77 pages • 2 hours read
Rebecca RoanhorseA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
One form of water that has a significant impact on the world of Trail of Lightning is the Big Water. This is the apocalyptic flood that recently wiped out much of North America. This flood represents a rebirth of the world, the transition from the old ways of the Fifth World to the new ways of the Sixth World. This is part of the Diné cyclical nature of worlds, as Coyote explains to Kai. Although the characters of Trail of Lightning are all old enough to have lived in both eras, the Big Flood provides a distinct transition between a period that seems more familiar to readers today and the novel’s era of monsters and mythology. In this sense, water symbolizes life and rebirth. Similarly, the scarcity of water in the Sixth World emphasizes how necessary it is for humans. For example, Kai reports to Maggie that in the Burque, there are water barons who control access to water. As Maggie puts it, “Water is life” (54). Water can also be dangerous, however. Another form of water that often appears in Trail of Lightning is storm water, which sometimes relates to the Big Water. This water is also ominous, even nightmarish. When Kai and Maggie take a nap on the way to Crownpoint, Maggie dreams of first a storm and then an evil Neizghání. In the storm portion of her dream, “the Big Water of [her] nightmares” (61), the storms and floods represent the overwhelming and imminent danger that Maggie feels, further exemplified by the threat of Neizghání in her second nightmare.
The lack of resources, particular the lack of energy sources, is a frequent motif in Trail of Lightning. When discussing the Fifth World, character often refer to the Energy Wars, in which people battled over hoarded natural resources. On their journey to Crownpoint, Kai and Maggie discuss their disapproval of this way of life, which continues with the hoarding of other resources, like water. In contrast with the rest of the Sixth World, Dinétah supposedly possesses an abundance of gasoline. However, as Maggie explains to Kai, the tribe sells this fuel elsewhere, leading to a notable lack in Dinétah itself. This is why Maggie has outfitted her truck to run on other forms of alcohol, which she can access more easily than regular gas.
Dinétah lacks other resources that defined much of the Fifth World, including access to permanent housing. Dinétah’s valley houses a number of small communities. In some, there are trailers or even common buildings, like the Lukachukai Chapter House that Maggie visits in the first chapter. Maggie herself lives in a small trailer, which she picked up after “the previous owner died in his sleep, and nobody else would live in it” (20). As another example, Tse Bonito, which is a “booming metropolis by Dinétah standards” (24), is “mostly made of tin-roofed shacks and old metal-sided trailers” (24). In other communities like Rock Springs, for example, people live in tents. Access to amenities from the Fifth World, like batteries, is limited, too. When Kai and Maggie research the tsé naayéé’ at Crownpoint, their research is interrupted when their CD player runs out of batteries. The lack of batteries does not surprise Kai, who tells Maggie, “I’m surprised we got that much juice out of the thing. It’s been sitting here how many years?” (80).
What ties all these instances together, besides the lack of resources, is the resiliency that characters show in the face of these struggles. Even without the amenities of the Fifth World, from gasoline to permanent shelter to even simple batteries, the inhabitants of Dinétah adapt to the challenges of the new era, finding new places to live and new sources of energy and conserving what they can.
Lightning is a symbol of power and divinity in the novel. Both Neizghání and Coyote are associated with lightning, using it to travel. When Coyote transports Kai and Maggie from Grace’s trailer to the Shalimar in Tse Bonito, he moves them across space through a lightning bolt. When they travel, “the smell of ozone fills [Maggie’s] nostrils and the world ignites in flame. Less than a second later, lightning strikes in Tse Bonito and there we stand” (202). Maggie also associates lightning with Neizghání’s presence. After the battle with monsters at Rock Springs, Maggie remembers “the lightning strike burns by the main camp, and a horrible suspicion begins to form” (187), at which point Maggie begins to suspect Neizghání might be the witch who created the tsé naayéé’. Just like both immortals, lightning is a dangerous and terrifying natural power. When Clive reports to Maggie about her fight with Neizghání, he says, “it was chaos at the end […] Lightning struck Mósí’s glass house. The bleachers caught on fire. The crowd panicked” (249). Here a lightning strike saved Maggie’s life, striking against even another immortal—Mósí. The lightning also terrifies the crowd in the arena, causing fire and panic.
The presence of lightning as a symbol of deadly power reflects the novel’s title, Trail of Lightning. In a way, Maggie tracks a trail of lightning throughout the book as she searches for the origins and maker of the tsé naayéé’ monsters. Near the end of the book, she begins to suspect one Holy Person associated with lightning—Neizghání. However, it is not until Coyote’s final revelation that Maggie realizes he was the one she tracked all along.
Although coffee is certainly one example of resource scarcity in Trail of Lightning, it has more domestic and comforting meanings to the novel’s characters than other resources. When Tah first offers coffee to Maggie, she is “awestruck.” Although coffee has survived into the Sixth World, it is both expensive and rare. Although Maggie keeps up the habit of consuming hot drinks, she notes, “Truth is, most days I make do with a mug of the Navajo tea that grows wild in my yard” (27). The ritual of drinking coffee is the ideal domestic custom—not something to simply repeat, but something to cherish and enjoy. The domesticity and comfort of coffee contrasts sharply with the danger and trauma of the Sixth World. Later, after she wakes up from her nightmares to make coffee, Maggie observes the scars on her hand. She thinks, “the newer wounds complement the calluses and rigid white scars of my old injuries” (124). Maggie’s own body bears proof of the danger she is constantly in. This realization sends Maggie, still unnerved from her nightmares, into a rage. When she comes out of that rage, she returns to making coffee. The coffee grounds Maggie back in her reality, helping her move out of her temporary but overly aggressive lapse in judgment.
By Rebecca Roanhorse