52 pages • 1 hour read
Lisa JewellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In characterizing Noelle and Floyd, Jewell explains background information about their childhoods to show the reader the way upbringing contributes to one’s personality and mental state as an adult. In part, learning about Noelle and Floyd’s childhoods helps make them more understandable and realistic characters. Rather than simply labeling them as the villains of the story, the reader sees them as people with a history that shaped them into the mentally unstable adults encountered in the novel.
First, Noelle explains her family and upbringing from a first-person perspective. Growing up in Ireland, Noelle was the middle child with two older and two younger brothers. Her only sister, Michaela, died at age eight, and Noelle describes the way her parents constantly compared her to Michaela. Her parents slept in separate bedrooms and had high expectations for her academically. She sums up her childhood saying, “Anyway, that was me. The less bonny, less clever, less dead sister with the four horrible brothers and the mum and dad who judged more than they loved” (166). Noelle never formed meaningful relationships in her life and struggled to find a job that was a good fit for her. After reading Floyd’s book and meeting him in London, she quickly became obsessed with him and with winning his attention. Over time, she became desperate to keep her relationship with Floyd, and her resentment over her less-than-perfect life grew when she encountered Ellie’s golden personality. The reader sees how her strange personality and disturbed mental state developed in degrees over time because of her upbringing. The lack of love in her childhood shaped her identity and emotional state.
Floyd’s upbringing and family life was also imperfect. His parents were extremely young and poor when he was born, and they left him in front of a hospital. They spent a year fighting to get him back, but when he misbehaved as a child, they would say, “We should have left you there in the hospital” (106). His family travelled around the word during his growing up years, so he never stayed somewhere long enough to form meaningful relationships. Floyd also had a hard time making friends as a young person because of his personality. Floyd explains the lack of normal relationships in his life, saying, “As it is, I don’t think I ever really loved anyone, until Poppy came along. And even now I’m not sure if that’s quite the right word. After all, I have nothing to compare it to” (334). Similar to Noelle, Floyd’s unconventional upbringing and lack of love from family and friends damaged his psyche to some extent. Information about his childhood explains to the reader why Floyd struggles to tell Laurel the truth and eventually dies by suicide. Jewell’s decision to create a family history for each of the novel’s disturbed characters shows the way one’s upbringing shapes one’s character and identity.
At the heart of the novel, Jewell chronicles Laurel’s healing process as she finds new purpose in her life and reconciles with her family members. Grief over Ellie’s disappearance results in Laurel’s disconnection from her family. Her marriage falls apart because of her resentment towards Paul over his ability to move on with his life in a way that she could not. She also loses touch with her other two children, Hanna and Jake. Her relationship with Hanna lacks love and connection. She favored Ellie over Hanna, and therefore struggles to accept losing her “golden” daughter (8) rather than her “difficult” daughter (10). She fails to find meaning and purpose in her daily routines, and even 10 years after Ellie’s disappearance, is still consumed by her pain.
However, throughout the novel, Laurel begins to reconcile with her family members, which coincides with her healing process. She asks forgiveness from Paul and initiates a family dinner to bring the whole family together. Laurel also comes to terms the way she mistreated Hanna and sees that she misjudged Hanna’s personality. She begins to see Hanna in a new light, as her golden girl—beautiful, happy, and vibrant, just like Ellie. She even shares special moments with her own elderly mother, who is usually cynical and difficult to spend time with. By the end of the novel, Laurel resumes her role as a mother to her own children and to her grandchild. Reconciliation with family brings renewed purpose, joy, and hope into her life. Even though she still thinks of Ellie and misses her, Laurel healed so that her grief for Ellie no longer keeps her from continuing meaningful relationships with the family and children she has left. Jewell shows the interconnected nature of personal restoration and reconciliation of family relationships, and she creates a realistic process of healing that progresses throughout the novel.
Throughout the novel, the characters Jewell creates share a common quality: their need for love. Jewell showcases the way the human need for love drives one’s thoughts, actions, and identity, and how a lack of love in one’s life can lead to serious consequences. For Noelle and Floyd, a lack of love in childhood contributed to their obsessive personalities. Noelle is so desperate for Floyd’s affection that she goes to great lengths to keep him in her life: kidnapping, impregnating, and eventually killing Ellie. Similarly, Floyd finds himself clinging to Laurel and Poppy rather than coming forward with the truth about Ellie, as he intended. Although he eventually comes clean, he dies by suicide shortly afterward, suggesting that without people he cares about, and who care for him in return, his life is not worth living.
In addition to the novel’s mentally disturbed characters, Jewell also highlights Laurel and Hanna’s need for love. Laurel blossoms under Floyd’s love and is able to find joy, purpose, and hope for the first time since Ellie’s disappearance. Love from Floyd opens Laurel up to love others, such as her family, in a way she neglected for the last ten years. Similarly, Hanna also transforms when her mother reaches out in love. Once Laurel stops seeing Hanna as a consolation prize, Hanna’s true personality shines through to Laurel.
Finally, Poppy, although seemingly loved by Floyd, senses that her life is missing something important: love from a family. She tells Laurel that she wishes to have a larger family and brightens at the prospect of meeting some of her extended family on Noelle’s side. After the trauma of learning that Floyd is gone, she wants to be with her “real family” at the Christmas gathering (343). Her hate for Noelle suggests that, even as a toddler, Poppy could sense that Noelle didn’t love her. She longs to be loved by a family, and at the end of the novel, seems to flourish as the youngest in a line of Mack women who have so much love to give her. Jewell’s characters showcase the basic human need for love and illustrate the way love has the power to heal, while the deprivation of love has the power to destroy.
By Lisa Jewell