their new friend, Mole—and depict Mole and Rat bonding over boating and beginning their work together coping with Toad’s wild eccentricities. In addition, these early scenes offer brief glimpses of two other characters, Otter and Badger, who become more prominent in later chapters.

The basic premise of the book is that animals talk, wear clothes, eat human foods, and live in houses with furniture, kitchen utensils, and fireplaces. Such “anthropomorphism”—the imposition of human characteristics onto other things, especially animals—is a popular way to tell stories to children, many of whom are interested in little furry creatures and understand a character more easily if it lives in the same basic way as they do. For example, Beatrix Potter’s Peter Rabbit books (published between 1901 and 1930) and AA Milne’s Winnie the Pooh books of the 1920s anthropomorphize the main characters, as does Walter Brooks’s Freddie the Pig series of children’s novels (written between the late 1920s and the late 1950s).

All three of Toad’s best friends—Rat, Badger, and Mole—are burrowing animals. Rat digs a cave in the side of a river bank, but Badger and Mole tunnel much deeper into the ground. Each home is nicely appointed with furniture, a fireplace, and kitchen things. Thus, even deep underground, the characters’ dwellings become cozily familiar to readers.

The Wind in the Willows thus applies the gloss of human culture and behavior to the creatures who live in the woods. This blend of human and animal traits and environments is part of the reason that the novel charmed many readers and became so successful.

Innocent young Mole is eager to learn about the big world above his burrow, introducing the theme Wildness Versus Home Life. Rat, a carefree lover of relaxation, boating, and singing, has a practical, industrious side that overrules his natural laziness when he needs to maintain his home and boat or simply feed himself. He’s kindly and tolerant toward Mole, welcomes his friendly and helpful company, and teaches him to swim and row. The two become devoted friends.

Both prove loyal friends to Mr. Toad, a wealthy landowner who’s friendly and generous but inclined toward a self-involved interest in showy hobbies, which often change abruptly. When introduced, Toad has just shifted from river sculling to traveling in a caravan, or house wagon. Toad promptly abandons this passion when he gets a glimpse of a “motor-car” and his troubles begin in earnest.

The waterway that Grahame so lovingly describes is based on the River Thames, which winds through Berkshire County on its way east to London and the sea. It flows past the meadows and woods of the author’s youth, where it provided him with ample practice in boats. The story brings these experiences to life, and the animals he saw there become the main characters.

The book, based on stories the author told to his young son, is designed to appeal to very young children as well as older kids. The Lexile rank is 880L, suitable for fifth graders; for those younger, it’s best read aloud. They may not understand every word but will get the gist of it and will understand (and possibly love) the furry characters in their beautiful setting. Older readers and adults may be entranced by the story’s humor and charm, including its lilting descriptions of a rustic river setting at its lush and summery best.

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