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34 pages 1 hour read

Flannery O'Connor

Wise Blood

Fiction | Novel | Adult | Published in 1952

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Themes

Identity

Identity is an extremely important theme in Wise Blood, one that is mainly evident in relation to the protagonist, Hazel Motes. Motes comes a very religious family, and his grandfather was once a traveling preacher. By the time the novel begins, however, Motes has completely disavowed his Christian beliefs. He enters Taulkinham dressed in a blue suit and his grandfather’s hat, and other characters repeatedly mistake him for a preacher. As the book progresses, Motes fulfills his destiny of becoming a preacher by becoming a type of “anti-preacher.” He stands on the hood of his car, just as his grandfather did before him, and preaches to the people of Taulkinham. His message is not one of Christianity, however, but the absence of it: “I preach peace, I preach the Church Without Christ, the church peaceful and satisfied” (139). Motes is never able to get any kind of real following for his church, so neither his newfound (anti-)preacher identity and atheistic beliefs are never really affirmed. At the end of the novel, Motes walks out into an ice storm with his shoes filled with rocks and his eyes blinded by quicklime: it’s not clear whether this was an attempt to shed his anti-preacher identity by accepting Christ or an attempt to fully embrace his absence of belief and thus his identity.

The Fallen Nature of Humanity

Flannery O’Connor was a devout Catholic and her belief that humanity is fallen and in dire need of redemption is evident throughout Wise Blood. All of the characters in the book are damaged, immoral, and conniving. Hazel Motes plots to seduce a minor, and he later murders the false “prophet” of Onnie Jay’s church. Asa Hawks hides his alcohol consumption and neglects his daughter. Enoch Emery is a compulsive thief. The novel’s minor characters are all rude and only concerned with material objects or entertainment shows. Hazel Motes becomes atheist after his experiences during World War II, but he was presumably nourished by his Christian faith before that. He is damaged by the war, and later does damage those around him. Motes’ lack of faith makes him dangerous and towards the end of the novel, O’Connor seems to suggest that only faith could reverse this reality.  

Faith versus Doubt

Throughout the narrative, Hazel Motes appears to resist the inevitable in regard to becoming a preacher. He was once a devout Christian but, since the war, he has become an even more devout atheist. Motes repeatedly denies the existence of Jesus and his redemptive powers, but remains obsessed with finding some form of redemption In a sense, Motes is constantly confronted with the presence of God, as he consistently meets people who believe in God or discuss his presence. Motes’ incessant, even militant, attempts to distance himself from God make him appear at times to be on the borderline of sanity; this, in turn allows the novel to serve as a serious exploration of religion while also being a masterful exercise in the Southern-Gothic genre. At the end of the book, it is not clear if Motes is wearing glass and rocks in his shoes as a means of redeeming himself in the eyes of Jesus, or merely as a form of self-flagellation. 

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